Alfredo Castro Latest Celebrity News & Gossip

Marta Balaga Paula Hernández’s “A Ravaging Wind” (“El viento que arrasa”) has debuted a poster and trailer ahead of its premieres at Toronto and San Sebastian. Based on the novel by Selva Almada – and written by Hernández and Leonel D’Agostino – “A Ravishing Wind” will play Toronto’s Centrepiece program, before opening San Sebastian’s Horizontes Latinos, a showcase of many of the best Latin American movies of the last year. It sees Alfredo Castro as Reverend Pearson, an evangelical pastor who travels Argentina by car in the 1990s with his daughter Leni (Almudena González, seen in “Argentina, 1985”).

Holly Jones Standout Paris-based sales outfit Luxbox (“1976”) has acquired international sales rights to the debut solo feature effort from Chilean multi-hyphenate Vinko Tomičić Salinas(“Durmiente”),“The Dog Thief” (“El Ladrón de Perros”), which bows in the international narrative competition at this year’s Tribeca Film Festival, running June 5-16. The film follows an adolescent shoe shining orphan, Martín (Franklin Aro Huasco), in his quest to get closer to Mr.

Anna Marie de la Fuente Miami-based MGE Media has scooped up international distribution rights to Katherina Harder’s feature debut, “La Pérgola de las Flores,” produced by Parox, the Chilean producer of mini-series “Allende, The Thousand Days” (“Los mil días de Allende”), which is nominated for three Premios Platino. The prestigious Ibero-American awards event takes place April 20 in Cancun, Mexico where “Allende…” has been nominated for best series, best actor for Alfredo Castro, who plays the doomed socialist president Salvador Allende, and best actress for Aline Kuppenheim.

Brent Lang Executive Editor “City of Dreams,” an upcoming drama about a young Mexican boy who gets smuggled across the border, is lining up some heavy-hitting producers as Roadside Attractions looks to debut the film over Labor Day. Sean Wolfington, the executive producer of “Sound of Freedom” and most recently “Cabrini”; Luis Fonsi, a five-time Grammy Award-winning singer, songwriter, musician and producer; and songwriter Linda Perry have joined the producing team for the film. It’s a group that also includes Oscar-nominated “Roma” star Yalitza Aparicio.

Anna Marie de la Fuente Argentine director Luján Loioco (“About a Woman,” “The Girl with Yellow Heels”) is prepping her third feature film, “Queen of the Woods” (“Reina del bosque”), starring Chile’s venerable Alfredo Castro, seen most recently in Pablo Larrain’s Oscar-nominated “El Conde,” and rising Argentine actress Delfina Chaves (“Máxima,” “Ringo”). The story takes place in a cabin set against the snow-covered Patagonian mountains and is described as a “neo-horror feminine film that explores the failed relationship between a pregnant woman and her dying father.” Through the gripping mechanisms of thriller and neo-horror, the film delves deep into the theme of grief while posing unsettling reflections on the complexities of motherhood.

“Hyperballad,” Sophia Mocorrea’s “Marriage by Abduction” and Theo Court’s “Three Dark Nights” feature in a 15-title lineup of Ventana Sur’s Proyecta project lineup which is emerging as Ventana’s industry centerpiece as international co-production becomes vital to more ambitious arthouse filmmaking. Organised by Cannes Marché du Film and the San Sebastian Film Festival, Proyecta received 200 submissions this year, up from 170 in 2022.

EXCLUSIVE: Roadside Attractions has claimed U.S. rights to Dreamer, a thriller exec produced by Roma Oscar nominee Yalitza Aparicio, which examines enslaved child labor in the U.S. Inspired by a landmark sweatshop case in El Monte, CA, the film marks the feature directorial debut of veteran producer Mohit Ramchandani, and will bow exclusively in theaters nationwide April 5th, 2024.

Anna Marie de la Fuente Spain’s Onza Distribution, with offices in Madrid and Miami, has seized international rights to mini-series “Allende, the Thousand Days,” released this year to mark the 50th anniversary of the death of Chile’s first socialist president, Salvador Allende, and sadly, the military coup that kickstarted general Augusto Pinochet’s brutal regime. Lead produced by Chile’s Parox (“Invisible Heroes,” “The Substitute”), in collaboration with Mediterraneo Media Entertainment, Aleph Media, 1010 Mente Colectiva and HD Argentina, the mini-series premiered Sept.

