A “Vanderpump Rules” alum is calling out Tom Sandoval.
25.05.2023 - 13:05 / variety.com
Elsa Keslassy International Correspondent Leading lights of contemporary Iranian cinema, including ‘Holy Spider’ actor Zar Amir Ebrahimi, ‘The Siren’ director Sepideh Farsi, ‘The Opponent’ helmer Milad Alami and producer Kaveh Farnham, turned up at the Cannes Film Festival to raise the alarm on the repression faced by Iranian cinema during a session hosted by Amazon Prime Video’s Sahar Baghery. Iran has been the centerstage of widespread protests driven by women against the Islamic Regime since Mahsa Amini died in police custody for for wearing her hijab too loosely in September 2022. Although the rebellion has garnered vocal support outside of Iran, it hasn’t succeeded in dethroning the Iranian Regime. A number of dissident Iranian filmmakers and talent have been jailed over the last six months, notably Jafar Panahi and Mohammad Rasoulof who was recently released from prison. Rasoulof was nevertheless banned from leaving Iran to serve on the jury of Un Certain Regard at Cannes.
As Baghery noted, “Iran is experiencing what is considered the greatest repression on Iranian Cinema. You can be arrested, imprisoned, held without judgement. Even if you win international awards, you can be spared for a while then one day you are stopped at the airport and your passport is being confiscated. It’s like an unpredictable quicksand,” said the Paris-born executive of Iranian origins who is in charge of co-production and acquisition for Amazon Prime Video in France. The panel, which was also attended by revered scholar Asal Bagheri, who highlighted the polarization of Iranian cinema between politically minded Iranian movies that travel to festivals and the local output of mainstream propaganda entertainment that’s closely tied
A “Vanderpump Rules” alum is calling out Tom Sandoval.
Elsa Keslassy International Correspondent Pulsar Content and Have a Good One have unveiled an exclusive clip of “Marinette,” Virginie Verrier’s biopic film about the first French female professional soccer player, ahead of its world premiere at Tribeca Film Festival. The film stars Garance Marillier, the breakout star of Julia Ducournau’s “Raw” and Palme d’Or winning “Titane,” and is based on Pichon’s bestselling autobiographical book. A pioneer of French women’s soccer, Pichon held for almost two decades the record for the number of goals and caps for the French team (men/women combined). She eventually became the first French player to have a career in the U.S..
Zack Sharf Digital News Director “Captain America: New World Order” is now “Captain America: Brave New World.” Marvel Studios announced the title change for its upcoming fourth “Captain America” movie on social media alongside a first look photo of stars Anthony Mackie and Harrison Ford on the film’s set. Marvel originally announced last July that “Captain America 4” would be subtitled “New World Order” and be released on May 3, 2024. The release date remains unchanged for the newly-titled “Brave New World.” Anthony Mackie stars in the title role, making “Captain America 4″ his first outing as the eponymous hero in a feature film. The actor got his start in the Marvel Cinematic Universe as the Falcon, but he took on the Captain America shield in the Disney+ series “The Falcon and the Winter Soldier.” Chris Evans originated the role of Captain America in the MCU, but he exited the part in “Avengers: Endgame.”
Elsa Keslassy International Correspondent Aside from its Palme d’Or for Justine Triet’s “Anatomy of a Fall,” the French cinema world is also celebrating the near-complete recovery of French box office after the pandemic. Ticket sales are still 11.6 % down on the average levels of 2017 to 2019, but the good news is that the B.O. jumped by 33% with 82.38 million admissions during the first five months of 2023, according to the CNC (National Film Board). The upward trend is driven by the spike in anticipated U.S. movies being released — they skyrocketed from 29 in 2022 to 51 in 2023 during the first five months, according to Comscore France. There’s also been a tide of successful French movies, ranging from big-budget, franchise-based movies like Guillaume Canet’s “Asterix and Obelix: The Middle Kingdom,” Philippe Lacheau’s “Alibi.com 2” and Martin Bourboulon’s “The Three Musketeers: D’Artagnan,” to original fare like the Omar Sy starrer “Father and Soldier” and François Ozon’s 1950’s-set courtroom comedy “The Crime is Mine.” Maiwenn’s “Jeanne du Barry” starring Johnny Depp ranks as May’s fifth biggest hit with more than 550,000 admissions ($4.3 million) since its world premiere on opening night of the Cannes Film Festival.
Elsa Keslassy International Correspondent Cannes Festival’s digital media partner Brut. and leading podcast studio Paradiso Media are launching “Brutally Informed,” a weekly podcast series that just launched exclusively on Audible. The program is part of Audible’s expanding news and non-fiction slate. Hosted by journalists Jared Marcelle, Rheya Spigner, and Noah Jones, “Brutally Informed” aims at delivering insights on issues spanning current affairs, culture, and societal issues with topics ranging from polyamory to the Colorado River to counterfeit sneakers. Each 15-minute episode boasts original interviews and investigative reporting. The audio show is produced by Alex Schuman, with Paradiso Media’s Yael Even Or serving as supervising producer. Executive Producers are Ann Heppermann for Audible, Carly Figueroa for Brut, and Emi Norris for Paradiso.
