‘Widow Clicquot’ Review: An Always-Compelling Haley Bennett Raises The Glass Of Champagne Problems Period Drama [TIFF]

Wedding bells were ringing this weekend for Lunden Stallings and Olivia Bennett!!

The Rolling Stones‘ Keith Richards says he believes that pop music has “always been rubbish,” and “that’s the point of it”.The legendary guitarist was speaking to The Telegraph about his career, the state of music and his band’s comeback album ‘Hackney Diamonds’.“I don’t want to start complaining about pop music,” Richards said. “It’s always been rubbish.

New Patreon EXCLUSIVE podcast episode is out! Taylor Swift inserted herself in the Sophie Turner and Joe Jonas narrative. Was that a mistake? This and much more on our latest show! CLICK HERE to listen to the newest episode of The Perez Hilton Podcast with Chris Booker in full at Patreon.com/PerezHilton

Elsa Keslassy International Correspondent Dominic Cooper (“Mamma Mia”) and Sarah Gadon (“A Dangerous Method”) are co-starring in “Cry From The Sea,” a Canadian-Irish movie directed by cinematographer-turned-helmer Vic Sarin (“Cold Comfort”). The movie, which is currently shooting, is represented in international markets by Cinema Management Group, with WME and Laura Rister handling U.S.

Pop the cork and celebrate Haley Bennett in Widow Clicquot, a fast-paced and sexy biopic of the woman known as Madame “Veuve” Clicquot, or by her actual full name, Barbe Nicole Ponsardin-Clicquot, who triumphed over all odds to become the force that created and brought to the world the leading brand of Champagne. The film premiered at the Toronto Film Festival.

“Hi, I’m gonna kill myself,” an 11-year-old girl proclaims to her mom over a pay phone in what is clearly an attention-getting gesture. Alarming as this may sound, it’s just part of the oddly arresting dynamics of Janet Planet, the distinctive first produced screenplay by Pulitzer Prize-winning playwright Annie Baker, making her cinematic directorial debut. This is an off-beat film to say the least, one rippling with modestly turbulent undercurrents that are presented in such a way that make parent-offspring relations at least as amusing as they are serious. Beyond that, there is an unusual dramatic approach at play that partly turns its back on normal verbal interchange, one that embraces out-of-the-blue remarks and sidelong comments at the partial expense of conventional exposition and character development. The result is both disarming and odd, a film both lovely for its observational aptitude and at times mildly annoying in its smarty-pants conversational cleverness. Whatever else you can say, it’s an absolute original.

Jessica Kiang In the second half of the 20th century a system of categorizing personalities into “Type A” and “Type B” gained mainstream pop-psychological traction. The obvious limitations of its binary, or at best linear, approach have seen the theory largely fall out of favor but sometimes, like when watching Selman Nacar’s sober, stressful second feature, “Hesitation Wound,” it’s hard not to be reminded of it.

Alissa Simon Film Critic Britain’s official post-WWI administration of Palestine lasted from 1920-48 and is probably the UK colonial enterprise least addressed by its fiction filmmakers. But now prolific writer-director Michael Winterbottom (“The Trip,” “A Mighty Heart”) uses that complicated era as a backdrop to the compelling historical romance “Shoshana.” A passion project 15 years in the making and based on real people and events, the film employs the ill-fated, cross-cultural relationship between a ranking member of the British Palestine Police Force and a young Jewish woman to explore the way extremism and violence push people apart, forcing them to choose sides.

Sienna Miller was glowing as she debuted her blossoming baby bump at the Vogue World Show.The 41-year-old revealed she was pregnant last month during a holiday in Ibizia when she was pictured in a bikini, but has kept fairly hush-hush on the exciting news ever since. Now, the actress has chosen to proudly showcase her growing bump and made it centre-stage in a striking ensemble.

For most Americans, the name Nasubi doesn’t mean anything. However, his impact on the world of television is immeasurable.

TORONTO – There always seems to be this assumption in Hollywood that when the end of the world comes it will be quick. A nuclear holocaust will destroy the environment in hours or a massive space object will send civilization back into the dark ages in an instant.

Marta Balaga Finland is ready to compete with the famed Bergman Estate on Fårö, as a new residence program for Nordic filmmakers takes shape. Set in Söderlångvik, patron of the arts Amos Anderson’s former summer residence on Kimito Island in southwest Finland, it will target mainly actors and directors. The initiative, a result of a collaboration between Föreningen Konstsamfundet association – founded by Anderson in 1940 – and Helsinki Int.

A family of Syrian refugees and an English teacher from Afghanistan receive about five minutes of joy in veteran Polish auteur Agnieszka Holland’s otherwise grim and harrowing refugee drama, “Green Border.” As they land in a plane to Belarus, hoping to cross into Poland and eventually Sweden for asylum where refugee status awaits, their eyes beam with optimism as a new land of promise reflects on their smiling faces.

The pucks drop for real in less than a month, and the NHL is suiting up for this season’s all-access preseason docuseries. Behind the Glass: Los Angeles Kings Training Camp will follow the SoCal club through its two exhibition games in Australia and the intensity, drama and competition of an NHL preseason.

Peter Debruge Chief Film Critic While it’s easy to imagine lawyers screaming “objection, your honor!” to the exaggerated courtroom theatrics of “The Burial,” good luck convincing audiences that this David v. Goliath legal showdown between a small-time Southern funeral home operator and an unethical Canadian billionaire should have played out any other way.

Paul King, director of Wonka, is teasing the film and Timothée Chalamet’s singing voice. The filmmaker compared Chalamet to Bing Crosby.

Alissa Simon Film Critic A classically crafted feature debut from veteran TV director James Hawes (“Black Mirror”), “One Life” intercuts two eras 50 years apart in the long life of humble British humanitarian Sir Nicholas Winton (1909-2015), referred to by some as “the British Schindler.” The biopic serves as a testament to the power of good, with a prestige cast including a fine, understated Anthony Hopkins as the reflective, older Winton, still haunted by the tragic end to his plan to save European child refugees, and Johnny Flynn as his energetic younger self, who embodies the belief that that if something is not impossible, then there must be a way to do it. Although the film as a whole struggles to match the poignancy of its finale, a re-creation of a famous 1988 clip from the British TV program “That’s Life!,” it nevertheless serves as an urgent reminder of the importance of individual action at a time when the world refugee crisis is at a scale not seen since the Second World War.

The high-concept elevator pitch description for Christy Hall’s “Daddio” would probably be something along the lines of “‘Locke’ as a two-hander,” or maybe “‘Collateral’ without the killing,” though it’s better than either of those loglines might lead you to believe. The premise is a simple one: Dakota Johnson (never named on-camera) plays a young woman coming home to New York who takes a cab from JFK to her home in Hell’s Kitchen.

High school is challenging, competitive, and traumatic enough as it is. But in “Backspot,” the new feature-length directorial effort and cheerleading drama from filmmaker D.W.

TORONTO – About three years ago, an underdog YouTube and Reddit personality recruited an army of retail investors that sent investment powerbrokers scrambling and changed how Wall Street viewed social media. It’s an inherently funny story because it seemed preposterous at the time (at least to the financial community), but it also occurred during a pivotal moment in global history.