The Venice Film Festival began August 30 with opening-night movie , an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.

Chile on Wednesday named the anti-colonialist Western The Settlers from first-time feature filmmaker Felipe Gálvez as its official entry for Best International Feature at the 2024 Academy Awards.

John Hopewell Chief International Correspondent Alfredo Castro, an absolute lead or co-star in seven Pablo Larraín films and one of the highest-regarded of actors in Latin America, is set to head the choral cast of “Three Dark Nights” (“Tres noches negras”), the third feature from Spanish-Chilean Theo Court. “Three Dark Nights” follows up Court’s “White on White,” also starring Castro, an actor described by Variety as “reliably superb,” which won a best director and Fipresci Prize at 2019’s Venice Horizons.

Emiliano De Pablos Argentine director Paula Hernández’s “The Ravaging Wind,” toplined by Latin American star Alfredo Castro (“Karnawal,” “El Club”), will be the opening night film of Horizontes Latinos sidebar at the 71st edition of the San Sebastian Film Festival, which runs Sept. 22-30.

Jessica Kiang The setting is Tierra del Fuego, the southernmost tip of the Americas, often called el fin del mundo, and though it is 1901 and the beginning of a new century, it certainly feels like the end of the world. It is in this feeling — the immersive sonic and visual textures of a past in which beauty and brutality snap and snarl at each other’s heels — that director Felipe Gálvez’ debut feature excels. “The Settlers,” based on his 2018 short film of the same name, is a heady, opaque western, slow to stir but vicious as a rattlesnake when it does. It marks a highly promising debut, albeit one marred by dialogue and performances that are not always equal to the tectonic gravitas to which this tale of colonial atrocity aspires.

RTVE, Spain’s public broadcaster, was sensed at an upbeat showcase on Wednesday.

Elsa Keslassy International Correspondent Roughly a month before Venice Film Festival’s 2023 lineup announcement, the buzz around the competition is heating up with several star-studded films by heavyweight directors in the mix, including Pablo Larrain (“El Conde”), Michael Mann (“Ferrari“), Sofia Coppola (“Priscilla“), Yorgos Lanthimos (“Poor Things”) and Michel Franco (“Memory”). These titles are believed to have been officially invited to the Lido in competition, according to inside sources. Larraín’s follow-up to “Jackie,” “El Conde” depicts dictator Augusto Pinochet as a Vampire with a cast led by Chilean star Alfredo Castro.

EXCLUSIVE: Veteran Actor Alfredo Castro (The Club, No, From Afar) is in the middle of what could be described as a mid-career boom, but he doesn’t think it’ll bring him many plaudits in his native country.

Naman Ramachandran Global distributor, streamer and production company MUBI has acquired Felipe Gálvez’ “The Settlers,” which bowed on Tuesday at the Cannes Film Festival’s Un Certain Regard section. MUBI has acquired the film for North America, U.K., Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux and India. MUBI will release the film theatrically in the U.S., U.K., and additional territories with release plans to be revealed soon. “The Settlers” is set in Chile at the beginning of the 20th century. A wealthy landowner hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant, soon turns into a ‘civilizing’ raid.

Mubi has picked The Settlers, the latest pic from Chilean filmmaker Felipe Gálvez for North America, the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.

An English lieutenant, an American cowboy, and a mixed-race Chilean sheepherder venture into the inhospitable limits of the Tierra de Fuego region at the southernmost tip of the South American continent—the ends of the Earth, some might call it. Under the orders of their employer, landowner José Menéndez (the always masterful Alfredo Castro), the trio’s mission is to savagely murder as many Indigenous people as they encounter in their path.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch Set in 1901, “The Settlers” (Los Colonos), a scorching Western on Chile’s blood-soaked national myth, takes aspects from the official text-book history and probes at their conveniently sanitized interpretations of how they shaped the country’s future.

