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Owen Gleiberman Chief Film Critic Halfway through “Insidious: The Red Door,” there’s a moment that encapsulates why the movie isn’t more insidious. Josh Lambert (Patrick Wilson), the father from the first two “Insidious” films (this one is number five), has just dropped his son off for his freshman year at college. The son, Dalton, is once again played by Ty Simpkins, who was just a spooked kid in the earlier films; now he’s a spooked surly emo art student draped in hippie hair. Eight years ago, Dalton and his father were hypnotized so that they would lose all memory of the Further, the spirit zone Dalton got sucked into as an astral projection of himself. The hypnosis worked; they’ve forgotten the living nightmares they saw. But now the visions are coming back.

With this weekend’s grosses, Sony/Screen Gems/Stage 6 Films/Blumhouse’s Insidious: The Red Door has become the biggest horror movie of the year globally at $182.5M, edging M3GAN’s worldwide cume of $180.8M. The current frame was worth $2.5M from 59 overseas markets for an international cume of $101.8M. The Insidious franchise has now earned over $735M worldwide.

Rebecca Rubin Film and Media Reporter Disney’s “Indiana Jones and the Dial of Destiny” is barely winning an unexpectedly close race with “Insidious: The Red Door” on international box office charts, with each film collecting roughly $31 million over the weekend. Based on Sunday’s estimates, “Indiana Jones 5” is ever-so-slightly ahead of “Insidious 5” with $31.8 million for Harrison Ford’s swashbuckling adventure and $31.4 million for Sony’s paranormal horror story. “The Red Door” easily took town “Dial of Destiny” at the domestic box office, with the former earning $32.6 million in its debut. It marked the second-best opening weekend of the franchise behind 2013’s “Insidious: Chapter 2” ($40 million).

Rebecca Rubin Film and Media Reporter Indiana Jones had a short-lived box office reign. Disney’s action-adventure “Indiana Jones and the Dial of Destiny” dropped to the No. 2 spot in its second weekend of release, earning $26.5 million from 4,600 North American theaters. It was dethroned by Sony’s horror-thriller “Insidious: The Red Door,” which beat expectations with its $32.6 million debut from 3,188 venues. Ticket sales for “Indiana Jones,” the fifth and final installment to star Harrison Ford’s swashbuckling adventurer, declined by 56% from its $60 million opening weekend, continuing the theatrical misfortunes for the nearly $300 million-budgeted movie. “Dial of Destiny” added $31.8 million at the international box office, bringing worldwide ticket sales to $247.9 million. It has a long and winding journey to get out of the red, at least in its box office run.

J. Kim Murphy Indiana Jones has faced Nazis and aliens, snakes and the fury of an Old Testament God — but he has never faced the terrors of the Red Door. Sony’s “Insidious: The Red Door,” the latest installment in the supernatural series, blew by expectations on its opening day with a $15.2 million gross from 3,188 venues — a figure that includes $5 million in Thursday previews. Horror entries usually face front-loaded weekend performances, but the Screen Gems, Stage 6 Films and Blumhouse co-production has fired off with a commanding lead. It looks to land the top spot on domestic charts for the weekend, projecting a $31 million haul and toppling last week’s victor “Indiana Jones and the Dial of Destiny” in the process.

Guns N’ Roses’ guitarist Slash has revealed that he bonded with actor Patrick Wilson over his love for horror movies.The rock and roll legend, who recently worked on the soundtrack for new horror film The Breach, told NME that he met Wilson at a Guns N’ Roses show and instantly hit it off due to their mutual appreciation of each other’s work.Slash then expressed his excitement for Insidious: The Red Door, the upcoming horror sequel in which Wilson reprises his role as Josh Lambert.“Oh I know Patrick Wilson, I met him after the first Insidious,” said the guitarist. “He came to a Guns N’ Roses show because he’s a fan.“We met there and I sort of fanboyed out and managed to get his phone number and now I bug him all the time.

