Adèle Haenel Calls Out French Film Industry for Protecting ‘Sexual Aggressors’: They’ll ‘Do Anything to Defend Their Rapist Chiefs’

Elsa Keslassy International Correspondent Girls Supports Girls, the French film sorority launched by producer Vanessa Djian and publicist Karolyne Leibovici, made its debut at this year’s Cannes Film Festival with the backing of Orange, in association with Kering. A flurry of French female talent, notably “Simone” actress Elsa Zylberstein and “Houria” director Mounia Meddour, took part in the networking luncheon which was hosted on the rooftop terrasse of Kering’s Women in Motion event at the Majestic hotel. Djian, whose production banner Daïdaï Films recently became part of Newen Group, and Leibovici, the founder of A&K communication, launched Girls Supports Girls four years ago to connect and create opportunities for female producers, actresses, executives and diverse talent coming from the film, TV and media industries.

Elsa Keslassy International Correspondent Wscripted, the talent platform sourcing women and non-binary writers, has unveiled the nominees for its third Cannes Screenplay List, an initiative launched in partnership with MUBI. The final selection was curated by an inaugural jury of international female filmmakers, including Mounia Meddour (“Papicha”, “Houria”), Funa Maduka (“Waiting for Hassana”), and Camille Griffin (“Silent Night”). The list features 10 English-language and two French-language film projects by women and non-binary screenwriters and celebrates original projects from development to early financing stages.

Elsa Keslassy International Correspondent Leading lights of contemporary Iranian cinema, including ‘Holy Spider’ actor Zar Amir Ebrahimi, ‘The Siren’ director Sepideh Farsi, ‘The Opponent’ helmer Milad Alami and producer Kaveh Farnham, turned up at the Cannes Film Festival to raise the alarm on the repression faced by Iranian cinema during a session hosted by Amazon Prime Video’s Sahar Baghery. Iran has been the centerstage of widespread protests driven by women against the Islamic Regime since Mahsa Amini died in police custody for for wearing her hijab too loosely in September 2022. Although the rebellion has garnered vocal support outside of Iran, it hasn’t succeeded in dethroning the Iranian Regime. A number of dissident Iranian filmmakers and talent have been jailed over the last six months, notably Jafar Panahi and Mohammad Rasoulof who was recently released from prison. Rasoulof was nevertheless banned from leaving Iran to serve on the jury of Un Certain Regard at Cannes.

Elsa Keslassy International Correspondent “Tiger Stripes,” the debut feature of Malaysian director Amanda Nell Eu, won the Grand Prize at Cannes’ Critics Week, the Cannes sidebar dedicated to first or second films. The prize was awarded by a jury presided over by Audrey Diwan, the Venice prizewinning director of “Happening.” The French Touch Jury Award went to Belgian director Paloma Sermon-Daï’s “It’s Raining in the House,” a film about adolescence, while the Revelation prize from the Louis Roederer Foundation was handed out to Jovan Ginic, the actor of Vladimir Perisic’s “Lost Country.”  The SACD prize, meanwhile, went to “Le Ravissement” by Iris Kaltenbäck.

Elsa Keslassy International Correspondent Alireza Khatami and Ali Asgari‘s “Terrestrial Verses,” the sole Iranian film premiering in Cannes’ Official Selection, has been acquired for distribution in key European territories. Represented by Films Boutique, “Terrestrial Verses” has been acquired for France (ARP Selection), Benelux (September Films) and Germany/Austria (Neue Visionen). All three banners are leading distributors in their respective territories. Those deals were closed following the film’s well-received world premiere. “Terrestrial Verses” marks the first collaboration between Khatami and Asgari, who are both acclaimed directors.

Elsa Keslassy International Correspondent France’s mk2 films is set to distribute internationally a collection of Martin Scorsese’s prestigious restored films from the World Cinema Project, which is part of his banner The Film Foundation. The World Cinema Project has so far restored 51 films from 29 different countries, representing the breadth and diversity of global cinema. Scorsese, one of the greatest living film legends whose latest movie “Killers of the Flower Moon” world premiered at the Cannes Film Festival on May 20, created The Film Foundation to raise awareness and funds for the preservation of our cinematic history. Since its formation, The Film Foundation has helped to preserve and restore over 1,000 films from every era and genre, ranging from features to documentaries, newsreels, shorts, home movies, experimental and silent films.

Elsa Keslassy International Correspondent Kaouther Ben Hania, the Oscar-nominated director of “The Man Who Sold His Skin” whose latest film “Four Daughters” is competing at this year’s Cannes Film Festival, will next direct “Mimesis,” an epic love story set in Tunisia. While the plot is under wraps, the story is set in two different periods, the 1990s and the 1940s, paying tribute to cinema and Arab-Muslim cultural heritage. It’s being produced by Nadim Cheikhrouha at Tanit Films, who produced Ben Hania’s “Four Daughters” and her previous film “The Man Who Sold His Skin” which world premiered at Venice where it won best actor for Yahya Mahayni and was nominated for best international film at the Oscars in 2021.

