Spain’s Sideral Boards Ventana Sur-Blood Window Dark Comedy, ‘Capital Variable’ (EXCLUSIVE)

Holly Jones A remote and dilapidated lighthouse proves an increasingly sinister backdrop for newly widowed father, Pablo (Hugo Silva) and his adolescent daughter Lidia (Zoe Arnao) in the first international teaser trailer for the upcoming Ángeles Hernández thriller “Restless Waters, Shivering Lights” (“El Faro”). Distribution in Spain is handled by Alfa Pictures with an expected release date of Jan.

John Hopewell Chief International Correspondent “There are really only two things that can turn a bad day into a great one: The first is love. But to be honest, that’s not for today. My third wife just dumped me.

Elsa Keslassy International Correspondent Next Step, a program organized by Cannes Critics’ Week whose recent alumni include Molly Manning Walker (“How to Have Sex”), has unveiled the participants of its milestone 10th edition. Spearheaded by Thomas Rosso, a producer turned artistic director, the workshop selects emerging directors who have had their short films play at Cannes’ parallel section, Critics’ Week, and helps to develop their feature debuts.

Movistar Plus+ has struck deals for the Max and SkyShowtime streamers in Spain.

EXCLUSIVE: Emmy-winning stars from two of the biggest sitcoms of the late 1990s and early 2000s are coming together in a new Netflix series. Friends alumna Lisa Kudrow has been tapped to star opposite Everybody Loves Raymond‘s Ray Romano in Netflix’s No Good Deed, an eight-episode dark comedy series from Dead To Me creator Liz Feldman.

Alex Batty was just 11 years old when he went to Spain with his mum and grandad. But the boy from Oldham never came back.

Emmy winner Ray Romano is set as a lead in No Good Deed, Netflix‘s eight-episode dark comedy series from Dead To Me creator Liz Feldman.

After tying the knot with Tommy Mallet in a surprise secret wedding, Georgia Kousoulou has revealed more details of their special day - and confirmed that another wedding is in store.The couple, who are parents to two-year-old son Brody, shared an Instagram post on Sunday to reveal that they were husband and wife, explaining that they were keen to marry before the end of the year. And now, Georgia has taken to her Stories to share more details, saying: "Guys I'm married! Sorry for the shock. Honestly I didn't tell a lot of people and that wasn't on purpose, I didn't tell a lot of people, there was just a lot going on.

Patrick Frater Asia Bureau Chief I.E. Entertainment, the global distribution outfit founded and run by industry veterans Indra and Erlina Suharjono, has come on board to handle worldwide sales for Cathay Film Company’s “Coolie.” The TV miniseries is inspired by the little-known history of enslaved Chinese ‘coolies’ in Cuba in the 1860s.

John Hopewell Chief International Correspondent In bigger picture terms, the major highlights of Ventana Sur were a masterclass by Cannes head Thierry Frémaux and an impromptu speech by San Sebastián director José Luis Rebordinos, heads of the most important film festivals in the world and Spanish-speaking world, supporting the continued existence of INCAA. There words came after Argentinian President elect Javier Milei had vowed on the campaign trail to shutter Argentina’s state-backed film-TV agency if voted into power. In industry terms, never has Ventana Sur, Latin America’s most important film-TV market, been this big, its final attendance numbers sky-rocketing to 4,300, some 30% up on 2022, beyond even the wildest expectations of organizers, Cannes Marché du Film and the INCAA.

Anna Marie de la Fuente Habanero Film Sales has snapped up documentary “I Trust You” (“En vos confio”) from Juan Pablo Gugliotta and Nathalia Videla Peña’s Magma Cine (“The Distinguished Citizen,” “1976”) in one of the more significant of multiple deals struck at a hectic Ventana Sur (VS) in Buenos Aires. Directed by Agustin Toscano, whose “The Owners” and “The Snatch Thief” participated in Cannes’ Critics Week and Directors’ Fortnight sidebars in 2013 and 2017, respectively, “I Trust You” follows former nuns Susana and Nélida who have been incarcerated at the Tucumán Women’s Prison since 2006, accused of a crime they insist they did not commit.

