Lily Moayeri For much of 2020, music supervisors found work to be a challenge — ironic considering what they had completed for films and shows available on streaming services, broadcast television and on-demand was being consumed more than ever as audiences had ample time to binge-watch during the pandemic. Once production resumed, music supervisors returned to work, and while restricted to fewer on-set visits and in-person time, the flood of music hardly slowed.