Un Certain Regard Awards Under Way at Cannes (Updating Live)

Elsa Keslassy International Correspondent Sapan Studios and IFC Films have acquired U.S. rights to “The Pot-au-Feu,” Trần Anh Hùng’s (“The Scent of Green Papaya”) lush gastronomy-themed romance which competed at the Cannes Film Festival and won best director. The movie is headlined by two of France’s biggest stars, Juliette Binoche and Benoit Magimel, who won this year’s Cesar Award for “Pacifiction.” “The Pot-au-Feu” was produced by Olivier Delbosc at Curiosa Films and is represented in international markets by Gaumont.  The movie is one of the first titles co-acquired by Sapan Studios and IFC Films as part of their output deal. Sapan Studios is a new TV and film production/distribution company run by former AMC Networks CEO Josh Sapan.

Manori Ravindran Executive Editor of International The documentary “This Changes Everything” is getting a Canadian adaptation. Geena Davis and New York-based production house CreativeChaos will again partner for a new edition of their Gracie Award-winning film, which premiered at the Toronto International Film Festival, and was released in U.S. cinemas in 2019 and globally distributed by Starz and Netflix. The doc included interviews with top women in Hollywood discussing discrimination and the #MeToo movement, which was still in its nascent stages at that time. Actors involved in the original film included Davis, Meryl Streep, Natalie Portman, Taraji P. Henson, Reese Witherspoon, Cate Blanchett, Tiffany Haddish, Jill Soloway, Shonda Rhimes, Jessica Chastain, Yara Shahidi, Chloe Grace Moretz, Amandla Stenberg, Alan Alda, Sandra Oh, Anita Hill, Rashida Jones, Rose McGowan, Judd Apatow, Rosario Dawson and Maria Giese.

Guy Lodge Film Critic By the brazenly esoteric standards of Argentine director Lisandro Alonso, his last feature “Jauja” was virtually a concession to the mainstream. A lushly shot 19th-century historical drama led by Viggo Mortensen, it was — until a typically disorienting coda — close to linear in its colonialist-quest narrative, even as it moved in slow, ever-widening circles, and duly became Alonso’s most widely released film to date. Nine years later (the longest gap yet in a career taken at his own pace), Alonso’s follow-up “Eureka” playfully appears to mock whatever tentative gestures “Jauja” made toward accessibility: A glisteningly opaque meditation on Indigenous living that refracts viewers’ interpretations as it repeatedly switches gear, focus, locus and story, it’s a film built to frustrate those who don’t succumb to its oneiric spell, not that it especially imparts its secrets to those who do.

The stars are stepping out for the premiere of Disney & Pixar’s new movie!

Bread and Roses) followed suit, in Dior eye-popping lipstick red (with precedent smashing flip flops!). The face of Louis Vuitton – Cate Blanchett – switched up LV black and white numbers for different premieres. Marion Cotillard just tossed on a Chanel mini tweed coatdress.

UK director Molly Manning Walker’s first film How To Have Sex won the top prize in Cannes Un Certain Regard on Friday evening.

The 2023 Cannes Film Festival ends tomorrow, but awards for the fest start today, at least in the Un Certain Regard category. With John C.

Uk director Molly Manning Walker’s How To Have Sex won the top prize in Cannes Un Certain Regard on Friday evening.

Warwick Thornton is no stranger to La Croisette. His debut feature, “Samson and Delilah,” won the Camera d’Or at the 2009 Cannes Film Festival, where his latest feature, “The New Boy,” just had its premiere.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch “The New Boy” never gives its protagonist, the titular New Boy, a name.

