‘A Grammy Salute to the Beach Boys’ Review: A Special That Gets Around to Performances Fit for a Wilson

Chris Willman Senior Music Writer and Chief Music Critic In an ultimate show-must-go-on moment in country music history, Wynonna Judd was not about to let the legacy of the Judds slip quietly into the sunset, rather than go out as spectacularly as intended, after her mother, Naomi Judd, died by suicide in April 2022. And so the Judds farewell tour that had been scheduled for last fall did proceed, against all probabilities, with a bevy of top stars trading places as Naomi’s stand-in each night. The emotional end of that road was captured for not just one but two new specials premiering on different Paramount platforms — “Wynonna Judd: Between Hell and Hallelujah,” a feature-length documentary that debuted Wednesday on Paramount+, and “The Judds: Love Is Alive — The Final Concert,” a two-hour performance special bowing tonight on CMT.

Chris Willman Senior Music Writer and Chief Music Critic What’s 420 divided by 90? While you ponder that, take in the news that, on the eve of Willie Nelson’s 90th birthday, he and Billy Strings have released their own birthday present to the world — a surprise collaboration called “California Sober,” which, as you might be able to guess from the title, celebrates weed as its own form of moderation. It’s the first song to come out under Strings’ new deal with Reprise Records, after a long run with Rounder. The music video portrays the two collaborators and band members recording their parts individually, although a framing device has Strings getting on a bus — presumably Nelson’s — that is emitting a prolific amount of smoke by the time he exits at the end. Strings, a young neo-bluegrass picker who now sells out shows across the country, is seen with a joint hanging out of his mouth as he pulls off one of the acoustic solos he’s famous for, while wearing a shirt that rhymes “doobie” with “Scooby.” Nelson is not so demonstrative in his choice of cannabis, having reportedly given up smoking for edibles and other lung-protecting variations some years back.

Chris Willman Senior Music Writer and Chief Music Critic In the four days since announcing U2’s first dates for a limited engagement at the massive new Sphere in Las Vegas, the number of shows has incrementally expanded. The mere five gigs announced on Monday got stretched to a dozen shows as of Wednesday, and now, come Thursday morning, five more were added, to make it 17 concerts going on sale this week. But if you must see this show, don’t sleep on these 17 dates under the assumption that the band will just keep adding more extensions. The extension through Nov. 4 that was announced Thursday could well represent the end of the run, since, in an earlier interview with Variety, the Edge said the band would likely be limited to six weeks in the venue — and that’s just how far these new dates take it.

Chris Willman Senior Music Writer and Chief Music Critic The guest list for Willie Nelson’s 90th birthday all-star concerts at the Hollywood Bowl has been significantly expanded. Sixteen additional names were announced Wednesday for the already packed two-night lineup, representing a roughly 50% expansion of a bill that was advertised with 30 stars when it first went on sale — and immediately sold out — in January. Newly added stars from the worlds of rock, country and other genres include Dave Matthews, Emmylou Harris, Jack Johnson and fellow Texans George Strait and Gary Clark Jr. Nelson’s sole surviving fellow Highwayman, Kris Kristofferson, has also been appointed to the lineup. The son of one of those Highwaymen, Shooter Jennings, is joining the bill as well. Others freshly named to appear this Saturday or Sunday include Dwight Yoakam, Stephen Stills, Rodney Crowell, Booker T. Jones, Buddy Cannon, Daniel Lanois, Jamey Johnson, Waylon Payne and Lily Meola.

Chris Willman Senior Music Writer and Chief Music Critic The Park City Song Summit will return to Utah this September for another installment in its annual mixture of performances and panels, featuring an array of guests from different genres, with those set to speak or sing ranging from Grateful Dead veteran Bobby Weir & Wolf Bros. to rising star Joy Oladokun. This year’s festival takes place Sept. 7-9. The 50th anniversary of hip-hop will be explored, as evidenced in the booking of progenitors like Grandmaster Flash, Darryl “DMC” McDaniels and Chuck D, amid other veteran artists like folk legend Ramblin’ Jack Elliott. Standout younger artists featured include Adia Victoria, Danielle Ponder, Celisse, Cimafunk, Joe Pug, Ruby Amanfu and Matisyahu.

