Muse Delivers the Neo-Classic-Rock Goods in Eighth Trip to L.A.’s Crypto.com Arena: Concert Review

Chris Willman Senior Music Writer and Chief Music Critic There could probably be no better evangelist for anything than the immensely respected Rhiannon Giddens, and the banjo is lucky to have her. The singer and multi-instrumentalist has been spreading the gospel of that instrument generally and its roots in Black culture specifically for years, in her live performances and as a member of a banjo-driven all-star ensemble, Our Native Daughters. Now, she’s taking a much deeper dive than ever with an outstanding 10-part limited series, “The Banjo: Music, History and Heritage With Rhiannon Giddens,” which has her and some guests who are pickers and/or academics exploring the twisted, fascinating journey of what she considers the quintessential American instrument. The series covers everything from the instrument’s roots in the African diaspora to its role in slavery to its adaptation as a staple of “hillbilly” music, on up to its resurgence as a staple of the Americana music scene today — and how, in Giddens’ view, it has been a reflection of divisiveness and unification in the U.S. over a period of centuries.

Chris Willman Senior Music Writer and Chief Music Critic Eric Clapton announced Monday that his recurring Crossroads Guitar Festival will take place in Los Angeles this fall, with a roster of 41 guest musicians or bands set to take the stage across two nights at Crypto.com Arena in Los Angeles Sept. 23-24. Musicians due to perform one or both nights include Santana, the War on Drugs, the John Mayer Trio, ZZ Top, Sheryl Crow, Gary Clark Jr., H.E.R., Buddy Guy, Los Lobos, Vince Gill, Stephen Stills, Jimmy Vaughan, Robbie Robertson, the Del McCoury Band and Joe Bonamassa. Others announced include John McLaughlin, Albert Lee, Doyle Bramhall II, Keb’ Mo’, Roger McGuinn, Robert Randolph, Jakob Dylan, Sierra Hull, Marcus King, Eric Gales, Sonny Landreth, Pedro Martins, James Bullard, Andy Fairweather Low, Samantha Fish, Ariel Posen, Ben Haggard, Christone “Kingfish” Ingram, the Bros. Landreth, Kurt Rosenwinkel, Gustavo Satnaolalla, Danial Santiago and Bradley Walker.

Chris Willman Senior Music Writer and Chief Music Critic When Variety asked the members of Boygenius in an interview earlier this month about the setlists for their upcoming shows, they made it clear — no solo material, just band stuff, because that’s sufficient to fill festival-length sets anyway. On top of that, perhaps unspoken is the idea that keeping to Boygenius selections helps keep everything democratic, which would become just a little tougher if suddenly “Kyoto” earned the supergroup’s loudest roar out on the road each night. But the trio is doing some headlining shows this spring and summer, outside of festival dates. Do they really have enough in their arsenal from 2018’s initial EP and the full album that just came out to make a full show feel like a full meal?

Chris Willman Senior Music Writer and Chief Music Critic Country star Tim McGraw announced Thursday that he is entering into a partnership with Shareability, a social content studio that specializes in “viral moments,” to start Down Home, a new Nashville-based media, entertainment and marketing company. According to the announcement, Down Home will be “dedicated to connecting McGraw’s country music audience with Hollywood and brands by producing film, TV and digital media that focuses on relatable stories that capture the essence and spirit of everyday Americans.” No titles or specific projects were announced as part of the unveiling, but the new company is said to have two scripted series in development with Skydance Media, with the intention of following up with feature film and animation projects. In a statement, Joel Bergvall, Down Home’s head of film and television, said, “People want stories that move them, and that starts with characters they can relate to. We’re focused on underdogs, unlikely heroes, and people striving for their sense of family, community, and belonging.”

Chris Willman Senior Music Writer and Chief Music Critic When Bob Dylan made a performance film, “Shadow Kingdom,” that streamed via the Veeps platform for one week in July 2021, Variety reviewed the special, writing that it had “new arrangements so good that pretty much everybody who was watching Sunday was clamoring for a soundtrack to the event, preferably on LP.” That wish is coming true, two years later. (But not just on vinyl.) The music from “Shadow Kingdom” will be released in album form in June. The album version shall be released June 6 on streaming platforms and as a CD and double-LP. The film itself, out of circulation since that initial one-week pay-per-view window, will become available for rental and download for the first time in June, as well.

