‘When the Light Breaks’ Review: A Maelstrom of Youthful Emotion Plays Out Between Two Sunsets

(Updated with Linda Fairstein statement) Just days before Netflix and the former prosecutor of the unjustly imprisoned Central Park 5 were set to go to trial in New York over Ava DuVernay’s Emmy winning When They See Us,  the whole four- year long legal battle is over.

Jessica Capshaw is revealing that she did not like Camilla Luddington during their early days on Grey’s Anatomy…and she’s explaining the incidents that happened.

Guy Lodge Film Critic Like her fellow documentarian Frederick Wiseman, Claire Simon is drawn to institutions, and the human flow that keeps them running. Where many of Wiseman’s films favor a big picture, a systemic view, Simon often works in more intimate close-up, picking out faces and personalities from a larger institutional community.

Notorious B.I.G. has said that she wants to “slap the daylights” out of Diddy amid accusations of violence and sexual assault.The rap mogul – real name Sean Combs – has been at the centre of controversy in recent months following numerous accusations of violence and sexual abuse.The claims against Diddy came to a head last November, when R&B singer and ex-partner Cassie Ventura filed a lawsuit against him for physical and sexual abuse. The two settled the lawsuit “to mutual satisfaction” a day after the case was filed.A video was later obtained and published by CNN, showing Diddy allegedly attacking Cassie in a hotel.

Guy Lodge Film Critic Nobody really makes AIDS dramas anymore, which seems as good a reason as any to make one now. The disease that, forty-odd years ago, decimated a generation of queer people and prompted a prejudice-driven global panic hasn’t gone away — least of all in various developing countries, where it isn’t popularly defined by gender or sexuality, and death rates are still high.

The Department for Work and Pensions (DWP) has announced plans to trial a new alert system aimed at notifying Carer's Allowance claimants of potential overpayments. This comes as thousands are required to repay the benefit due to exceeding earnings limits, with many unaware they had breached the rules.

I am a sucker for movies about Broadway and those who spend their lives in the theatre. Of course the crown jewel of the genre is the Oscar-winning All About Eve, but there are so many others including 1933’s Morning Glory which won a young Katherine Hepburn her first Academy Award, as well as its rarely seen remake, 1958’s underrated Stage Struck. Ginger Rogers did a good one, too: Forever Female. The list goes on and on and now includes a stellar new entry, The Great Lillian Hall which gives the great Jessica Lange a challenging role worth her talents.

Guy Lodge Film Critic No major film festival is complete without at least one Love Letter To Cinema™ from a filmmaker of some renown, to advocate the joys of the medium to an audience that doesn’t have to be told twice. French writer-director and Cannes regular Arnaud Desplechin brings that to the Croisette this year with “Filmlovers!,” a duly warm and nostalgia-washed cine-valentine, but one with a little more to say than just, “Movies, amirite?” Indeed, the film’s somewhat inelegant English-language title risks concealing the more specific focus of this unassuming but winning hybrid documentary: The French title, “Spectateurs!,” makes clear this is first and foremost a celebration of spectatorship rather than filmmaking, probing the dynamics of cinema audiences and their relationship to the screen.

Guy Lodge Film Critic Love, as everyone has long agreed, makes you do crazy things. Silly things, too, and vastly indulgent things, and occasionally even beautiful ones.

Guy Lodge Film Critic Welcome to the Motel Destino, which may be some distance from the Hotel California, but is very much programmed to receive — or give, if that’s your preference. With mirrors on the ceiling but definitely no pink champagne on ice, the run-down roadside sex den that houses most of Karim Aïnouz’s Olympically horny new film isn’t so much a palace of pleasure as a this-will-do hideaway for the illicitly amorous couples (or throuples, or more, no judgment here) checking into any of its hastily wiped-down rooms.