Emiliano De Pablos Top Chilean fiction house Parox, producer of “Invisible Heroes,” has kick-started principal photography on international co-production “Los mil días de Allende” (“Allende, the Thousand Days”), a historical drama mini-series about the last three years in the life of Chilean President Salvador Allende. Alfredo Castro – one of Latin America’s most respected actors and a Pablo Larraín regular, star of films such as “Karnawal” and “El Club” – leads the mini-series cast as Allende; Benjamín Vicuña (“Besieged,” “Locked Up”) plays Cuban dictator Fidel Castro. The four-episode, 55-minute fiction drama shoot is taking place entirely in Chile, lensing from May 15 for two months, under “Besieged” and “Inés of My Soul” director Nicolás Acuña.

Anna Marie de la Fuente The Eternal Memory Chile, U.S. DIRECTOR: Maite Alberdi Alberdi’s follow-up to Oscar- nominated “The Mole Agent” snagged Sundance’s top doc award and a worldwide distribution deal with MTV at Sundance. Co-produced by Fabula, it centers on a loving elderly couple struggling with the man’s fading memory.  The Cardinal (“El Cardenal”) Chile, Argentina, Brazil

Anna Marie de la Fuente Mexico’s Yalitza Aparicio, Oscar nominated for her career-launching turn in Alfonso Cuaron’s “Roma,” and Infinity Hill, producers of the Oscar-nominated Argentine drama “Argentina 1985,” have boarded sweatshop thriller “Bonded” as executive producers. The drama features a stellar cast that includes Golden Globe nominee Diego Calva (“Babylon”), Chile’s Alfredo Castro (“From Afar”), Mexico’s Paulina Gaitán (“Narcos”) and Jason Patric (“The Lost Boys”). The directorial feature debut of helmer-scribe Mohit Ramchandani, “Bonded” is produced by Mexican filmmaker Luis Mandoki (“Innocent Voices), Jon Graham (“The Vault”) and Kyle Stroud (“In Full Bloom”).

Elsa Keslassy International Correspondent Paris-based Urban Sales has boarded Diego Lerman’s “The Substitute” (“El Suplente”) which will have its world premiere at Toronto followed by San Sebastian. “The Substitute” tells the story of Lucio (Minujín), a prestigious university professor who starts working as a substitute teacher at a high school in the suburbs of Buenos Aires, where he grew up. Through tales, novels and poetry, he tries to distract his class from the harsh reality of their everyday lives. But soon, he must step out of his professional duties when Dylan, one of his students, is threatened by a local drug kingpin. One of Argentina’s leading filmmakers, Lerman won this year’s Locarno’s Silver Leopard award for “Suddenly.” He’s best known for directing “A Sort of Family” which played at Toronto, won best screenplay at San Sebastian and was acquired by Netflix; as well as “Refugiado” and “Invisible” which played at Cannes’ Director’s fortnight in 2014 and 2010, respectively.  “The Substitute” marks his sixth feature.

Anna Marie de la Fuente The 18th Santiago Int’l Film Festival (Sanfic) is paying tribute to Chile’s most internationally renowned and arguably hardest working actor, the peripatetic Alfredo Castro who will attend Sanfic’s inauguration Aug. 14 to receive his lifetime achievement award and kick off a retrospective of his films.Also a playwright and theater director, Castro has worked across Europe and Latin America, acting in French, Spanish, Portuguese and a number of accents and dialects from Latin America, including neutral Spanish.

John Hopewell Chief International CorrespondentChile’s entertainment industry, despite its reduced size, has grown from strength to strength as the growing number of deep-pocketed streaming platforms and content studios have sought international productions that reflect the diversity of their global audiences.“We are developing projects for different countries, in alliances with large partners and with multicultural teams, where we empower ourselves and grow our stories, so that they are more attractive when seeking financing, and analyzing different business models in each country,” said producer Macarena Cardone of Invercine.She added: “In Latin America, we have a lot of talent that tells good stories which travel universally on platforms and on television networks around the world.” Some Chilean actors, led by the ubiquitous Alfredo Castro, have mastered neutral Spanish to expand their repertoire across the region.The country’s wealth of talent, stories, locations and skilled crew has contributed, in no small part, to the explosion of content, which everyone agrees has been tremendous.Across the region, more strategic alliances are being formed to carry out projects and integrate talent from everywhere. Among the country’s top producers are Fabula, run by the Larrain brothers Juan de Dios and Pablo (“Spencer”), who are taking fiction thriller series “Santa Maria” to Conecta.