Chris Willman Senior Music Writer and Chief Music Critic Country star Brad Paisley visited Ukraine with a bipartisan delegation of centrist U.S. senators and sang in front of destroyed Russian military equipment in Kyiv’s Mikhailovsky Square, and on a nearby sidewalk. He performed solo acoustic versions of his own recent Ukraine-themed single “Same Here” as well as well as a Ukrainian-language folk song. Paisley was part of the trip undertaken by Democratic senator Mark Kelly of Arizona, Republican Lisa Murkowski of Alaska and Democrat Joe Manchin of West Virginia, all of whom attended a news conference in the square. “I’ll bet you’ve never heard Brad Paisley sing in Ukrainian,” tweeted former presidential advisor Igor Novikov, posting video of the singer performing in the rain as reporters looked on.

season 12, was belting out Ed Sheeran's new single, «Eyes Closed,» when the 32-year-old British singer-songwriter surprised Yung and joined in on the performance.«Oh wow!» Yung said as he realized Sheeran had walked up behind him.The two artists hugged and snapped photos together as a camera crew was following Sheeran.

Chris Willman Senior Music Writer and Chief Music Critic Paul Simon has announced a new album, “Seven Psalms,” a suite-like conceptual album that he says is meant to be listened to as one 33-minute piece of work, containing seven distinct but interlinked songs, or “movements.” The May 19 release will mark the first all-new collection he’s put out since 2016’s “Stranger to Stranger” and the first studio album of any sort since “In the Blue Light” in 2018, an album of re-recordings of older songs. The release is also due to have a companion documentary, “In Restless Dreams,” directed by Alex Gibney, according to a title card at the end of a trailer Simon has released for the upcoming album. No official announcement of that film has yet been made.

Chris Willman Senior Music Writer and Chief Music Critic It may take a greater elixir than anything Dr. Feelgood has to offer to elicit positive vibes in the war of words — and writs — between Motley Crue guitarist Mick Mars and the other three members of the group. Following a headline-making lawsuit filed by Mars against the band last week, lawyers or managers for both sides have spoken with Variety at length about the positions they are doubling down on. If you had to sum it up in a hard-rock song, it might be: “Grievances Grievances Grievances.” Until now, the Crue camp had only issued brief statements and a frustrated tweet from Nikki Sixx. But the band’s manager of 29 years, Allen Kovac, was so angered by an interview Mars gave Variety after the suit was filed that he agreed to go on record addressing what he believes are the musician’s most scurrilous accusations — including whether or not the group’s performances are largely on tape. “I have a lot of regret that I’m having to do this,” the attorney says, pointing out that he talked Nikki Sixx, the group’s unofficial leader, out of talking to the press himself, wanting the bassist to keep “taking the high road.”

Chris Willman Senior Music Writer and Chief Music Critic Amazon has come on board this month’s Stagecoach Festival in California to provide a livestream of the country music gathering. Live action from the April 28-30 festival in Indio will be streamed on both Prime Video and Amazon Music’s Twitch channel. It marks the second year that the festival will be extensively streamed, albeit the first involving Amazon. In 2022, Stagecoach livestreamed most of the main attractions on its own YouTube channel. In some years prior to that, Yahoo had had exclusive rights to stream select artists’ sets. Coverage from the festival will begin at 3 p.m. each of the festival’s three days. Stagecoach and Amazon did not immediately reveal how many or which sets will be streamed from the festival; a press release promised that performances from the Mane Stage will be seen.

Chris Willman Senior Music Writer and Chief Music Critic God only knows it was a matter of time until the Recording Academy picked the Beach Boys as the recipient of one of its annual all-star tributes, and the group’s legacy isn’t done any shame with “A Grammy Salute to the Beach Boys,” airing Sunday night at 8 ET/PT on CBS (and for on-demand streaming on Paramount+). No wrong harmonies are struck, literally or figurative, in a two-hour show that starts out feeling a little bit by-the-numbers but eventually lands on a series of knockout covers fit for a Wilson. Are you surprised that Brandi Carlile would be the highlight of a tribute special? Then come out from under your rock and do stay up late enough to catch both of her performances on the show, since she is one of a handful of artists granted both solo and duet slots in the setlist. First in the running order, she has a version of “In Your Room” that can’t really be considered “solo,” since she’s joined by bandmates Phil and Tim Hanseroth for an arrangement that has their modern mastery of three-part harmony paying homage to the Boys’ sub-incarnation as a balladic vocal trio. You hope for something transformative in tribute performances like these, and you know you’re getting the moment Carlile lends her perfectly subtle vibrato to the “roo-oo-oom” and “a-frai-ai-aid” to some of the opening lines. She and the Hanseroths make the bridge feel you’re doing a gentle waltz while enveloping yourself in a self-assuring hug, before the falsetto ending spoils that warmth with a chill down your spine. Yeah, it’s that good.