Chris Willman Senior Music Writer and Chief Music Critic U2 has announced the first dates this fall for a series of shows being billed as “U2:UV Achtung Baby Live at Sphere” — just five nights in late September and early October, for now, although the possibility of more shows being added seems more like a probability. The ambition and logistical planning of creating a unique show for Sphere, the world’s most technologically advanced space for music, certainly ultimately augurs for a longer run, even if U2 has studiously been avoiding sticking around Vegas quite long enough to merit the avoided word “residency.” U2’s guitarist, the Edge, got on a Zoom with Variety last week to discuss the enormously ambitious run of shows, following a demonstration of the design and technology for Sphere that was held for a handful of media representatives at a scale model of the building in Burbank. Although the concerts will be themed around the 1991 “Achtung Baby” album (with the “UV” in the show’s title referring to the album track “Ultraviolet”), the Edge said that Sphere itself was the reason for conceiving the new show. “When we found out about what this venue was really offering us creatively, we kind of saw it as a throwdown … as a challenge,” he says.

Chris Willman Senior Music Writer and Chief Music Critic Comes a time when even Neil Young is going to set foot on a stage again after the pandemic, and the recently gig-shy legend turned in his first substantial live performance in almost four years Saturday night at a benefit concert at the Greek Theatre in Los Angeles. Young shared much of his time on stage with Stephen Stills, in a show that relied so much on material from their first run as fellow band members in the 1960s, it almost amounted to a true “Buffalo Springfield revisited” show. The two longtime cohorts’ appearances apart and in tandem would have been draw enough to fill the Greek Saturday for the “Autism Speaks Light Up the Blues 6 Concert,” a sixth edition of the recurring autism benefits hosted by Stills and his wife Kristen, this one postponed by three years from its original spring 2020 date. But there was plenty of star power besides, including sets by Willie Nelson, making a brief but impactful appearance in advance of his 90th birthday celebration next weekend at the Hollywood Bowl, and Joe Walsh, who ensured that Stills and Young did not have the guitar heroism to themselves.

Chris Willman Senior Music Writer and Chief Music Critic The checkout lines for Record Store Day might move more swiftly than usual this year, due to the likely numbers of customers who will be buying one exclusive album and one exclusive alone — Taylor Swift’s “Folklore: The Long Pond Sessions,” the most massively coveted item RSD has seen or ever might see. And listen, we’ll be picking it up, too… if supplies last. (The title has been pressed in quantities of 75,000 for the U.S. and 115,000 for the world — about four times as many as any previous RSD title. Will those be enough to last on shelves for even a day? We’ll find out.) But slow down, Swifties. There are 300 other new releases where that one came from, and this is a chance to indulge some other retail-therapy whims or make some new discoveries. Yes, there are hundreds of middle-aged guys outside in line behind you who weren’t motivated to get up quite so early, and why should they be the only ones who get to enjoy newly minted LPs from the Cure, Arooj Aftab, Nas, Orville Peck, Charlie Parker or the Pixies on a Saturday night? There’s more to life than hoarding Taylor Swift, and it is hoarding absolutely everything that has a “limited edition” sticker slapped on it, with no prejudice as to the genre, level of obscurity or how long the artist has been dead.

Chris Willman Senior Music Writer and Chief Music Critic The era of “Truckin'” is now conjoined with the age of TikTok-in’. Although the Grateful Dead has been defunct as an actual band since the mid-’90s, the group now officially has a presence on the social platform TikTok.

Chris Willman Senior Music Writer and Chief Music Critic Two former hockey players who bailed on Frank Ocean’s Coachella performance after it seemingly became enveloped in chaos Sunday have spoken up about the experience in a podcast. Brothers Dan and Chris Powers say that they and more than a hundred other skaters had a positive experience through a good month of rehearsal in L.A., and even a successful dress rehearsal on the Coachella main stage — only to have Ocean render most of the skaters’ services unnecessary as he scrapped the entire epic ice-capades setup as the festival grounds were filling up. In the first segment of their “Empty Netters” podcast, released Tuesday, the Powers brothers said that there were about 120 skaters who’d been hired for the show and had been rehearsing on a makeshift ice rink at Paramount for weeks — including, they said, several Olympians well-known in the figure skating community, as well as hockey veterans like themselves. In the end, they said, the vast majority of these skating extras were left waiting on buses or in hot tents for hours on the perimeter of the festival grounds as Ocean made the last-minute call to dissemble the ice rink and ditch the planned skate choreography.