Elsa Keslassy International Correspondent Justine Triet’s “Anatomy of a Fall,” one of the best reviewed films of the Cannes competition, which was bought by Neon, examines the collapse of a marriage and a mother-and-son relationship in a documentary-style courtroom drama. The chamber piece is driven by Sandra Hüller’s (“Toni Erdmann”) nuanced performance as a successful German novelist on trial for the murder of her husband (Samuel Theis), who died in mysterious circumstances in a remote corner of the snowy French Alps. Their visually impaired 11-year-old son (Milo Machado Graner) is called on the witness stand, prompting a dissection of Sandra’s conduct as a wife and a mother. Supporting roles are played by Swann Arlaud and Antoine Reinartz.
Elsa Keslassy International Correspondent Wscripted, the talent platform sourcing women and non-binary writers, has unveiled the nominees for its third Cannes Screenplay List, an initiative launched in partnership with MUBI. The final selection was curated by an inaugural jury of international female filmmakers, including Mounia Meddour (“Papicha”, “Houria”), Funa Maduka (“Waiting for Hassana”), and Camille Griffin (“Silent Night”). The list features 10 English-language and two French-language film projects by women and non-binary screenwriters and celebrates original projects from development to early financing stages.
Elsa Keslassy International Correspondent “Tiger Stripes,” the debut feature of Malaysian director Amanda Nell Eu, won the Grand Prize at Cannes’ Critics Week, the Cannes sidebar dedicated to first or second films. The prize was awarded by a jury presided over by Audrey Diwan, the Venice prizewinning director of “Happening.” The French Touch Jury Award went to Belgian director Paloma Sermon-Daï’s “It’s Raining in the House,” a film about adolescence, while the Revelation prize from the Louis Roederer Foundation was handed out to Jovan Ginic, the actor of Vladimir Perisic’s “Lost Country.” The SACD prize, meanwhile, went to “Le Ravissement” by Iris Kaltenbäck.
Elsa Keslassy International Correspondent Alireza Khatami and Ali Asgari‘s “Terrestrial Verses,” the sole Iranian film premiering in Cannes’ Official Selection, has been acquired for distribution in key European territories. Represented by Films Boutique, “Terrestrial Verses” has been acquired for France (ARP Selection), Benelux (September Films) and Germany/Austria (Neue Visionen). All three banners are leading distributors in their respective territories. Those deals were closed following the film’s well-received world premiere. “Terrestrial Verses” marks the first collaboration between Khatami and Asgari, who are both acclaimed directors.
Joseph Michael, who has worked with Debra Messing, Ashley Tisdale, Kaitlyn Bristowe, Cassie Randolph, and more A-listers, sat down with ET at Juan Juan Salon in Brentwood, California, to spill which lock looks are in and out for the summer season, along with his top hair care secrets. «I began in the beauty industry around 16 years ago. I started out doing makeup and, from there, progressively moved towards doing hair.
Elsa Keslassy International Correspondent Claude Lelouch, the Oscar-winning director of “A Man and a Woman,” is getting ready to direct “Finalement…,” his next film which he says will be a sort of sequel to his BAFTA-nominated film “Happy New Year” and “L’aventure, l’aventure.” The lighthearted movie will reteam Lelouch with Metropolitan FilmExport which is co-producing with Lelouch’s banner Les Films 13, and will distribute in France. Scored by popular French singer Ibrahim Maalouf, “Finalement…” will boast a large ensemble cast of French stars, including Kad Merad (“Baron Noir”), Elsa Zylberstein (“Simone”), Sandrine Bonnaire, Raphael Mezrahi, Michel Boujenah and Barbara Pravi.
Beyoncé and Jay-Z have acquired the crown jewel of California real estate.
Elsa Keslassy International Correspondent Leading French producer Michael Gentile’s Paris-based outfit The Film is about to start shooting Julie Delpy’s next directorial outing, “The Barbarians,” and Laurence Arné’s “Les Hennedricks” starring Dany Boon. Delpy’s comeback to French filmmaking since “Lolo,” “The Barbarians” is a satirical comedy unfolding in a small town in Brittany which is preparing to welcome Ukrainian refugees after voting unanimously to greet them in exchange for subsidies from the government. But instead of seeing Ukrainians come into town, they see Syrian refugees, causing some tensions among locals and testing their liberal beliefs. Delpy will star in the film opposite Sandrine Kiberlain (“Mademoiselle Chambon”), Laurent Lafitte (“Elle”) and Ziad Bakri (“The Weekend Away”), India Hair (“Angry Annie”), Mathieu Demy (“The Bureau”) and Delpy’s father Albert Delpy.
