Will there be an ‘Insidious 6’?

Barbie is on track to be the film of the summer, if not the entire year, and we haven't even seen it yet. This movie is already giving us everything we never knew we needed in our life until now, from a Dua Lipa Barbie anthem to John Cena as a merman to .

Manori Ravindran Executive Editor of International A new documentary about Richard Williams, the father of tennis greats Serena and Venus Williams, has sold into major markets. “On the Line: The Richard Williams Story,” which had its U.K. premiere at Sheffield Doc/Fest in June, has been sold into Sky (U.K. and Italy), Canal+ (France), MNET (South Africa), Paramount+ (Australia) and TVNZ (New Zealand). The film paints a complex portrait of the life, career and impact of Williams — the family patriarch and tennis coach to Venus and Serena Williams, who was also portrayed by Will Smith in the 2022 movie “King Richard.”

Follow OK! on Threads here: https://www.threads.net/@ok_mag Prince William is said to have purchased an electric scooter, which he has been using to commute within the grounds of the vast Windsor estate. E-scooters are currently illegal for use on public roads, unless part of an approved scheme, but are allowed on private grounds, such as the royal family's home of Windsor Castle and estate.

Treat Williams' 24-year-old daughter paid homage to her late father one month after the actor died in a motorcycle crash in Vermont.Ellie Williams took to Instagram on Wednesday and remembered the  and  star as a devoted father who gave her «the best life imaginable.» She shared a sweet throwback photo of her as a child pretend shaving her father, whose face is covered with shaving cream.Ellie also took to her Instagram Stories and shared more photos, including her older brother, Gill, holding her as a baby and visiting her father onstage when he was on Broadway. She remembered him as her «king» while also expressing the grief she's still trying to process. «I have never experienced this kind of grief before, so it’s hard to put my thoughts into words, but I’ll try my best for now.

Will Ferrell‘s sons are all grown up!

Sophia Scorziello editor Paramore’s Hayley Williams took a break from the band’s usual set list to channel her inner Sasha Fierce, covering Beyoncé’s “I Miss You” in the Texas-bred singer’s hometown of Houston on July 11. Most of the song was performed by Williams in a capella while the rest of the band took a back seat. In fan-captured videos, Williams’ silhouette stands out as she’s surrounded by dim red lighting. She can be heard belting out the bridge: “It is so simple a feeling, but it’s everything / No matter who you love, it is so simple a feeling, but it’s everything.” The song is somewhat of a deep cut from Beyoncé’s fourth studio album, 2011’s “4,” which featured mega-hits like “Who Run the World (Girls),” “Count Down,” “Love on Top” and “Dance for You.” “I Miss You” was penned by Frank Ocean and marked his and Beyoncé’s first collaboration together as artists. They again joined forces on the song “Superpower” from her self-titled album and Ocean’s “Pink & White,” from his album “Blond.” Like Williams, Ocean has performed his own rendition of the song during his rare live performances.

The Lincoln Lawyer starring Manuel Garcia-Rulfo returned for its second season this month.Created by David E. Kelley, the legal drama series follows LA defense attorney Mickey Haller (Garcia-Rulfo) who takes on cases from his chauffeur-driven Lincoln Navigator instead of an office.Other cast members include Neve Campbell, Becki Newton, Jazz Raycole, Angus Sampson and Christopher Gorham.

Indiana Jones’ reign atop the box office was short-lived. In its second weekend in theatres, the Disney release was usurped by another franchise fifth – “Insidious: The Red Door.” The horror film starring and directed by Patrick Wilson scared up $32.7 million in ticket sales from 3,188 theatres, according to studio estimates on Sunday.