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

Insidious: The Red Door, the fifth installment of the Insidious franchise and helmed by actor-turned-director Patrick Wilson, promises a dive into the haunted memories of the past, but the script by Scott Teems delivers little more than a stifling yawn. Alongside Wilson, the film stars Ty Simpkins, Rose Bryne and Sinclair Daniel. 

Insidious: The Red Door brings a sense of finality to the supernatural horror franchise.This fifth installment brings back series staples Patrick Wilson, Ty Simpkins, Andrew Astor and Rose Byrne, alongside newcomers Hiam Abbass and Sinclair Daniel.Along with reprising his role of Josh Lambert, Wilson makes his directorial debut with Insidious: The Red Door, from a screenplay by Scott Teems.This fifth entry is set 10 years after the ending of Insidious: Chapter 2, as Josh Lambert (Wilson) drops off his son Dalton (Simpkins) at an ivy-league university. Insidious: The Red Door is a direct sequel to the first two films, with the third and fourth entries, Insidious: Chapter 3 and Insidious: The Last Key, serving as prequels to the first film.An official synopsis for Insidious: The Red Door, reads: “Set 10 years after the ending events of the second film, Josh Lambert heads east to drop his son Dalton off at an idyllic, ivy-league university.

Insidious: The Red Door brings a sense of finality to the supernatural horror franchise.Directed by Patrick Wilson, who also returns as Josh Lambert, the franchise’s fifth installment brings back fellow original cast members Ty Simpkins, Andrew Astor, Rose Byrne and Lin Shayne for what’s billed as the Lambert family’s “final chapter”.The film also stars newcomers Hiam Abbass and Sinclair Daniel, from a screenplay by Scott Teems.A sequel to Insidious: The Red Door has not been announced. Speaking to DiscussingFilm, producer Jason Blum explained the fifth installment will be the last we’ll see of the franchise for a “while”.“It may not be a forever rest, but it’s certainly going to be a very long rest,” Blum said.

The fifth film in the franchise and a direct sequel to 2013’s “Insidious: Chapter 2,” “Insidious: The Red Door” is a confident and satisfying addition to the series.  READ MORE: The 25 Most Anticipated Horror Films Of 2023 Picking up ten years after the events of the second film, the Lamberts are a fractured family in mourning. Patrick Wilson returns as Josh Lambert, a father struggling with the loss of his mother, Lorraine, and keen to mend the relationship with his oldest son, Dalton, again played by Ty Simpkins.

Patrick Wilson is making the Insidious: The Red Door premiere a family affair!

Insidious: The Red Door” hits theaters July 7, now is the perfect time to catch up on the creepy franchise (or experience it for the first time). Beginning with “Insidious” in 2010, the horror films center around a family who finds themselves haunted by demons from another realm, along with the people who try to help them. Created by horror veteran Leigh Whannell (who also created the “Saw” franchise along with James Wan), each installment of the “Insidious” takes viewers deeper into the Further, a nightmarish dimension populated by tortured spirits and ruled over by a malevolent demon.

which first reported the news, “Thread,” the sixth installment in the “Insidious” horror franchise, explores the experiences of ordinary individuals who find themselves entangled with demonic entities. However, it is not a direct continuation of the current series but rather an offshoot project.In the film, Moore and Nanjiani portray a married couple who use a spell to go back in time and save their daughter from dying.

EXCLUSIVE: Oscar nominee Maria Bakalova (Borat Subsequent Movie Film), two-times Cesar Award nominee Jean Reno (Leon), Ty Simpkins (Jurassic World) and Connie Nielsen (Gladiator) are attached to star in action movie Birdseye, which The Exchange will be launching for international sales ahead of the Cannes market.

The trailer for Insidious: The Red Door has been released!

Insidious: The Red Door has been released – you can watch it above.The upcoming film is the fifth instalment in the horror franchise but will be a direct sequel to Insidious: Chapter 2, which was released in 2013.Set 10 year later, The Red Door rejoins the Lambert family as they prepare to face their dark past.A synopsis for the film reads: “Josh Lambert heads east to drop his son, Dalton, off at school. However, Dalton’s college dream soon becomes a living nightmare when the repressed demons of his past suddenly return to haunt them both.”Patrick Wilson, who returns as Josh Lambert, marks his directorial debut for the new horror.