full report into the state of the sector for 2023, showing the “disaster” facing live music with venues closing at a rate of around two per week.Presented at Westminster, the MVT also echoed their calls for a levy on tickets on gigs at arena size and above and for major labels and such to pay back into the grassroots scene, arguing that “the big companies are now going to have to answer for this”.Now, with today’s announcement (May 21) of ‘The Artist Pledge’, Music Venue Trust can confirm that more than 45 artists have already signed the pledge to ensure that every grassroots artist, venue, and promoter, not only survives, but thrives. These include Frank Turner, The K’s, The Luka State, Sister, Red Rum Club, Enter Shikari and more.In the campaign, MVT asks artists to pledge that they will acknowledge where they came from as they grow in success, and contribute a small amount of money back into the grassroots sector when they reach arena level.It comes following various artists like Enter Shikari recalling how playing in local venues allowed them to grow their success, and announcing details of a tour where £1 from each ticket sold was donated to the Music Venue Trust.From there, various artists and figures from the live music industry then headed to Parliament to push for a mandatory £1 ticket levy on all gigs arena-sized and above, and other artists including Alien Ant Farm and CKY pledged to help support smaller venues with their upcoming live shows.A post shared by Music Venue Trust (@musicvenuetrust)“We are asking artists today to stand with all of us in the grassroots sector as a show of solidarity.

Guy Lodge Film Critic For crisp tension or thematic clarity, nothing in “The Balconettes” quite outdoes the nearly self-contained, minutes-long short that opens actor-director Noémie Merlant‘s frenzied, heatstruck genre mashup. On a 115-degree summer afternoon in a wilting, AC-challenged Marseilles apartment block, a put-upon middle-aged wife passes out on her balcony.

Elsa Keslassy International Correspondent Rolling off its buzzy world premiere at Cannes’ Un Certain Regard, Oscar-nominated Icelandic filmmaker Rúnar Rúnarsson’s poignant drama “When The Light Breaks” has sold to a raft of territories. Represented in international markets by The Party Film Sales, the movie has been picked up for Italy (Movies Inspired), Switzerland (Xenix), Norway (Arthaus), Denmark (Ost for Paradis), Finland (Cinemanse), Hungary (Vertigo), Greece (Cinobo), Israel (New Cinema), Poland (Aurora), Turkey (Bir Film) and Baltics (Estofilm).

Guy Lodge Film Critic Depending on who you talk to, the world is either in crisis, on fire, at war and/or simply lurching toward a frankly deserved final judgment. So what can be done to save it? Why, a carefully worded provisional statement, of course, from the global leaders currently in possession of both the gas canister and the lit match, but not a surfeit of great ideas for the future.

Mubi has swooped on its third 2024 Cannes competition title, Variety has learned. Having acquired worldwide rights to Coralie Fargeat’s buzzy body horror “The Substance” and U.K.

Guy Lodge Film Critic The very title of “Everybody Loves Touda” poses a kind of challenge to viewers. If everybody loves Touda, dare you not? Moroccan director Nabil Ayouch‘s forthright musical drama certainly doesn’t permit much room for dissent.

Guy Lodge Film Critic A hot, strong summer wind is the overriding soundtrack to “Three Kilometers to the End of the World” — the kind of dry, whirring weather that swallows conversations held even a short distance away, and carries stray, light objects far from where they meant to land. For 17-year-old Adi, however, it’s not loud enough to keep his secrets safe, nor heavy enough to lift and float him away from the home in which he feels increasingly imprisoned.

Jim Halterman Spoiler Alert: The following interview discusses events from the series finale of “Young Sheldon” — the episodes “Funeral” and “Memoir” — streaming on Paramount+ as of May 17. Bazinga! That’s a wrap on CBS’ “Young Sheldon,” as the hit comedy prequel to “The Big Bang Theory” bid adieu with its final two installments after seven seasons and 141 episodes on Thursday. Though a lot of details were known going into the series finale – that Sheldon’s (Iain Armitage) father George (Lance Barber) had died off-screen in last week’s episode, that “Big Bang” alums Jim Parsons (as adult Sheldon) and Mayim Bialik (as his wife Amy) would appear and that 14-year old Sheldon would be heading to Caltech – the episodes still delivered surprises and a slew of Easter eggs.

Guy Lodge Film Critic It is polite, we are told, not to speak ill of the dead, though it’s just as often prudent not to speak ill of the living. For victims with grievances against those older and more powerful than them, it’s hard to know when to speak up at all.

Guy Lodge Film Critic What is poignant about “This Life of Mine” — the final film by French writer-director Sophie Fillières — is all but impossible to extract from the beleaguered circumstances of its creation. Aged just 58, Fillières died last summer, shortly after completing the shoot of this wistful, somewhat autofictional study of midlife feminine crisis.