Chris Willman Senior Music Writer and Chief Music Critic The LA Phil has announced the full summer season for Hollywood Bowl’s sister venue across the gorge, the Ford, with a typically eclectic and cross-cultural lineup that includes Mac DeMarco, Lucinda Williams, Jorge Drexler, the Milk Carton Kids, Darren Criss, Arooj Aftab, Meredith Monk, José James, a kids’ show by the Bob Baker Marionette Theater, a dance project from Serpentwithfeet and many more attractions. The smaller-sized amphitheater is one of the most prized venues for musicians to play in Los Angeles, although the Phil’s emphasis in its four months of annual shows there is far less on commercial acts than in maintaining intriguing blend of all possible arts, with jazz, Americana and Latin and global music definitely getting a leg up on pop in the programming.

Chris Willman Senior Music Writer and Chief Music Critic There could probably be no better evangelist for anything than the immensely respected Rhiannon Giddens, and the banjo is lucky to have her. The singer and multi-instrumentalist has been spreading the gospel of that instrument generally and its roots in Black culture specifically for years, in her live performances and as a member of a banjo-driven all-star ensemble, Our Native Daughters. Now, she’s taking a much deeper dive than ever with an outstanding 10-part limited series, “The Banjo: Music, History and Heritage With Rhiannon Giddens,” which has her and some guests who are pickers and/or academics exploring the twisted, fascinating journey of what she considers the quintessential American instrument. The series covers everything from the instrument’s roots in the African diaspora to its role in slavery to its adaptation as a staple of “hillbilly” music, on up to its resurgence as a staple of the Americana music scene today — and how, in Giddens’ view, it has been a reflection of divisiveness and unification in the U.S. over a period of centuries.

Chris Willman Senior Music Writer and Chief Music Critic When Variety asked the members of Boygenius in an interview earlier this month about the setlists for their upcoming shows, they made it clear — no solo material, just band stuff, because that’s sufficient to fill festival-length sets anyway. On top of that, perhaps unspoken is the idea that keeping to Boygenius selections helps keep everything democratic, which would become just a little tougher if suddenly “Kyoto” earned the supergroup’s loudest roar out on the road each night. But the trio is doing some headlining shows this spring and summer, outside of festival dates. Do they really have enough in their arsenal from 2018’s initial EP and the full album that just came out to make a full show feel like a full meal?

Chris Willman Senior Music Writer and Chief Music Critic The National Recording Registry of the Library of Congress has issued its annual list of 25 recordings that will be added to the esteemed list, covering a range that runs a gamut from the very first time mariachi music was captured for posterity in the early 1900s to Daddy Yankee’s “Carolina” about a hundred years later. In-between are some curiosities and monster hits that the Library deems worthy of preservation for all time — although, in the case of Mariah Carey’s “All I Want for Christmas Is You,” the prospect of it the recording falling into disrepair due to neglect will probably not be an issue any century soon. Among the enduring smashes from the second half of the 20th century that made the list: Madonna’s “Like a Virgin,” Led Zeppelin’s “Stairway to Heaven,” John Lennon’s “Imagine,” Queen Latifah’s “All Hail the Queen,” Crosby Stills Nash & Young’s “Déjà Vu,” Jimmy Buffett’s “Margaritaville,” John Denver’s “Take Me Home, Country Roads,” Bobbie Gentry’s “Ode to Billie Joe,” Irene Cara’s “Flashdance… What a Feeling,” Eurythmics’ “Sweet Dreams (Are Made of This)” and the Police’s “Synchronicity.”

Chris Willman Senior Music Writer and Chief Music Critic The Eddie Vedder-founded Ohana Festival in southern California will again feature the Pearl Jam frontman as one of the top attractions in 2023, as is customary, along with a heavy-hitting selection of rock names in the top slots and an eclectic lineup for the undercard slots. The Killers and Foo Fighters join Vedder as the headliners for the three-day festival, taking place Sept. 29-Oct. 1 at Doheny State Beach in Doheny Point. Haim, the Chicks and the Pretenders are the second-billed acts across the three days. Other marquee attractions in the idyllic beachside setting will include Father John Misty, the War on Drugs, Japanese Breakfast, Goose and Rainbow Kitten Surprise.

Chris Willman Senior Music Writer and Chief Music Critic Muse was making its eighth visit to downtown L.A.’s Crypto.com Arena, frontman Matt Bellamy reminded the audience, shortly into the trio’s return engagement Thursday night — except rather than call it by its current name, he said the venue would always be Staples Center to the band. He added a joking, mumbled reference to “weird fucking con artists,” presumably a reference to his lack of faith in the state of cryptocurrency. Digital assets are fleeting, but office supplies are forever, right? There is some kind of loose analog there — no pun intended — to the situation with Muse, which is forever using futuristic imagery in its shows but reigns as one of rock’s best bands by its rootedness in a slightly pre-digital past.