Elsa Keslassy International Correspondent France’s culture minister Rima Abdul-Malak gave her first interview with the international press at the Cannes Film Festival where she unveiled a plan to invest €350 million ($378 million) in the film and TV industry. Abdul-Malak also addressed some hot topics that are currently being debated within the industry, such as the windowing rules for streamers, the protests over the pension reform, the rise of the far right and criticism of France’s #MeToo movement. The government-investment initiative, called the Grande Fabrique de l’Image, is meant to bolster France’s position as a leader in film, TV and video games production, studio facilities, post-production, as well as film and TV training. The funding will go to 68 projects that were selected from 175 applicants by two committees, one of which is headed by filmmaker Cedric Jimenez (“November,” “The Stronghold”). Among the selected projects are 11 studio facilities, 12 animation studios, six video games studios, five visual effects and post production houses, and 34 training programs.

Elsa Keslassy International Correspondent Leading French producer Michael Gentile’s Paris-based outfit The Film is about to start shooting Julie Delpy’s next directorial outing, “The Barbarians,” and Laurence Arné’s “Les Hennedricks” starring Dany Boon. Delpy’s comeback to French filmmaking since “Lolo,” “The Barbarians” is a satirical comedy unfolding in a small town in Brittany which is preparing to welcome Ukrainian refugees after voting unanimously to greet them in exchange for subsidies from the government. But instead of seeing Ukrainians come into town, they see Syrian refugees, causing some tensions among locals and testing their liberal beliefs. Delpy will star in the film opposite Sandrine Kiberlain (“Mademoiselle Chambon”), Laurent Lafitte (“Elle”) and Ziad Bakri (“The Weekend Away”), India Hair (“Angry Annie”), Mathieu Demy (“The Bureau”) and Delpy’s father Albert Delpy.

Elsa Keslassy International Correspondent French actor Marine Delterme has signed with WME and has joined the cast of Park Chan-Wook’s HBO spy series “The Sympathizer” alongside Robert Downey Jr. Delterme, who currently lives in Los Angeles with her husband Florian Zeller, the Oscar-winning director of “The Father,” is best known in France for her role in the long-running procedural series “Alice Nevers.” Delterme has also acted in Roland Joffe’s “Vatel,” Mike Figgis’ “Women and Men 2,” and Christian Duguay’s “Coco Chanel.” She also collaborated with directors such as Jean Luc Godard, Manuel Poirier, Benoît Delepine, Philippe Leguay, Raoul Ruiz,  Philippe Harrel, Cyril Collard, Cedrick Klapish, Caroline Champetier, Gerard Oury and Claude Berri.

Elsa Keslassy International Correspondent Kinology has come on board the highly anticipated next film of Russian filmmaker Kirill Serebrennikov, “The Disappearance of Josef Mengele,” based on Olivier Guez’s bestselling novel. Kinology is at Cannes to present the project to buyers. Set to start shooting in a few weeks, the film is being produced by Charles Gillibert at CG Cinema (“Annette”) and Ilya Stewart at Hype Studios (“Tchaikovsky’s Wife”). It stars August Diehl as Mengele, the notorious Nazi doctor who found refuge in South America at the end of WWII and was never captured. Mengele died in Brazil in 1979 without having been judged for his crimes. The daring movie will focus on Mengele’s fugitive years, spanning from Paraguay to the Brazilian jungle, and will be told from the man’s point of view.

Elsa Keslassy International Correspondent Mikael Marcimain, the popular Swedish director of “Call Girl” and “Gentlemen,” is on track to direct “Devastation,” an epic and horrific tale of survival set in 1867. “Devastation” is one of the first projects developed by Mylla films, the new banner set up by Jakob Abrahamsson and Patrik Andersson (“Midsommar”). Mylla films has enlisted Nordic distributor and co-producer Scanbox and French boutique genre specialist Alexis Perrin of Rumble Fish as co-producers. A period piece set in Northern Sweden, “Devastation” is penned by Melina Maraki (“The Liberation of Harold Kvist”). Unfolding during the ever-ending winter and famine of 1867, the film revolves around two brothers, one the local industrialist and the other the local preacher, who keep a sawmill society in a tyrannical stronghold. An uprising begins from the most unexpected place.