McKinley Franklin editor It looks like some demons are harder to get rid of than others.  The first official trailer for the fifth installment of the mainstay horror franchise “Insidious” reveals a new demonic side of the jinxed Lambert family. “Insidious: The Red Door” picks up 10 years after “Insidious: Chapter 2,” showcasing some familiar faces from its predecessors. At the end of the second movie, it seems as though the Lambert family has shed their satanic visions. Fast forward to the modern day, Josh (Patrick Wilson) and Dalton Lambert (Ty Simpkins) are back to face a new set of problems — like Dalton’s first year at college and a fresh group of nightmarish monsters.

On Sunday, Brendan Fraser took home the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role. The 54-year-old star beat out Adam Sandler, Austin Butler, Bill Nighy and Colin Farrell to take home the trophy for his powerful performance in “The Whale”, and was already in tears as he took the stage to accept the award.

Brendan Fraser took home the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role. The 54-year-old star beat out Adam Sandler, Austin Butler, Bill Nighy and Colin Farrell to take home the trophy for his powerful performance in and was already in tears as he took the stage to accept the award.«I'm smiling and breathing, that's half the job!» he joked with the crowd as he took a deep breath.«I will treasure this, but never more than how I treasured… my SAG card that I earned in 1991,» Fraser shared. «It made me feel like I belonged.

Brendan Fraser won at the Critics Choice Awards in the Best Actor category for his work on The Whale and delivered one of the most emotional speeches of the night.

Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.

Brendan Fraser will receive the Spotlight Award, Actor at the Palm Springs Film Festival’s awards ceremony, taking place in person at the Palm Springs Convention Center on January 5. The award comes in recognition of the actor’s performance in the critically acclaimed A24 drama The Whale from filmmaker Darren Aronofsky.

From its triumphant world premiere (with seven-minute standing ovation) at the Venice Film Festival, A24 opens Darren Aronofsky’s The Whale in theaters this weekend amid a whirl of Oscar buzz around star Brendan Fraser. The former action star carries the psychological drama as Charlie, a reclusive and severely obese English teacher trying to reconnect with his estranged teenage daughter.

The Whale at Toronto’s International Film Festival.The actor, best known for his role in The Mummy franchise, received a standing ovation at the festival’s tribute gala on Sunday (September 11), where he was presented with an award by The Whale director Darren Aronofsky.In his speech, Fraser said: “This is new for me. Normally I’m the guy at the podium who hands these things out.

Clayton Davis The love for Brendan Fraser continues to grow following his acclaimed turn in Darren Aronofsky’s “The Whale,” generating tons of Oscar buzz. “It’s the right actor, for the right part, at the right time,” Darren Aronofsky says in the Variety Studio presented by King’s Hawaiian at TIFF. While at the Toronto International Film Festival for the movie, Fraser, along with writer Samuel D. Hunter and his fellow cast members Sadie Sink and Ty Simpkins, spoke with Variety about taking on the difficult role of a 600-pound man, which required up to four hours of prosthetics and makeup. “It was designed specifically to obey laws of gravity and physics,” Fraser says. “It wasn’t built for just a silhouette or a one-note joke.”

Brendan Fraser fought back tears as “The Whale” received a passionate standing ovation at its Toronto International Film Festival premiere on Sunday. The crowd stood for roughly five minutes until festival organizers quieted the applause to begin a question and answer session with Fraser, director Darren Aronofsky, writer Samuel D. Hunter and cast members Sadie Sink and Ty Simpkins. The reception was one of the strongest yet at this year’s festival, a gathering that has already included the premieres of Steven Spielberg’s “The Fabelmans” and “Glass Onion: A Knives Out Mystery.” TIFF was set to be a big festival for Fraser even before “The Whale” screened to huge acclaim. The actor is receiving the TIFF Tribute Award for Performance at the 2022 festival, with TIFF CEO Cameron Bailey saying, “Brendan Fraser gives a performance of staggering depth, power, and nuance in ‘The Whale.’ This former Torontonian has been an action star, a screen comic, and a romantic lead. We’re thrilled to welcome him home as the actor behind one of the finest performances of the year.”

