Welcome to ‘Supersex’: Why Porn Icon Rocco Siffredi Brought His True Story and More Than 40 ‘Boundary-Pushing’ Sex Scenes to Netflix

The latest task on the BBC One's hit show 'The Apprentice' will see candidates challenged to launch their own Formula E team.

Lady Gabriella Kingston is mourning the sudden death of her husband, Thomas Kingston. The 45 year old was found dead at an address in Gloucestershire on Sunday evening and emergency services were called to the scene shortly after 6pm.

EXCLUSIVE: Cineverse has acquired the horror-comedy comic book adaptation We Are Zombies. 

As Italian director Garrone steps on to the Academy Awards red carpet on March 10 with Best International Feature Film nominee Io Capitano, the real-life skipper who part inspired the drama will be watching and rooting for the film from afar.

Dahomey,” a highlight of this year’s Berlinale competition and directed by Cannes prizewinner Mati Diop (“Atlantics”), for North America, Latin America, U.K., Ireland, Germany, Austria, Switzerland, Italy, Turkey and India. The feature film is represented in international markets by Films du Losange, which negotiated the deal with Mubi. “Dahomey” marks the sophomore outing of Diop, a French-Senegalese talent who is considered one of the leading figures in international arthouse cinema and of a new wave in African and diasporic cinema.

Patrick Frater Asia Bureau Chief In Berlin with “The Roundup: Punishment,” part four of the action movie series that he created and stars in, the larger-than-life Korean American Don Lee finds himself simultaneously in multiple timely and lucrative businesses. These include the Marvel superhero business, the Korea-to-Hollywood remake business, “The Roundup” franchise and its multiple spinoff possibilities. Lee may even be in the business of saving Korean cinema, which is currently having one of its periodic wobbles.

“Please make me a good wife to Wolf,” murmurs Agnes (Anja Plaschg) on her marriage night, head bowed in front of the crucifix she has already set up in the conjugal bedroom of the tumbledown stone farmhouse where she will live from now on. Wolf (David Scheid) is meanwhile carousing with his fellow villagers at the wedding celebration, in no hurry to join her. We are deep in the Austrian forest in the 1750s, where life is governed by the cruelties of each season and everything has its place. The point of a woman is to work and have children; anyone who fails in these conjoined vocations is simply a dead weight. Agnes will do her best, but her airy spirits are soon sinking.

For a time, it seemed like an auteur war was about to break out over Adam Sandler, with some of America’s most revered directors vying to find the right role for the comedian. It was rumored, but never confirmed, that Quentin Tarantino imagined him a key role while writing Inglourious Basterds, although this might have been wishful thinking from critics who saw the talented Sandler heading in the same direction as John Travolta until Pulp Fiction saved him from a lifetime of Look Who’s Talking movies. In the end, Paul Thomas Anderson got there first, with Punch Drunk Love (2002), although the glow of a bona fide arthouse hit didn’t last long, and Jack and Jill still happened less than ten years later.

The Berlin Film Festival was rocking Wednesday afternoon as Adam Sandler rolled into town with Spaceman, his latest feature for Netflix. 

Christopher Vourlias Abel Ferrara has made a career out of staring unflinchingly into the abyss, interrogating man’s weakness and depravity and daring his audiences to look away. Faced with the catastrophic violence of the war in Ukraine, however, which he chronicles in the Berlin-premiering documentary “Turn in the Wound,” even the iconoclastic director finds himself at a loss — for words, and for easy answers.

Mahin’s friend Pouran likes talking about her ailments, real and imagined. More than that, she has something on her phone she is keen to show the ladies gathered for one of their regular lunches at Mahin’s place: the film she made of her colonoscopy. “That’s disgusting,” snorts Mahin (Lily Farhadpour). “I told her to marry! You wouldn’t be like this if you had!” Another of their wrinkly gang chips in. “What joy did our dead husbands ever bring us?” They all laugh, companionably.

Russian Pussy Riot Dissident Nadya Tolokonnikova has welcomed a pledge by Alexei Navalny’s widow Yulia Navalnaya to carry on his fight for democracy, following his death in an Arctic penal colony last week.

Callum McLennan Chile’s Storyboard Media brings its latest documentary venture to Berlin, a project centered on Jorge González, a Latin American music legend frontman of Los Prisioneros. Set to be shown at the EFM, the doc feature charts the life and legacy of a musician whose songs became anthems of resistance during Pinochet’s dictatorship in Chile, and are still played loud when protests flare.

Christopher Vourlias A cross-country journey in search of a mysterious treasure puts the nature of faith to the test in “The Great Yawn of History,” the feature debut of Iranian director Aliyar Rasti, which premieres Feb. 23 in the competitive Encounters section of the Berlin Film Festival. The film tells the story of a man of wavering religious conviction who dreams of a box of gold hidden in a cave.

Alex Ritman It’s been five years since “Chernobyl,” HBO’s phenomenally successful miniseries about the catastrophic 1986 disaster and a show that garnered both widespread acclaim and a whole host of Emmys, Golden Globes and BAFTA TV awards. Its creator Craig Mazin has since brought us zombies galore in the video game adaptation “The Last of Us,” but now “Chernobyl’s” BAFTA and Emmy-winning director Johan Renck is about to unleash his next project.

“The first shape I had in mind for this film was fiction,” filmmaker Mati Diop told a Berlin Film Festival presser this morning when quizzed on the structure of her inventive documentary Dahomey. 

Leo Barraclough International Features Editor When Laila Stieler’s script for “From Hilde, With Love,” which world premiered Saturday in competition at the Berlinale, first came to director Andreas Dresen he was a little reluctant to take the project on. The issue was not the script but the subject-matter: set in Nazi-era Berlin, “From Hilde, With Love” is a love story about two real life members of the pro-Communist, German resistance movement known as the Red Orchestra, Hilde and Hans Coppi. More than 50 members of the group were guillotined in Berlin’s Plötzensee Prison between 1942 and 1943, including the Coppis.

Alex Ritman If there was one puzzle from the 2023 Venice Film Festival, it concerned Caleb Landry Jones and the actor’s curious decision to conduct all his press arrangements for the Luc Besson thriller “Dogman” with a Scottish accent. As was later revealed, the Australian had taken a quick break from shooting U.K.

Jessica Kiang It’s ironic that memory is the central theme of Piero Messina‘s Berlin Competition title “Another End,” when so many of its twists and turns are so directly lifted from other films that it feels like you’ve seen them before; even watching it for the first time feels like rewatching. But if that makes this elegiac literalization of the timeless theme of “what is grief but love persevering?” a rather edgeless experience it’s not a wholly unpleasant one.

Elsa Keslassy International Correspondent Highland Film Group has locked key territory deals for sci-fi thriller “The Astronaut” from “A Quiet Place” producer Brad Fuller Pic stars Kate Mara (“A Teacher”), Laurence Fishburne (“John Wick” films) and Gabriel Luna (“Terminator: Dark Fate”). The film wrapped shooting late last year in Ireland. “The Astronaut” has sold to Signature Entertainment for the U.K., Capelight Pictures for Germany, Blue Swan Entertainment for Italy, Nos Lusomundo Audiovisuais for Portugal, DeAPlaneta for Spain, Spentzos Film for Greece, Cinemania Group for former Yugoslavia, Shoval Film Production for Israel, Falcon Films for the Middle East, Filmfinity for South Africa and Roadshow Films for Australia and New Zealand.