Rachel Brosnahan & Willem Dafoe Join 'Dead For A Dollar' Cast at Venice Photo Call

Fans know and love Rachel Brosnahan as the star of but rumors have been swirling about Brosnahan possibly joining the Marvel Cinematic Universe. The  character Sue Storm has been floated by online commentators as a choice for Brosnahan — whose powerful screen presence and record for playing TV mother could make her a strong contender. ET caught up with Brosnahan at the Global Citizen Festival in Central Park where she talked about the casting rumors. The actress revealed that at the moment she is focused on finishing the last season of but is not closing any doors on the possibility of becoming a superhero for her next role. «I haven't heard anything, unfortunately, but I'm here, it's our last season.

Jean Smart hilariously called out her fellow nominee Rachel Brosnahan while accepting her Emmy!

Jean Smart has won her second consecutive Emmy for lead actress in a comedy series for her role as legendary Las Vegas comic Deborah Vance in HBO Max’s Hacks.

Jean Smart is adding another feather to her cap. For the second consecutive year, the 70-year-old actress took home Outstanding Lead Actress in a Comedy Series for her performance on . Smart beat out Rachel Brosnahan (), Kaley Cuoco (), Elle Fanning (), Issa Rae () and Quinta Brunson ()«Thank you for a second time honoring this show,» the now five-time winner said while accepting her award onstage at the Microsoft Theater in Los Angeles during the 74th Primetime Emmy Awards. Smart won last year's Lead Actress Emmy for her performance on the HBO Max series. «As we all know season two of a show is kind of a litmus test,» Smart continued on Monday night, adding that the cast and crew had passed with flying colors. «The crew went above, above, above and beyond,» she said.Smart's win last year came in the wake of the death of her late husband, Richard Gilliland.

Joe Otterson TV Reporter Jean Smart took home the Emmy for best actress in a comedy series for her performance in “Hacks.” Smart won in a stacked category over fellow nominees Rachel Brosnahan (“The Marvelous Mrs. Maisel”), Kaley Cuoco (“The Flight Attendant”), Quinta Brunson (“Abbott Elementary”), Elle Fanning (“The Great”) and Issa Rae (“Insecure”). Smart won for “Hacks” Season 2, which aired on HBO Max beginning in May 2022. The show was renewed for a third season in June shortly after the second season debuted. This is Smart’s second consecutive win in the category after her victory for “Hacks” Season 1 last year. She has been nominated for 12 Emmy Awards throughout her career with five wins, counting this and last year’s win. She previously won twice for best guest actress in a comedy for “Frasier” and for best supporting actress in a comedy for “Samantha Who?”

The stars of The Marvelous Mrs. Maisel are at the 2022 Emmy Awards!

(where Sydney Sweeney ) to (which we're covering all over ), your favorite actors have been jet-setting around the globe. But there's nothing like in Los Angeles, which bring together the best in television for a weekend of celebration and achievement, culminating with the awards ceremony (its 74th!) on . But for the last three years, there hasn't been much celebration given the pandemic.

Nick Vivarelli International Correspondent “I see a lot of rich people here!” said Jodie Turner-Smith as she took to the stage to open the Venice Film Festival AmfAR gala and auction held Wednesday evening in the Arsenale, a former shipyard complex on the edge of the city’s Grand Canal. Urging guests to be generous, Turner-Smith, who looked stunning in a yellow corset top, reminded everyone that, “It’s easy to forget that AIDS still remains one of the world’s most serious health threats.”  Though undoubtedly lower key than the event held at Cannes, AmfAR Venice had its fair share of glamour and star power with Heather Graham, Patricia Clarckson, Marisa Tomei and Rachel Brosnahan among chairs. 

Jodie Turner-Smith stepped out in another colorful look for the 2022 amfAR Venice Gala held at Arsenale on Wednesday night (September 7) in Venice, Italy.

Tilda Swinton is gracing the red carpet at the 2022 Venice Film Festival!

Willem Dafoe and Christoph Waltz have joined the raft of famous faces making appearances at the Venice International Film Festival. The Hollywood heavyweights were pictured in apparent good spirits, as they arrived for the event on Tuesday evening ahead of the premiere of their film Dead For A Dollar. The pair star in the Western, which is written and directed by Walter Hill, alongside actress Rachel Brosnahan.

Christoph Waltz and Willem Dafoe buddy up on the red carpet for the premiere of their movie, Dead For A Dollar, during the 2022 Venice Film Festival on Tuesday (September 6) in Venice, Italy.

Tilda Swinton takes over the red carpet in a dazzling lavender gown at the premiere of The Eternal Daughter during the 2022 Venice International Film Festival on Tuesday (September 6) in Venice, Italy.

and her playful eye for elegant, avant-garde designs, there’s a reason she’s become an enduring muse to filmmakers and fashion designers alike. But today in Venice, while attending a photocall to promote her new film The Eternal Daughter, Swinton’s look held a deeper meaning. At the film’s press conference, Tilda Swinton both wore a blue Loewe button-up and dyed her signature crop bright yellow.

can judge a film by its title. Consider “Dead for a Dollar:” It certainly sounds like a Western, doesn’t it? The “dollar” might call to mind some of the classics of the genre, while the “dead” at least promises a few good shoot-outs, a bit of bloody fun.

“I need a drink,” offers a character (who shall remain nameless to avoid spoilers) as the final line of “Dead for a Dollar,” director Walter Hill’s return to the Western. It’s a note of exasperation, not triumph, following the genre’s inevitable shootout.

Owen Gleiberman Chief Film Critic The title of Walter Hill’s “Dead for a Dollar” makes it sound like a spaghetti Western, and the picture opens with stunning vistas and a wistfully valorous neo-Morricone score that gives you the impression — maybe the hope — that it will be. It ends on a very different note: a series of titles explaining, with precise dates and details, what happened to each of the main characters, as if the film were based on a true story. It’s the “American Graffiti” gambit of treating fictional characters as though they were real, only in this case it ends up revealing something essential about the drama we’ve been watching. Namely, how it could be so avid, specific, and scrupulously carpentered…yet remote.

Tilda Swinton is switching up her look.

There’s always been a haunted mood in Joanna Hogg’s films, felt both in the deceptively mundane domestic rhythms of the likes of “Exhibition” and “Archipelago,” and in the exquisite memory pieces, “The Souvenir” and “The Souvenir Part II.” Like the best and most personal of storytellers—Chantal Akerman comes to mind as a creator with akin sensibilities—Hogg is a filmmaker possessed by the slivers of her recollections.