Chris Willman Senior Music Writer and Chief Music Critic In 2002, director Sam Jones made what is widely considered a benchmark for 21st century music documentaries with “I Am Trying to Break Your Heart: A Film About Wilco,” a movie that lucked into just about all the subject matter that could make B-roll footage of the making of an album into A-list material. It had conflict within the band, between an auteur and another member of great talent; conflict with the soon-to-be-ex-record label, over the basically unwanted classic-to-be “Yankee Foxtrot Hotel”); and said auteur doing his own demon-wrestling, outside foils notwithstanding. Now, it’s easier to see that Jones’ good fortune in happening upon all that wasn’t all luck. More than 20 years later, Jones has come up with another gold-standard music doc, in the form of “Jason Isbell: Running With Our Eyes Closed,” newly streaming on HBO Max. This time, as the creation of another amazing record — Isbell’s “Reunions” (recorded in late 2019 and released a few months later) — is put under the filmic microscope, there are no record-company bookkeepers as unseen baddies in the backdrop to a making-of. Major labels and the conflicts that come with them are so 2002, right? But one common thread is intra-band tension… as it probably will be in most good rock docs now or 20 years from now. It gets more interesting than that, though. In this instance, the difficult vibes are between bandmates who double as a married couple — Isbell and his fiddler-spouse, Amanda Shires. Here, unlike the by-now iconic beefing between Jay Tweedy and Jay Bennett, we know no one’s ultimately going anywhere, right?

Chris Willman Senior Music Writer and Chief Music Critic “I carried those bastards for years,” says Mick Mars, telling Variety how he thinks his 41-year history with Motley Crue should not end with him facing off with the other three members in the halls of justice. The veteran band, now down by one original member, has sued to force Mars into arbitration, looking to get a ruling that he is officially a member or shareholder, with any of the rights that confers. They contend that when he announced he was quitting touring, that amounted to a resignation. Mars, 71, counter-sued on Thursday morning, contending that he didn’t give up anything, at all, by announcing last fall that effects of his longstanding arthritic disease made him no longer fit for the road. His legal filing was full of provocative assertions about the others, and so was the response Thursday afternoon from Crue’s lawyers, who believe he gave up all rights by putting away his touring suitcases — and further, the Crue camp maintained, Mars had become an instrumentally erratic drag on the band.

Chris Willman Senior Music Writer and Chief Music Critic The verdicts on the new Broadway musical-comedy “Shucked” are in, and the critics have asked you to lend them your ears — so to speak — as they’ve cobbled together their reactions to the possible sleeper hit. (Sorry, but once you’ve seen the production, it may take you six months or longer to stop speaking in puns.) Variety’s critic wrote that “with its exuberance, heart and non-stop yucks, ‘Shucked’ is the surprise delight of the Broadway season.” The New York Post’s notice trumpeted it as “Broadways’s best and funniest new musical.” Time Out said the show leaves theatergoers “gorged to satisfaction on a big, tasty bag of Broadway puff.” Entertainment Weekly wrote that “its refreshing embrace of diversity and unapologetically corny sincerity can definitely put a smile on your face.” Even one of the minority that was harder on it, the New York Times’ Jesse Green, begrudgingly admitted of the parade of laughs: “forced into submission,,” he wrote, “you eventually give in.”

Chris Willman Senior Music Writer and Chief Music Critic A couple of members of a fresh generation of country music — Jelly Roll and Lainey Wilson — came away as the top victors at Sunday night’s CMT Music Awards, broadcast live from Austin for the first time. But the biggest winners may have been CMT and CBS, putting the three-hour telecast on the map as a show packed with enough performance firepower that it does merit having made the move from a cable platform to major broadcast premiere as of last year. However much the official winners may delight a core country crowd happy to see young radio and streaming favorites get rewarded, the big draw for the CBS audience was likely a series of collaborations between country stars and their pop or rock counterparts, as has been the custom for years on the rival CMA Awards. Most notable were the all-female collabs that had Carly Pearce dueting with Gwen Stefani on No Doubt’s “Just a Girl,” or Alanis Morissette trading lines with a slate of young female artists that included Lainey Wilson, Ingrid Andress, Morgan Wade and Madeline Edwards. The all-star teamings spread to those who presented, too, with Megan Thee Stallion providing the most enthusiastic introduction imaginable for “my new besty,” Shania Twain.