Brendan Fraser gets a hug from Sadie Sink at the premiere of The Whale during the 2022 Toronto Film Festival held at Royal Alexandra Theatre on Sunday (September 11) in Toronto, Canada.

Manori Ravindran International Editor The stars descended on Soho House in downtown Toronto on Saturday for Variety and Chanel’s Female Filmmakers’ Dinner during the Toronto International Film Festival. Guests in attendance included Tilda Swinton, star of Joanna Hogg’s “The Eternal Daughter”; Gina Prince-Bythewood, director of “The Woman King”; Darren Aronofsky, director of “The Whale”; and Anna Kendrick, who’s in Toronto shopping her new AGC Studios project “The Dating Game” to market buyers. Stars mingled on a packed rooftop before convening in the club’s private dining room, which gathered around 100 of the festival’s bright lights in filmmaking. They dined on a bespoke Soho House menu of beef tartare with black truffle, black cod and bok choy, and wagyu rib cap with porcini purée.

In a triumphant world premiere at the Venice Film Festival, Darren Aronofsky’s The Whale received a seven-minute standing ovation inside the Sala Grande this evening. Star Brendan Fraser was visibly moved as he was embraced by his director while extended applause rang throughout the auditorium.

Brendan Fraser’s return to Hollywood at the 79th Venice Film Festival was met with many tears.

#Venezia79 six-minute standing ovation for #TheWhale,” tweeted Ramin Setoodeh, Variety’s co-editor-in-chief, noting that the actor tried to leave the theater but the audience’s applause made him stay.After reaching a career high starring in “The Mummy” franchise and “George of the Jungle,” in many ways, some consider “The Whale” Fraser’s comeback moment that could quite possibly earn him an Oscar. The standing ovation for #TheWhale was so enthusiastic, Brendan Fraser tried to leave the theater but the crowd’s applause made him stay.

The Whale” at the Venice Film Festival is any indication, Brendan Fraser’s return to Hollywood will be met with plenty of cheers — and even more tears. When the credits rolled on the Darren Aronofsky drama, in which Fraser plays a 600-pound gay man confined to a wheelchair, the actor was overcome with emotion.Fraser sobbed throughout the six-minute standing ovation for the film, which will likely put him at the forefront of this year’s best actor Oscars race.Among those spotted inside the Sala Grande Theatre were Pheoebe Waller-Bridge, Nick Kroll and Hillary Clinton staffer Huma Abedin, who was seated a few rows behind Fraser and shed as many tears as he did. Many others inside the theater also broke out a handkerchief during the film’s heartbreaking final scenes.

Darren Aronofsky loves reclaiming the broken, the damaged, the forgotten. Take his magnum opus, 2008’s “The Wrestler,” the story of an aging WWE entertainer who gives it all for one more shot at glory.

Brendan Fraser says the role of dangerously obese teacher Charlie in the upcoming The Whale is “the biggest challenge” of his career.

The Whale star Brendan Fraser has discussed wearing a fat suit in the forthcoming film.The actor will be starring in Darren Aronofsky’s adaptation of the play of the same name, playing a reclusive online English teacher living with life-threatening obesity.“I learned quickly that it takes an incredibly strong person inside that body to be that person,” Fraser told Vanity Fair of learning more about the condition and working with the Obesity Action Coalition.He added: “That seemed fitting and poetic and practical to me, all at once.”First look at Sadie Sink in Darren Aronofsky’s THE WHALE pic.twitter.com/C78aHlIUlZ— Film Updates (@FilmUpdates) August 31, 2022Addressing recent controversy over actors such as Sarah Paulson wearing fat suits to play other characters, the play’s writer Samuel D. Hunter says The Whale is “a call for empathy”.Fraser added of his research: “I looked at other body suits that had been used in comedies over the years, usually for a one-note joke.“Whether intended or not, the joke is, it defies gravity.