Zack Sharf Digital News Director Jane Fonda revealed on a recent episode of “Watch What Happens Live” that French director René Clément asked to sleep with her during the making of their 1964 thriller “Joy House.” Fonda starred in the film opposite Alain Delon and Lola Albright. “Watch What Happens Live” host Andy Cohen asked Fonda to name “one man in Hollywood that tried to pick you up once that you turned down.” The Oscar-winning actor replied: “The French director René Clément.” Fonda elaborated, “Well, he wanted to go to bed with me because he said the character had to have an orgasm in the movie and he needed to see what my orgasms were like. He said it in French and I pretended I didn’t understand.”

Elsa Keslassy International Correspondent Catherine Corsini, an outspoken queer activist and co-founder of France’s feminist organization 50:50, should have been celebrating her new film’s inclusion in the competition lineup of the Cannes Film Festival. Instead, she found herself in the middle of a firestorm after “Homecoming,” her coming-of-age story, failed to get the proper government approvals for a scene of a sexual nature involving two minors.   Corsini admits that mistakes were made. But she says that she took every effort to protect her young actors from being exploited.   That scene, which was eventually cut from the movie, became the object of wild rumors, which Corsini said are false, “crazy, completely out of control.” “I’m hallucinating at things I’m reading, accusing me of having forced Esther to do a blowjob or masturbate herself,” she said. 

Elsa Keslassy International Correspondent If you thought Johnny Depp starring in a film might be a lightning rod of controversy, imagine the movie’s director spitting on a journalist. “Jeanne du Barry” will open the Cannes Film Festival on Tuesday night, marking Depp’s return to the red carpet, following legal battles that have largely defined the actor for the past few years. Ahead of the film’s premiere, the director, French actor and filmmaker Maiwenn, admitted to assaulting a journalist by spitting on him. “She’s outspokenly anti-#MeToo and she made a gesture to please her world, and that’s why she bragged about it on TV. We could see a sort of pride that echoed that world,” journalist Edwy Plenel tells Variety in his first interview since the spitting incident. Plenel was referring to Maiwenn’s comments published by Paris Match in 2020, saying “It’s crazy how many stupidities they say these days! These women don’t like men, that’s clear, and they’re causing very serious collateral damages.” In that same interview she said “When I hear women complaining that men are only interested in their bottom, I tell them, ‘Enjoy it because it won’t last!'”

After one of France’s top actors, Adèle Haenel, announced she was quitting a French film industry that she denounced for “complacency toward sexual aggressors,” Cannes Film Festival chief Thierry Fremaux rejected her criticisms while addressing members of the media Monday.

After one of France’s top actors announced she was quitting the industry that she denounced for “complacency toward sexual aggressors”, Cannes Film Festival chief Thierry Fremaux rejected her criticisms. Adele Haenel, star of the 2019 Cannes entry Portrait Of A Lady On Fire, last week published an open letter in the Telerama magazine in which the 34-year-old said Cannes and other pillars of the French film industry are “ready to do anything to defend their rapist chiefs”. Mr Fremaux strongly disagreed while speaking to journalists before the festival kicks off on Tuesday with the premiere of Maiwenn’s historical drama Jeanne Du Barry, starring Johnny Depp.

Cannes Film Festival Thierry Frémaux has responded to French actress Adèle Haenel’s suggestion that Cannes is part of a French eco-system that turns a blind eye to sexual violence.

Elsa Keslassy International Correspondent Cannes Film Festival’s chief Thierry Fremaux asked journalists Monday if they really believed Cannes was celebrating rapists, as recently suggested by “Portrait of a Lady on Fire” actor Adele Haenel in an open letter published last week in Telerama. Haenel, who quit acting in films after Roman Polanski won best director at the Cesar Awards in 2020, said she retired from the film industry for political reasons, and said Cannes was “ready to do anything to defend their rapist chiefs,” citing Polanski, Gerard Depardieu and Dominique Boutonnat, the president of the National Film Board (CNC). Fremaux told journalists at a press conference ahead of the 2023 festival’s opening night that Haenel, who was at Cannes to present “Portrait of a Lady on Fire” in competition in 2019, was making “radical” comments that were “false.”

Elsa Keslassy International Correspondent The city of Cannes has banned protests along the Croisette and its surroundings during the Cannes Film Festival. The labor union CGT, which is represented by Denis Gravouil on the administration board of the Cannes Film Festival, is still preparing a large demonstration on May 21 but it will take place along Boulevard Carnot, far away from the Croisette and from the festival’s headquarters. There will also be a rally of hospitality workers, including staff from hotels, cafes and restaurants, in front of the Carlton hotel – whose famous guests this year include Martin Scorsese — on May 19, from 1 p.m. to 3 p.m. The rally, which will likely involve protesters banging saucepans to express their anger, is technically allowed because the front of the Carlton is a private area.