Alissa Simon Film Critic Egypt’s Oscar submission “Voy! Voy! Voy!,” from director-writer-producer Omar Hilal, is a blackly comic look at migration viewed through the lens of a conman pretending to be visually impaired in order to play in the Blind Football World Cup. The fast-paced, entertaining film makes its Moroccan debut in the Special Screenings section of the Marrakech Film Festival. Following its September premiere in Egypt, it held the top box-office spot for two months and did remarkably well in the Gulf states.

John Hopewell Chief International Correspondent Mexican Rigoberto Pérezcano’s “Lovers Fare Goodbye,” a poignant, exquisitely shot tale of star-crossed young love dominated prizes at Primer Corte, Ventana Sur’s key arthouse pic competition. The prize and dozens of others were announced Friday at Latin America’s most important film-TV mart-meet.

John Hopewell Chief International Correspondent BUENOS AIRES — In one of the first deals to close at this week’s Ventana Sur market, Spain’s Latido Films has boarded “Lo Que Quisimos Ser,” written-directed by Alejandro Agresti, produced by Fernando Sokolowicz at Aleph Media, and Gastón Duprat, who have teamed as producer and co-writer-director on “The Distinguished Citizen,” “The Man Next Door,” and “The Artist.” “Lo Que Quisimos Ser” marks the latest film from Agresti, one of Argentina’s most international talents best known for a Hollywood sojourn which saw him directing Sandra Bullock and Keanu Reeves in “The Lake House” and writing Argentina-set, English-language “No somos animales,” with John Cusack. Of his Argentine film, “Valentín” weighs in as a big-hearted coming of age tale of a cross-eyed and very lonely young kid.

Anna Marie de la Fuente Colombian sales and distribution company Doc:Co is venturing into the global sales arena with its first international pick up, Chilean-Colombian co-production “Otra Piel.” The debut feature documentary of Patricia Correa, “Otra Piel” is co-produced by Colombia’s Romeo, 235 Digital and Sonata Films alongside Chile’s Cine Matiz, founded by producer Gabriela Sandoval who co-runs another, more established label, Storyboard Media. The doc revolves around Miguel, who at 38, is not just a taxidermist but also an accomplished hunter.

Holly Jones “Lonely Hearts,” the highly-anticipated third feature from Brazil’s Berlinale-winner Caru Alves de Souza (“My Name Is Baghdad”), named among 10 Next Gen Talents to Track from the country by Variety in February, and a pair of additional homecoming narratives from burgeoning creatives, Uruguayan director Paula Botana’s“The Burned Women” and Dora Gomez’s “Blanca” out of Paraguay, are among the titles selected for Ventana Sur’s 2023 Punto Genero pitching sessions. Histories unearthed and intimate interpersonal relationships are dominant themes in the remaining selections with films like Argentina-Spain co-production “Brücher.

a few months back. “There’s just tremendous opportunities now as the market’s tightening to find source IP where, you know, there’s an installed audience,” he added.

Ventana Sur has added this year a big spread from Chile’s TV agency Consejo National de Televisión, which could be a reaction to global platforms pulling out of Chile. In terms of original titles there’s good word on Colombia’s Laura Otálora (“Impermanence”) and Argentina’s Carlos Lascano (“Lina”).

John Hopewell Chief International Correspondent Jointly organized by Cannes’ Marché du Film with a Thierry Fremaux Cannes Film Week adding star auteur glamor, Ventana Sur turns 15 this week unspooling Nov. 27-Dec.1 at its usual venue of the Universidad Católica Argentina in Buenos Aires’ Puerto Madero, its most modern and most chic of districts.

EXCLUSIVE: Whale with Steve Backshall, the latest high-end natural history series out of the UK is racking up international sales, as the Sky Nature show’s executive producer Wendy Darke talked up the importance of distribution and tax credits in getting such programs made.