Elsa Keslassy International Correspondent French actor Marine Delterme has signed with WME and has joined the cast of Park Chan-Wook’s HBO spy series “The Sympathizer” alongside Robert Downey Jr. Delterme, who currently lives in Los Angeles with her husband Florian Zeller, the Oscar-winning director of “The Father,” is best known in France for her role in the long-running procedural series “Alice Nevers.” Delterme has also acted in Roland Joffe’s “Vatel,” Mike Figgis’ “Women and Men 2,” and Christian Duguay’s “Coco Chanel.” She also collaborated with directors such as Jean Luc Godard, Manuel Poirier, Benoît Delepine, Philippe Leguay, Raoul Ruiz, Philippe Harrel, Cyril Collard, Cedrick Klapish, Caroline Champetier, Gerard Oury and Claude Berri.
Ukraine war and the momentous burst of rebellion against the Iranian regime prompted by the death of Mahsa Amini are reverberating profoundly at the Cannes Film Festival. At the festival’s opening ceremony on Tuesday night, legendary French actress Catherine Deneuve paid tribute to the war’s victims by reciting a poem from Ukrainian poet Lessia Oukraïnka, solemnly declaring: “I no longer have either happiness or freedom, only one hope remains to me: to return one day to my beautiful Ukraine.” One year ago, Cannes got off to an emotional start with remarks from Ukrainian President Volodymyr Zelenskyy.
Elsa Keslassy International Correspondent Music Box Films has bought U.S. rights to “The Crime Is Mine” (“Mon Crime”), a period comedy by French helmer François Ozon (“Swimming Pool,” “8 Women”). “The Crime Is Mine” stars Rebecca Marder and Nadia Tereszkiewicz, who just won the Cesar Award for female newcomer, alongside Isabelle Huppert, Fabrice Luchini, Dany Boon and André Dussolier. Music Box Films plans a theatrical release for later this year, followed by a home entertainment rollout. Adapted from a 1934 play by Georges Berr and Louis Verneuil, “The Crime Is Mine” follows struggling actress Madeleine (Tereszkiewicz), and her best friend and roommate Pauline (Marder), an unemployed lawyer in 1930s Paris. Madeleine ascends to fame after standing trial for the murder of a movie producer, with Pauline serving as defense counsel and media circus ringmaster. Upon Madeleine’s acquittal, a new life of fame, wealth and tabloid celebrity awaits — until the truth comes out.
Elsa Keslassy International Correspondent Mikael Marcimain, the popular Swedish director of “Call Girl” and “Gentlemen,” is on track to direct “Devastation,” an epic and horrific tale of survival set in 1867. “Devastation” is one of the first projects developed by Mylla films, the new banner set up by Jakob Abrahamsson and Patrik Andersson (“Midsommar”). Mylla films has enlisted Nordic distributor and co-producer Scanbox and French boutique genre specialist Alexis Perrin of Rumble Fish as co-producers. A period piece set in Northern Sweden, “Devastation” is penned by Melina Maraki (“The Liberation of Harold Kvist”). Unfolding during the ever-ending winter and famine of 1867, the film revolves around two brothers, one the local industrialist and the other the local preacher, who keep a sawmill society in a tyrannical stronghold. An uprising begins from the most unexpected place.
Elsa Keslassy International Correspondent REInvent has closed a French deal on “The Angel Maker,” a psychological thriller starring a top Nordic cast including Julie R. Ølgaard (“The Killing”), Roland Møller (“Riders of Justice”), Christopher Læssø (“The Bridge”) and Stine Stengade (“Those Who Kill”). The banner has sold the film to Koba Films in France and will be hosting a market screening at Cannes on the 18th. “The Angel Maker” tells the story of crime detective Laura who is specialized within cybercrime. Laura is on sick leave with a psychosis after a birth depression and by coincidence she stumbles upon a case with a beastly serial killer which piques her interest and she decides that it is time for her to return to her job as a crime detective.
Manori Ravindran Executive Editor of International WestEnd Films and Keshet Studios have unveiled a first look at “Golda” director Guy Nattiv and “Holy Spider” star Zar Amir-Ebrahimi’s political thriller “Judo.” The image, which features Amir-Ebrahimi (left) and Arienne Mandi (right), follows an Iranian female judoka and her coach as they face life-changing decisions during the Judo World Championships. “Judo” (working title) is co-directed by Nattiv and Amir-Ebrahimi. It is co-written by Nattiv and Elham Erfani (“The Case of Sacrifice”). The project is the first feature film to be co-directed by an Iranian and an Israeli filmmaker, during a time when the Iranian government still criminalizes any contact with Israelis, and state violence against women is amplified.
Elsa Keslassy International Correspondent Cannes Film Festival’s chief Thierry Fremaux asked journalists Monday if they really believed Cannes was celebrating rapists, as recently suggested by “Portrait of a Lady on Fire” actor Adele Haenel in an open letter published last week in Telerama. Haenel, who quit acting in films after Roman Polanski won best director at the Cesar Awards in 2020, said she retired from the film industry for political reasons, and said Cannes was “ready to do anything to defend their rapist chiefs,” citing Polanski, Gerard Depardieu and Dominique Boutonnat, the president of the National Film Board (CNC). Fremaux told journalists at a press conference ahead of the 2023 festival’s opening night that Haenel, who was at Cannes to present “Portrait of a Lady on Fire” in competition in 2019, was making “radical” comments that were “false.”