Chris Willman Senior Music Writer and Chief Music Critic In 2002, director Sam Jones made what is widely considered a benchmark for 21st century music documentaries with “I Am Trying to Break Your Heart: A Film About Wilco,” a movie that lucked into just about all the subject matter that could make B-roll footage of the making of an album into A-list material. It had conflict within the band, between an auteur and another member of great talent; conflict with the soon-to-be-ex-record label, over the basically unwanted classic-to-be “Yankee Foxtrot Hotel”); and said auteur doing his own demon-wrestling, outside foils notwithstanding. Now, it’s easier to see that Jones’ good fortune in happening upon all that wasn’t all luck. More than 20 years later, Jones has come up with another gold-standard music doc, in the form of “Jason Isbell: Running With Our Eyes Closed,” newly streaming on HBO Max. This time, as the creation of another amazing record — Isbell’s “Reunions” (recorded in late 2019 and released a few months later) — is put under the filmic microscope, there are no record-company bookkeepers as unseen baddies in the backdrop to a making-of. Major labels and the conflicts that come with them are so 2002, right? But one common thread is intra-band tension… as it probably will be in most good rock docs now or 20 years from now. It gets more interesting than that, though. In this instance, the difficult vibes are between bandmates who double as a married couple — Isbell and his fiddler-spouse, Amanda Shires. Here, unlike the by-now iconic beefing between Jay Tweedy and Jay Bennett, we know no one’s ultimately going anywhere, right?

Chris Willman Senior Music Writer and Chief Music Critic “I carried those bastards for years,” says Mick Mars, telling Variety how he thinks his 41-year history with Motley Crue should not end with him facing off with the other three members in the halls of justice. The veteran band, now down by one original member, has sued to force Mars into arbitration, looking to get a ruling that he is officially a member or shareholder, with any of the rights that confers. They contend that when he announced he was quitting touring, that amounted to a resignation. Mars, 71, counter-sued on Thursday morning, contending that he didn’t give up anything, at all, by announcing last fall that effects of his longstanding arthritic disease made him no longer fit for the road. His legal filing was full of provocative assertions about the others, and so was the response Thursday afternoon from Crue’s lawyers, who believe he gave up all rights by putting away his touring suitcases — and further, the Crue camp maintained, Mars had become an instrumentally erratic drag on the band.

Chris Willman Senior Music Writer and Chief Music Critic Motley Crue has responded to Mick Mars’ lawsuit alleging that the band is trying to force him out after 41 years, with the group’s attorneys contending that Mars already is out — having resigned, effectively, in their view, when he announced he was halting touring for good. Motley Crue’s attorneys also provided Variety with signed declarations from seven members of the touring crew that was out with the band when they toured with Mars for the last time on 36 stadium dates in 2022, alleging that his performances at the shows were under par and created problems for the entire group. “After the last tour, Mick publicly resigned from Mötley Crüe,” said Sasha Frid, the band’s litigation attorney. “Despite the fact that the band did not owe Mick anything — and with Mick owing the band millions in advances that he did not pay back — the band offered Mick a generous compensation package to honor his career with the band.  Manipulated by his manager and lawyer, Mick refused and chose to file this ugly public lawsuit.”

Chris Willman Senior Music Writer and Chief Music Critic Mick Mars, Motley Crue’s guitarist of 41 years, has filed legal papers bringing deep and apparently hostile divisons between him and the other three members of the band out into the open. The suit only demands that the group hand over relevant documents about their businesses in advance of arbitration. But the wealth of details in Mars’ filing offers a provocative look at the tension between him and the others, in what he says has been a pattern of “gaslighting” in an attempt to kick him out of the group. The paperwork was filed in Los Angeles County’s Superior Court Thursday filed through Mars’ attorney, Edwin F. McPherson, and says the band has deliberately withheld information about the various Motley Crue businesses that he has a 25% ownership share in. Mars says the band has demanded he sign a severance agreement that would divest him of those and other future interests, in return for a 5% stake in the group’s 2023 tour, which is going on without him.