Guy Lodge Film Critic On the mean streets of Casablanca dartingly navigated in “Hounds,” all life is shown to be casually disposable; an actual human body, however, is another matter. Taking place over one sleepless night of mounting misfortune in the Moroccan metropolis, writer-director Kamal Lazraq’s first feature is a trim, unsparing crime tale that pits social desperation against a nagging spiritual conscience. Its gig-economy gangsters may follow almost any grisly orders for a quick buck, but are equally bound to Muslim creeds and customs, glumly shrugging off any disparity between these two authorities. Following an impoverished father-son duo as an ostensibly rote criminal errand goes bloodily awry, the film is briskly told and humidly atmospheric, though a little tonal variation wouldn’t have gone amiss amid an overriding air of hardscrabble, stomach-knotted discomfort. As its central crisis deepens and darkens, Lazraq’s script keeps teasing a gear-shift into mordant farce to which it never quite commits, leaving both the characters and the drama a bit stymied. Still, this is a notably punchy debut, both visceral and confidently cavalier in its depiction of everyday underworld brutality, with a sharp, streetlit sense of place — and just enough genre-film vigor to hook distributor interest after its Un Certain Regard premiere at Cannes.

Martin Scorsese unveiled “Killers of the Flower Moon” at Cannes on Saturday, debuting a sweeping American epic about greed and exploitation on the bloody plains of an Osage Nation reservation in 1920s Oklahoma.

Aussie filmmaker Warwick Thornton joked that Cate Blanchett “elbowed” her way into his crafty sixth feature, The New Boy, as he introduced the pic at Deadline’s Cannes Studio shortly before its festival premiere.

For about half an hour or so, Warwick Thornton’s “The New Boy” could almost fool you into thinking that it’ll be a gentle, evocative and beautifully atmospheric movie about a small group of people who mean well. But then things change, and an understated film that might have quietly dealt with Australia’s original sin – the decades-long removal of indigenous children from their parents – turns complex, spiritual and surpassingly unsettling, a mixture of religion and magic that doesn’t really trust in either.It’s still beautifully composed, but it cuts that beauty with some thorny ideas and puzzling turns; it starts out beguiling, but it may end up getting under your skin.Best known for “Samson and Delilah,” which was nominated for an Oscar for Best Foreign Language Film in 2009, Warwick has largely been working in television since then, with the notable exception of 2017’s “Sweet Country,” which looked at the conflict between white settlers and Aboriginal people.

on May 19. The actor walked the red carpet for the premiere of The Zone of Interest in a black and white Louis Vuitton dress with a cape detail and sequined silver pockets—yes, the dress has pockets! And we all know how the .The column gown traded color for chrome with a silver structured belt tied around Blanchett's waist.

Cate Blanchett is keeping busy while attending the 2023 Cannes Film Festival.

The battle for gender equality in the cinema industry is gaining ground but victory is a long way off, representatives of Time’s Up! UK, L.A.-based org ReFrame, France’s Collectif 50/50 and Brazil’s Mulheres group told a panel in Cannes on Friday.

Warwick Thornton is a master maker of images. The first frames of The New Boy – a sweep of dusty ground; a flash of a small boy on a policeman’s back, strangling him; a pre-war telegraph pole, all drenched in the searing white midday light of the desert – create a collage of inland Australia, a world of open spaces. The boy is duly pulled off of the policeman, put in a sack and delivered in the dark to a mission; a nun opens the door to receive the delivery. At that point, the gallery of Thornton’s frame becomes a series of golden brown interiors that could have come from Rembrandt, except that they are peopled with Indigenous boys – Lost Boys, as Sister Eileen (Cate Blanchett) describes them to God – and the trio of adults who look after them. 

Alissa Simon Film Critic Australian helmer-screenwriter-cinematographer Warwick Thornton won Cannes’ Camera d’Or with “Samson and Delilah” in 2009. Now he’s back with his third feature, “The New Boy,” competing in Un Certain Regard. The film turns on the story of an Aboriginal child, who arrives at a remote monastery run by a renegade nun. The new boy’s presence disturbs a delicately balanced world in this story of spiritual struggle and the cost of survival. The film stars Cate Blanchett, Deborah Mailman and Wayne Blair, and is produced by Kath Shelper, Andrew Upton, Blanchett and Lorenzo de Maio. Veterans is selling in Cannes.  How did the Cannes Golden Camera influence your career?

Viola Davis was serving up looks on the red carpet at the 2023 Cannes Film Festival!

CANNES — Johnny Depp seemed back in full celebrity mode on Tuesday, signing autographs and taking pictures with fans before the premiere of the Cannes Film Festival’s opening film “Jeanne du Barry,” which marks the actor’s first major role since his high-profile defamation trial.