The Match Factory Locks Multiple Deals On Berlin Competition Titles ‘Dying’ And ‘Architecton’

Lise Pedersen Berlin-based Rise and Shine World Sales has picked up the rights for “E.1027 – Eileen Gray and the House by the Sea,” which is vying for the top Dox:Award at Copenhagen’s CPH:DOX, one of Europe’s leading documentary festivals. Variety is debuting the trailer and poster, below.

Housing in America is becoming a huge issue, with astronomical housing prices beginning to eliminate a generation of potential home buyers. Monthly rents are soaring; it’s a real-life issue ripe for dramatic exploration in both features and television.

Leo Barraclough International Features Editor Following its world premiere in the competition section of the Berlin Film Festival, Beta Cinema has revealed first sales across Europe and to Australia and New Zealand for Andreas Dresen’s “From Hilde, With Love.” The drama about anti-Nazi activists in Berlin, which is led by “Babylon Berlin’s” Liv Lisa Fries and introduces Johannes Hegemann in his first big screen appearance, will be released in France by Haut et Court, in Italy by Teodora and throughout Scandinavia by Angel Films. Beta Cinema also closed deals for Benelux (September Film), Portugal (Outsider), former Yugoslavia (Discovery), Hungary (Cirko) and Czech Republic (Film Europe). Palace Film picked up the film for Australia and New Zealand.

Leo Barraclough International Features Editor The Match Factory has revealed multiple distribution deals for two Berlinale competition titles: German director Matthias Glasner‘s “Dying,” which won the festival’s Silver Bear for best screenplay, and Russian director Victor Kossakovsky‘s documentary “Architecton.” “Dying,” which stars Lars Eidinger, Lilith Stangenberg and Corinna Harfouch, also picked up the Guild of German Arthouse Cinemas and the Berliner Morgenpost Readers’ Jury Award. Variety‘s review describes the film as “a profoundly affecting exploration of life and loss.” The Match Factory closed deals for the film in France (Bodega Film), Italy (Satine Film), Benelux (September Film Distribution), Norway (Selmer Media), Poland (Aurora), CIS (Provzglyad), Ex-Yugoslavia (MCF MegaCom Film), Hungary (Cirko Films), Greece (Cinobo), Romania (Freealize), Taiwan (Andrews Film) and South Korea (Pancinema).

Christopher Vourlias Following on the heels of a successful post-pandemic reboot one year ago, the Joburg Film Festival kicks off its sixth edition on Feb. 27, with the glitzy capital of South Africa’s media and entertainment industry showcasing a selection of top talents from the host country and across the African continent.

Alex Ritman “La Cocina,” the Rooney Mara-starring drama that recently bowed in competition at the Berlinale, has been acquired for most international territories. HanWay Films has closed sales for France (Originals Factory), Australia and New Zealand (Vendetta), Spain (Avalon), Italy (Teodora Film), Benelux (Cherry Pickers), Switzerland (Filmcoopi), Scandinavia (Mis.

Guy Lodge Film Critic The Berlin Film Festival drew to a close with tonight’s awards ceremony, with French-Senegalese director Mati Diop taking the Golden Bear for her documentary “Dahomey.” Full report to come; full list of winners below.

Winners have been announced at the 74th Berlin Film Festival, with Dahomey by French-Senegalese filmmaker Mati Diop scooping the coveted Golden Bear prize as the best film of the festival’s International Competition. Scroll down for the full list of winners, which were revealed Saturday evening at the Berlinale Palast.

With his debut feature Last Swim, an ambitious and quietly radical portrait of young life in London, Sasha Nathwani has achieved one of the most difficult tasks for a new filmmaker: cutting through with a festival audience. 

Naman Ramachandran Nepali filmmaker Min Bahadur Bham‘s journey to make Berlin competition title “Shambhala” was arduous but an ultimately rewarding one. Bham’s 2012 short “Bhansulli” debuted at Venice. His debut feature “Kalo Pothi” (aka “The Black Hen,” 2015) won the Fedeora best film award at Venice Critics’ Week and became Nepal’s official Oscar entry.