Refresh for latest…: Busy weekend at the international box office with a strong scary new entry, some unexpected spark in holds and a milestone for a long-running franchise.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

J. Kim Murphy Indiana Jones has faced Nazis and aliens, snakes and the fury of an Old Testament God — but he has never faced the terrors of the Red Door. Sony’s “Insidious: The Red Door,” the latest installment in the supernatural series, blew by expectations on its opening day with a $15.2 million gross from 3,188 venues — a figure that includes $5 million in Thursday previews. Horror entries usually face front-loaded weekend performances, but the Screen Gems, Stage 6 Films and Blumhouse co-production has fired off with a commanding lead. It looks to land the top spot on domestic charts for the weekend, projecting a $31 million haul and toppling last week’s victor “Indiana Jones and the Dial of Destiny” in the process.

Ghost and actor Patrick Wilson have teamed up to cover Shakespears Sister‘s ‘Stay’ as part of the Insidious: The Red Door soundtrack.The track, a cover of Shakespears Sister’s 1992 goth-pop hit ‘Stay’, features in the closing credits of the newly released horror film. It also marks Ghost’s first release since their recent covers EP ‘Phantomime’ in May.Listen to Ghost and Patrick Wilson perform ‘Stay’ below.Wilson – who also directed Insidious: The Red Door – revealed via a press statement that he got word that Ghost were planning to release a cover of the track, and reached out to Tobias Forge for a collaboration.“Ghost, for me, is one of the most unique rock bands out there.

While ghosts by themselves are frightening, the idea that they can hurt the very people we love is several shades scarier. “The Conjuring” and “Insidious”—the two James Wan joints that have spun the two most successful and sophisticated supernatural horror franchises of the last decade—understood this timeless fear at a deep level.

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

Owen Gleiberman Chief Film Critic Halfway through “Insidious: The Red Door,” there’s a moment that encapsulates why the movie isn’t more insidious. Josh Lambert (Patrick Wilson), the father from the first two “Insidious” films (this one is number five), has just dropped his son off for his freshman year at college. The son, Dalton, is once again played by Ty Simpkins, who was just a spooked kid in the earlier films; now he’s a spooked surly emo art student draped in hippie hair. Eight years ago, Dalton and his father were hypnotized so that they would lose all memory of the Further, the spirit zone Dalton got sucked into as an astral projection of himself. The hypnosis worked; they’ve forgotten the living nightmares they saw. But now the visions are coming back.

Insidious: The Red Door, the fifth installment of the Insidious franchise and helmed by actor-turned-director Patrick Wilson, promises a dive into the haunted memories of the past, but the script by Scott Teems delivers little more than a stifling yawn. Alongside Wilson, the film stars Ty Simpkins, Rose Bryne and Sinclair Daniel. 

Insidious: The Red Door brings a sense of finality to the supernatural horror franchise.This fifth installment brings back series staples Patrick Wilson, Ty Simpkins, Andrew Astor and Rose Byrne, alongside newcomers Hiam Abbass and Sinclair Daniel.Along with reprising his role of Josh Lambert, Wilson makes his directorial debut with Insidious: The Red Door, from a screenplay by Scott Teems.This fifth entry is set 10 years after the ending of Insidious: Chapter 2, as Josh Lambert (Wilson) drops off his son Dalton (Simpkins) at an ivy-league university. Insidious: The Red Door is a direct sequel to the first two films, with the third and fourth entries, Insidious: Chapter 3 and Insidious: The Last Key, serving as prequels to the first film.An official synopsis for Insidious: The Red Door, reads: “Set 10 years after the ending events of the second film, Josh Lambert heads east to drop his son Dalton off at an idyllic, ivy-league university.

The fifth film in the franchise and a direct sequel to 2013’s “Insidious: Chapter 2,” “Insidious: The Red Door” is a confident and satisfying addition to the series.  READ MORE: The 25 Most Anticipated Horror Films Of 2023 Picking up ten years after the events of the second film, the Lamberts are a fractured family in mourning. Patrick Wilson returns as Josh Lambert, a father struggling with the loss of his mother, Lorraine, and keen to mend the relationship with his oldest son, Dalton, again played by Ty Simpkins.