‘They Were Like Flower Children’: Susanna Nicchiarelli on ‘Chiara,’ With ‘My Brilliant Friend’ Star Margherita Mazzucco as Saint Clare

Nick Vivarelli International Correspondent Tim Burton’s “Wednesday” series starring Jenna Ortega as Wednesday Addams will have its European premiere in Italy at Lucca Comics & Games with Burton attending the launch at Europe’s biggest geek meet.  Lucca Comics – which is an immersive cross-media event dedicated to pop culture, cosplay and comics held in the medieval Tuscan town of Lucca – has been chosen by Netflix as the venue for the European unveiling of the first “Wednesday” episode on Oct. 31.  Burton has executive produced and directed four of the show’s eight episodes, with Gandja Monteiro and James Marshall serving as additional directors. “Wednesday” is produced by MGM Television for Netflix.

Nick Vivarelli International Correspondent The life of global porn icon Rocco Siffredi is the subject of a new Netflix original series titled “Supersex,” which has started shooting in Rome. The seven-episode drama is freely inspired by the real life of Siffredi, who has more than 1,500 hardcore films to his name. But, in an interesting career twist, Siffredi has also shot two arthouse pics, Catherine Breillat’s “Romance” and “Anatomy of Hell.” His Budapest-based Rocco Siffredi Prods. is a porn industry powerhouse. Siffredi was also the subject of the documentary “Rocco,” directed by French duo Thierry Demaiziere and Alban Teurlai, which screened at the 2016 Venice Film Festival. 

Nick Vivarelli International Correspondent The 17th annual Rome Film Festival will fete James Ivory with a career honor, a mini retrospective and the Italian launch of the Oscar-winning filmmaker’s personal new documentary “A Cooler Climate.” Ivory is expected in Rome to receive the award and present the doc about his life as a traveler that takes its cue from boxes of film the director shot during a life-changing trip to Afghanistan in 1960. The film premieres beforehand at the New York Film Festival. Rome’s Ivory mini-retrospective will comprise his films “Maurice”; “Mr. and Mrs. Bridge,” starring Paul Newman and Joanne Woodward; “The Remains of the Day”; and “A Room With a View.”

Nick Vivarelli International Correspondent An English-language reimagining of the world of Sergio Corbucci’s cult 1966 spaghetti western “Django,” which launched the career of Italian icon Franco Nero, is set to launch from the Rome Film Festival in October. The high–concept TV series, titled “Django,” will play in 2023 exclusively on Sky and its streaming service NOW in all countries where Sky operates, including the U.K., Ireland, Italy, Germany and Austria. It will also air on Canal+ in France, Switzerland, Benelux and Africa. The Rome Film Festival runs from Oct. 13-23. The 10-episode “Django” show stars Matthias Schoenaerts (“Rust and Bone,” “Bullhead”) as the iconic gunman who is the title character, alongside Nicholas Pinnock (“For Life”) as John Ellis, described as the “visionary founder” of the town of New Babylon. Lisa Vicari (“Dark”) plays Django’s daughter Sarah and Noomi Rapace (Millennium Trilogy) has the adversarial role of John’s powerful and ruthless enemy Elizabeth Thurman. 

Season three of Netflix‘s Bling Empire is coming out so soon!

Nick Vivarelli International Correspondent Italian producer Andrea Iervolino (“Waiting for the Barbarians”) has acquired a controlling stake in central London’s Mercato Metropolitano food market and teamed with British music producer David Tickle’s Tickle Entertainment on a doc series set there about global food culture. Iervolino, whose Iervolino and Lady Bacardi Entertainment (ILBE) company produces feature films including Bobby Moresco’s upcoming “Lamborghini,” is also the founder of innovative digital entertainment platform TaTaTu, a social media platform that uses a form of rewards points called TTU Coins. TaTaTu recently acquired a controlling stake in London’s Mercato Metropolitano from its founder Andrea Rasca who in 2016 established this pioneering community market as a space for social exchange and environmental sustainability. The Mercato is now being used as the location for an upcoming docu-series chronicling the journey of four chefs who sought refuge in the United Kingdom respectively from Syria, Namibia, Nepal, and Uzbekistan.

Pod Meets World” titled “Trina McGee Meets World.”McGee went on to say that “Boy Meets World” creator Michael Jacobs approached her with an acting note: “’Hey, Trina, just turn down the Telma Hopkins about eight notches,’” she recalled him saying. “I knew exactly what he was talking about and I did.”McGee, who has previously opened up about facing racism, told her colleagues that “there are so many things you guys are so lucky you didn’t have to think about.”Fishel has had her own issues with Jacob, who she said humiliated her on set and threatened to fire her when she was 12 years old.

EXCLUSIVE: Joy Gorman Wettels is launching her own production venture and has struck a deal with Fifth Season.

Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.

lose weight, it's common knowledge that the first step it to cut out sugar. Many people's first point of call is limiting sweet treats such as chocolate and desserts - all things high in calories and sugar. But when it comes to fizzy drinks there is a bit of confusion around the word "diet".

Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.

A saddening loss. Margaret Josephs revealed that her ex-husband, Jan Josephs, recently died at age 74.

Jan Josephs has died at 74.

Margaret Josephs is mourning the death of her ex-husband, Jan Josephs. The 55-year-old star took to Instagram on Monday to share the sad news of Jan's passing in a touching birthday tribute.«Today would have been Jan’s 75th birthday, he passed away unexpectedly last week and a piece of us died with him,» she wrote alongside an old, black-and-white photo of Jan.

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Nick Vivarelli International Correspondent In Italian director Emanuele Crialese’s new drama “L’Immensità,” which is set in 1970s Rome, Penélope Cruz plays a mother of three who, while contending with a violent Italian husband, winds up in a psychiatric institution. “I don’t think my character is crazy at all,” Cruz said. “She is trapped in her family. Trapped in her home, in her body. In the situation in which she finds herself living. She doesn’t have a plan B. There is no escape,” she added. “She’s not crazy at all. She’s oppressed in many different ways. And she simply can’t take it anymore.

Nick Vivarelli International Correspondent On July 26, the day the Venice lineup was announced, my 14-year-old daughter Emma started hounding me that I had to take her on the red carpet to see Timothée Chalamet. Eventually, I relented, even though I thought the movie, “Bones and All” — about two cannibals who fall in love — would be too gory for her. So we struck a compromise: We’d try to meet Chalamet (or “Timmy,” as he’s called) without going inside to see the film. So there we were — Emma; her friend Nina, 13; and me — on a balmy late afternoon in a small reserved spot for journalists behind the red carpet, opposite the fans, waiting for our A-list sighting. And for a while it was pretty boring. The girls spotted “Outer Banks” star Chase Stokes; YouTuber Emma Chamberlain; Simone Ashley, whom they known from “Bridgerton,” and Italy’s Luca Argentero who stars in the local medical procedural “Doc.” For me the most exciting thing was seeing Venice chief Alberto Barbera’s gorgeous newborn baby daughter Thea, brought out on the red carpet by a nanny to get her first taste of stratospheric stardust, just like Emma.

Nick Vivarelli International Correspondent The Italian film industry is in a paradoxical state: production is booming but box office is bust. Italy’s five features vying for a Venice Golden Lion – plus a myriad more scattered in other Lido sections – reflect cinema Italiano’s current creative vibrancy, if you look at the cream of the crop; however, the average quality is not that great. On the plus side, the country is making a quantum leap forward in terms of the global visibility of its movies just as the number of Italian directors considered bankable in Hollywood, such as Paolo Sorrentino, Luca Guadagnino and Stefano Sollima (“Without Remorse”), to name but a few, is growing.