Nick Vivarelli International Correspondent Italian singer-songwriter Margherita Vicario’s directorial debut “Gloria!” has scored a slew international sales ahead of its world premiere in the Berlin Film Festival competition. RAI Cinema International Distribution has sealed deals to nine territories on Vicario’s vibrant musical comedy set in a late 18th century Venetian female orphanage where a young rebel named Teresa leads a group of performers to challenge classical canons and invent a precursor to pop music.

Patrick Frater Asia Bureau Chief The route from idol group member to TV and film acting is a well-trodden one for multiple Japanese performers as they mature and attempt to broaden and extend their career. Few, however, can have received the plaudits of SixTONES member Matsumura Hokuto, who flies in to the Berlin Film Festival for the international premiere of two handed drama feature “All the Long Nights.” Derived from a novel by Seo Maiko and directed by Miyake Sho, the narrative features a woman (portrayed by Kamishiraishi Mone) whose pre-menstrual tension is so intense that it changes her character and disrupts her career. She is befriended by a younger, somewhat solitary man who, in turn, suffers from panic attacks.

Elsa Keslassy International Correspondent Playtime has had a busy EFM, where it’s locked a raft of major deals on “The Devil’s Bath,” a period psychological thriller in competition at the Berlin Film Festival. “The Devil’s Bath” is directed by Veronika Franz and Severin Fiala, the Austrian filmmaking duo behind “Goodnight Mommy.” Set in rural Austria in 1750, “The Devil’s Bath” stars Anja Plaschg, the up-and-coming singer and composer known as Soap & Skin. Plaschg plays Agnes, a young married woman who feels oppressed in her husband’s world, which is devoid of emotions and limited to chores and expectations.

Christopher Vourlias Oscar nominee Abderrahmane Sissako (“Timbuktu”) returns to the screen for the first time in nearly a decade with his latest feature, “Black Tea,” a lushly lensed romantic drama about a love spanning cultural divides that world premieres Feb. 21 in competition at the Berlin Film Festival.

Leo Barraclough International Features Editor International sales company Iuvit Media Sales has closed multiple deals at the European Film Market in Berlin for the suspense horror slasher “Goldilocks and the Three Bears: Death and Porridge.” Buyers include Gussi Films for Latin America, Pioneer for the Philippines and Front Row for the Middle East. Directed by Craig Rees (“Annabellum,” “Whispers”) and starring Olga Solo, Abigail Huxley, Rees and Julian Amos, “Goldilocks and the Three Bears: Death and Porridge” is an “intelligent” horror slasher, in the vein of Wes Craven horrors, and with comparables such as “The Strangers” and “The Purge.” In this adaptation of the fairy tale, Goldilocks and the three bears live together in an isolated house in the woods.

Somebody — or something — is speaking from inside a timber crate. “It’s so dark in here… a night so deep and opaque” read the subtitles; the voice is speaking in Fon, the local language of the West African country that was once called Dahomey and is now Benin. As the slats are nailed down, the voice is increasingly muffled; we are outside, but we are inside too, watching the light disappear.

Jessica Kiang In November 2021, 61 years after Benin gained independence from the French empire, 26 of the many thousands of plundered national antiquities were returned by France to their African home. Inserting an inquisitive, imaginative intelligence into this key moment in the troubled timeline of post-imperial cultural politics, French-Senegalese director Mati Diop fashions her superb, short but potent hybrid doc “Dahomey” as a slim lever that cracks open the sealed crate of colonial history, sending a hundred of its associated erasures and injustices tumbling into the light.

“The first shape I had in mind for this film was fiction,” filmmaker Mati Diop told a Berlin Film Festival presser this morning when quizzed on the structure of her inventive documentary Dahomey. 

Christopher Vourlias Africa’s growing screen industries are making their mark on the global stage, with three titles in the main competition at this year’s Berlin Film Festival, but how to unlock the continent’s still-untapped potential was a question on the minds of many at a conference hosted on Saturday by the European Film Market. A partnership between EFM and Prudence Kolong’s Stockholm-based consulting firm Yanibes, AfroBerlin was launched to give a platform to filmmakers from Africa and the diaspora and “to find a place where they can share stories and experiences and be heard,” said Kolong, who also organizes the Cannes Film Festival’s AfroCannes industry showcase.

“This is a very, very romantic film,” Gael García Bernal said of his Berlin competition title, Another End.