Anna Marie de la Fuente Following the success of their collaboration on Nicolás Postiglione’s debut feature “Immersion,” production shingles Whisky Content of Mexico and Chile’s Juntos Films have forged a medium-term strategic alliance for the joint development of nine films in six years.The agreement comes just days after the premiere of “Immersion,” a thriller headlined by Chile’s most bankable star, Alfredo Castro, at the Miami Film Festival where its poster won the Best Poster Design Award. The film has already racked up top awards from the festivals of Guadalajara, Tallinn Black Nights and Punta del Este.The move also comes as further cooperation among Hispanic companies continue apace in response to the increasing challenges of local content production.

Anna Marie de la Fuente Key Chilean projects being moved at this year’s European Film Market:AlisDirectors: Clare Weiskopf and Nicolás van HemelryckCasatarántula produced this Chile-Colombia-Romania doc along with Pantalla Cines and Defilm. Produced by Alexandra Galvis and Radu Stancu, it world premieres at Berlinale’s Generation 14plus sidebar.

John Hopewell Chief International CorrespondentStarring Pablo Larraín regular Alfredo Castro, Chilean-Spanish writer-director Theo Court’s “White on White” (“Blanco en Blanco”) has been acquired for distribution in North America by Outsider Pictures.The deal follows on the film’s world premiere this September at the Venice Film Festival’s Horizons sidebar, where Court won a Silver Lion for the section’s best director and a film writers’ Fipresci Prize.

Anna Marie de la Fuente Chile’s Zapik Films, co-producer of “My Tender Matador” starring Alfredo Castro, has boarded the Bolivian political thriller “Family” (“Familia”) by Marcelo Landaeta, which participates in Sanfic Industria’s Santiago Fiction Lab.Landaeta describes his debut feature as a thriller set in the late ‘70s when Bolivia is in the grip of a military dictatorship.“It is precisely in this universe, plagued by terror and violence, when the lives of four people intersect on the eve

Anna Marie de la Fuente Picked up by Latido Films at last year’s San Sebastian Film Festival, Chilean suspense-thriller “Immersion,” headed by Chile’s biggest star and Pablo Larraín regular, Alfredo Castro, has dropped its first trailer, which Variety bows exclusively.Nicolás Postiglione’s debut feature, which he co-wrote with fellow filmmakers Agustín Toscano (“The Snatch Thief”) and Moises Sepúlveda (“The Illiterate”), revolves around a father, Ricardo, who has taken his two teen daughters to

Anna Marie de la Fuente Spain’s Black Panther Films and Chile’s Invercine Prods.

Amazon Prime Video has swooped on the critically acclaimed Chilean LGBTQ+ drama My Tender Matador for Latin America. The film —which first bowed in the Venice Days sidebar of the 2020 Venice Film Festival —won the audience award in the Open Horizons section of the 2020 Thessaloniki Film Festival.

John Hopewell Chief International CorrespondentIn down-to-the-wire San Sebastian Festival business, Madrid-based Latido Films has pounced on world sales rights to Nicolás Postiglione’s debut feature “Immersion” (“Inmersión”), a Chilean suspense-thriller – and potential political metaphor for those who want to see it – starring Pablo Larraín regular Alfredo Castro (“The Club,” “No”).“Immersion” is based on a screenplay by Postiglione and two film directors in their own right: Fast-rising

An aging drag queen and a guerilla fighter become unlikely bedfellows in the Chilean drama My Tender Matador (Tengo miedo torero). This adaptation of Pedro Lemebel’s essential novel has been mostly turned into an atmospheric chamber piece by writer-director Rodrigo Sepulveda (Aurora), who directs Chilean acting great Alfredo Castro (Tony Manero)in a finely limned performance as the nameless protagonist (referred to as “Queen of the Corner” in the book).

Juan Carlos Maldonado in ‘The Prince.’ (Photo courtesy Artsploitation)

Alfredo Castro as an off-the-rails, impoverished, over-the-hill imitator of John Travolta’s character in “Saturday Night Fever.”A symbol of cultural alienation, Castro’s character practices his disco moves as Augusto Pinochet’s tanks rumble through the streets of Santiago de Chile, clamping down on any opposition.For the next near decade from that breakthrough through to 2015’s “The Club,” Larraín’s passport to English-language filmmaking – Natalie Portman watched it, accepted “Jackie” – the