Chris Willman Senior Music Writer and Chief Music Critic The verdicts on the new Broadway musical-comedy “Shucked” are in, and the critics have asked you to lend them your ears — so to speak — as they’ve cobbled together their reactions to the possible sleeper hit. (Sorry, but once you’ve seen the production, it may take you six months or longer to stop speaking in puns.) Variety’s critic wrote that “with its exuberance, heart and non-stop yucks, ‘Shucked’ is the surprise delight of the Broadway season.” The New York Post’s notice trumpeted it as “Broadways’s best and funniest new musical.” Time Out said the show leaves theatergoers “gorged to satisfaction on a big, tasty bag of Broadway puff.” Entertainment Weekly wrote that “its refreshing embrace of diversity and unapologetically corny sincerity can definitely put a smile on your face.” Even one of the minority that was harder on it, the New York Times’ Jesse Green, begrudgingly admitted of the parade of laughs: “forced into submission,,” he wrote, “you eventually give in.”

Emanuel Okusanya Nigerian superstar Davido is set to take over as a guest host on Apple Music’s “Africa Now Radio” on April 7, the platform announced today. Fresh off a sold-out concert at New York’s Irving Plaza, Davido will take over the radio show to talk about the creative process behind his latest album “Timeless,” and will additionally highlight a long list of his favorite rising artists. These include such acts as Lojay, Victony, and Asake, with the latter being featured on his focus track “No Competition.” Davido will further highlight Lojay — whose song “Monalisa” scored a top ten slot on Billboard’s U.S. Afrobeats songs chart — as his Africa Rising artist to watch on Friday’s show. “I’ve chosen Lojay because I feel like he’s very into his craft, he’s diverse, and I love when artists really get into their production,” Davido said of the pick in a statement. “He does everything, he reminds me of myself in the early stages.”

Chris Willman Senior Music Writer and Chief Music Critic Renée Zellweger has her first co-starring role in a music video, appearing in “Two Steps,” the visual accompaniment for a new song by C M Talkington, a singer-songwriter who is only on his second album. At first glance, at least for those who don’t know their movie credits too avidly, this might seem like a case of a well-known actor doing a favor to help gain some visibility for an up-and-comer making his baby steps into a musical career. And that part is not untrue, exactly. But the backstory to their jointly making this video actually goes back three decades, and involves both parties possibly owing each other one. Because before he started making records, Talkington was (and still is) known as a filmmaker — and it was him that gave Zellweger her first big break, by going to the wall with a production company to cast her in the 1994 feature “Love and a .45,” where the indie film world first met and fell in love with her.

Chris Willman Senior Music Writer and Chief Music Critic Tanya Tucker, Patty Loveless and Bob McDill will be the Country Music Hall of Fame’s three 2023 inductees, it was announced in a news conference at the hall’s museum in Nashville Monday morning. Tucker will be inducted into the hall in the “Veterans Era Artist” category, while Loveless will get her entree in the “Modern Era Artist” category. McDill is to be inducted in the “Songwriter” category, which is in rotation with the “Recording and/or Touring Musician” and “Songwriter” categories, each coming up every three years. Cheers went up at the announcement ceremony as well as around Nashville, as all three have long been favored for induction, and Tucker and Loveless particularly talked up as should-be shoo-ins for their historical importance as leading women in the genre.

Chris Willman Senior Music Writer and Chief Music Critic During the opening monolog at Sunday night’s CMT Music Awards, broadcast from Austin on CBS, there was a comedic bit in which Kelsea Ballerini and Kane Brown exchanged anniversary presents to celebrate their cohosting of the show for the third consecutive time. Brown gave Ballerini a cowboy hat, and she reciprocated by giving him a pink hat to put on in return. At least a few audience members shared a joke about the exchange: By wearing pink, would Brown be breaking Tennessee’s recently passed law that some believe would ban most drag performances in the state, if they were back home? Viewers whose minds went there during that silly opening were just kidding — but Ballerini really went there later in the three-hour telecast, when she chose four “RuPaul’s Drag Race” queens to perform with her as she sang “If You Go Down (I’m Goin’ Down Too).” That song, off her 2022 album “Subject to Change,” is Ballerini’s anthem of female friendship — and, with the way the CMT Awards routine played out, she very much seemed to be counting drag performers as among those friends. The performance was playful and ostensibly non-political, and in a different year might not have raised very many shaved or unshaved eyebrows. In spring 2023, it was hard to read it as anything other than a statement of: If drag queens are brought down, the rest of us will be dragged down with them.