What is ‘Insidious: The Red Door’ about?

in Thursday's which is probably my favorite episode of the series so far. (Don't read into that in regards to whether they rekindle their romance or not!) However you feel about Aidan—or Carrie and Aidan—I think you'll appreciate the growth from both of these characters. “I'm not surprised that people have strong feelings about Aidan,” Sarah Jessica Parker tells Glamour about his return. “There's so much affection for him, but there are those that had huge affection for Mr.

The Warner Bros. lot may be turning into an unintended flashpoint for everything that’s troubling Los Angeles these days — the overwhelming homeless situation and the first actors and writers strike since 1960 — but you’d be hard pressed to find signs of woe on the lot’s popular studio tour.

After months of waiting, the movie event of the year is finally imminent: Barbenheimer.

on Netflix. There’s so much that needs to be answered after last season’s . Will Helen decide to pursue a , her ex Ryan, or no one at all? And who hates Dana Sue? Also, why did Miss Frances leave her all that money? Can Cal and Maddie work through what happened at Sullivan’s? See, I told you. The good news is that you’ll get all those answers relatively soon into the season—all episodes drop at once—but new mysteries and conundrums present themselves.

"He had this really solemn, sad look on his face."

has delivered a plethora of candy-colored ensembles, the press tour for Christopher Nolan’s *Oppenheimer—*featuring Emily Blunt and —has also made its mark with its red carpet fashion moments. From Cillian Murphy’s sheer Saint Laurent shirt to Pugh’s burnt orange Valentino haute couture gown and matching orange buzz cut, the looks have felt theatrical and err on the dark side. At the London premiere of Oppenheimer, wore an Alexander McQueen ’40s sequin ensemble, before leaving with the rest of the cast in a mass walkout in solidarity with the actor’s strike in America.Emily Blunt and Florence Pugh on the red carpet.The outfit—look 51 from the brand’s autumn/winter 2023 collection, to be precise—comprised a black and silver cut-out dress adorned with bugle beads, as well as pronounced capped sleeves and a sweeping fringed skirt.

“Sex and the City” premiered in 1998.The stars (and characters) of the hit HBO romantic comedy series — Sarah Jessica Parker, Cynthia Nixon, Kim Cattrall and Kristin Davis — have seemingly aged gracefully in the last two decades. But New York-based plastic surgeon Dr.

When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut.

Refresh for latest…: Busy weekend at the international box office with a strong scary new entry, some unexpected spark in holds and a milestone for a long-running franchise.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

The Summer I Turned Pretty's second season trailer, the headlines and initial reactions focused on how it featured “Back to December (Taylor’s Version),” a sneak peek of her upcoming Speak Now rerecording. But the bigger news—in my opinion—was how much the trailer reveals in regards to the plotline.While the series follows for the most part, there were some changes in season one of Prime Video series, the biggest being that Susannah decides to do the trial to treat her rapidly-advancing cancer.

We’re weeks away from Greta Gerwig‘s Barbie hitting theaters, but fans of the iconic doll almost got a very different take on the story from Diablo Cody.

according to IMDB’s Box Office Mojo.A sequel to 2013’s “Insidious: Chapter 2,” the flick is actor Patrick Wilson’s directorial debut.It managed to push “Indiana Jones and the Dial of Destiny,” which opened last Friday and was in the No.

J. Kim Murphy Indiana Jones has faced Nazis and aliens, snakes and the fury of an Old Testament God — but he has never faced the terrors of the Red Door. Sony’s “Insidious: The Red Door,” the latest installment in the supernatural series, blew by expectations on its opening day with a $15.2 million gross from 3,188 venues — a figure that includes $5 million in Thursday previews. Horror entries usually face front-loaded weekend performances, but the Screen Gems, Stage 6 Films and Blumhouse co-production has fired off with a commanding lead. It looks to land the top spot on domestic charts for the weekend, projecting a $31 million haul and toppling last week’s victor “Indiana Jones and the Dial of Destiny” in the process.

While ghosts by themselves are frightening, the idea that they can hurt the very people we love is several shades scarier. “The Conjuring” and “Insidious”—the two James Wan joints that have spun the two most successful and sophisticated supernatural horror franchises of the last decade—understood this timeless fear at a deep level.

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

Sony/Stage 6 Films/Blumhouse’s fifthquel Insidious: The Red Door nearly locked out Indiana Jones and the Dial of Destiny yesterday at the box office. The Patrick Wilson starring and directed PG-13 horror film scared up $5M in previews at 2,806 locations that began showtimes at 4PM. That amount of money is very close to what Indy grossed, early estimates showing around $5.2M for the day in an awful week that ended at $94.5M for the $300M-plus grossing Disney/Lucasfilm finale sequel.

Owen Gleiberman Chief Film Critic Halfway through “Insidious: The Red Door,” there’s a moment that encapsulates why the movie isn’t more insidious. Josh Lambert (Patrick Wilson), the father from the first two “Insidious” films (this one is number five), has just dropped his son off for his freshman year at college. The son, Dalton, is once again played by Ty Simpkins, who was just a spooked kid in the earlier films; now he’s a spooked surly emo art student draped in hippie hair. Eight years ago, Dalton and his father were hypnotized so that they would lose all memory of the Further, the spirit zone Dalton got sucked into as an astral projection of himself. The hypnosis worked; they’ve forgotten the living nightmares they saw. But now the visions are coming back.

Insidious: The Red Door, the fifth installment of the Insidious franchise and helmed by actor-turned-director Patrick Wilson, promises a dive into the haunted memories of the past, but the script by Scott Teems delivers little more than a stifling yawn. Alongside Wilson, the film stars Ty Simpkins, Rose Bryne and Sinclair Daniel.