Cate Blanchett Runs From 'New Boy' Photocall to 'Zone of Interest' Premiere at Cannes 2023

star-studded stints at Leeds and Man United saw him win five league titles in six seasons.  Upon hanging up his boots in 1997, Cantona began accepting film roles, his first part in English that of the French ambassador Monsieur Le Foix in Cate Blanchett vehicle Elizabeth.

It’s official! Delilah Belle Hamlin and Henry Eikenberry made their red carpet debut at the Thursday, June 1, premiere of The Crowded Room.

WrapWomen’s “UnWrapped” Podcast. SUBSCRIBE: Apple Podcasts| Spotify | Amazon Music | Google Podcasts | Omny Studio | StitcherShe continued, “She’s like mythical, someone I can’t believe even exists… but I kind of see her as my guiding light. And then who knows what will happen.

Robbie Williams sported a chic yet relaxed co-ord at a lavish Cannes event. The 49-year-old Rock DJ singer was at a boat party hosted by Australian actress Rebel Wilson, Unigram, Access Entertainment and Warner Music. The event was in celebration of the launch of Rebel's forthcoming film and directorial debut, 'The Deb' during the 76th Cannes Film Festival.

Foo Fighters played their first full concert of 2023 last night, featuring new drummer Josh Freese. Check out the full setlist and footage below.The gig took place in Gilford, New Hampshire yesterday (Wednesday May 24), and served as a warm-up gig ahead of the band’s list of upcoming headline shows and festival appearances, set for later this summer.It also marked the rock veteran’s first public gig with newly-announced drummer Josh Freese (Paramore, Weezer, Nine Inch Nails), who took on the role following the passing of Taylor Hawkins last year.Towards the start of the show, frontman Dave Grohl took a moment to introduce the new member to the audience, and showed his appreciation for him helping the band perform.

Warwick Thornton is no stranger to La Croisette. His debut feature, “Samson and Delilah,” won the Camera d’Or at the 2009 Cannes Film Festival, where his latest feature, “The New Boy,” just had its premiere.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch “The New Boy” never gives its protagonist, the titular New Boy, a name.

for minutes of applause. So entrenched is this French farce that trade publications routinely time the euphoria and judge the response to the new films based on the length of the cheering at the Grand Théâtre Lumière. Cannes’ longest-ever roar? Guillermo del Toro’s “Pan’s Labyrinth,” which premiered there in 2006, at 22 minutes. This year’s fest is in full swing, and so is the ceaseless hand-slapping.Here are Cannes’ standing ovations so far, from triumphant to tepid.The most ecstatic response to a film so far at this year’s festival, which runs until May 27, was for Martin Scorsese’s latest drama. The historical movie from Apple and Paramount brings together two popular Scorsese stalwarts, Leonardo DiCaprio and Robert De Niro, plus last year’s Best Actor Oscar winner Brendan Fraser and Jesse Plemons.

Mia Wasikowska is back on the red carpet!

May December co-stars Natalie Portman and Julianne Moore were joined by producer Will Ferrell when they walked the red carpet at the movie’s premiere during the 2023 Cannes Film Festival on Saturday (May 20) at the Palais des Festivals in Cannes, France.

The stars of Killers of the Flower Moon are stepping out for their movie’s premiere!

Aussie filmmaker Warwick Thornton joked that Cate Blanchett “elbowed” her way into his crafty sixth feature, The New Boy, as he introduced the pic at Deadline’s Cannes Studio shortly before its festival premiere.

Elizabeth Wagmeister Senior Correspondent Cate Blanchett debuted her latest acting role in “The New Boy” at the Cannes Film Festival this week, but the Oscar-winner wouldn’t mind staying behind the camera a bit more. “I’m always trying to get out of acting,” Blanchett said. “I’ve been trying to stop acting my entire professional life.” Speaking at her Kering Women in Motion talk at Cannes, in conversation with her producing partner, Coco Francini, Blanchett said that her recent producing work behind the camera “feels an extension, for me, of my work as an actor.” “I remember an Australian film director saying to me really early on in my career that I had to stop taking small roles,” Blanchett recalled. “And I said, ‘Why?’ I said, ‘That was the most interesting role.’ I didn’t want to play the lead. I want that one.”

Rebecca Rubin Film and Media Reporter Cate Blanchett kicked off her stilettos on Friday night as she took the stage a Cannes Film Festival party hosted by Variety and the Golden Globes. Because this is Cannes, where women are mandated to wear heels on the red carpet, shoes have become a political symbol on the French Riviera. And indeed, in this case, Blanchett went barefoot to make a statement — to stand in solidarity with the women of Iran. The A-list actor, on hand to present “Holy Spider” star Zahra Amir Ebrahim with a breakthrough artists award, grabbed the trophy and joked, “This is to stab everyone who stands in the way of women’s rights. Up the vajayjay!” In her remarks, an emotional Ebrahimi called attention to her home country, which is “executing innocent people.” She said, “I always thought being an actress was a paradox: serving the emotions of your own and being a flag or mirror or light. This award celebrates this paradox.”

For about half an hour or so, Warwick Thornton’s “The New Boy” could almost fool you into thinking that it’ll be a gentle, evocative and beautifully atmospheric movie about a small group of people who mean well. But then things change, and an understated film that might have quietly dealt with Australia’s original sin – the decades-long removal of indigenous children from their parents – turns complex, spiritual and surpassingly unsettling, a mixture of religion and magic that doesn’t really trust in either.It’s still beautifully composed, but it cuts that beauty with some thorny ideas and puzzling turns; it starts out beguiling, but it may end up getting under your skin.Best known for “Samson and Delilah,” which was nominated for an Oscar for Best Foreign Language Film in 2009, Warwick has largely been working in television since then, with the notable exception of 2017’s “Sweet Country,” which looked at the conflict between white settlers and Aboriginal people.

Sean Penn and Tye Sheridan hit up the photo call for their new movie, Black Flies, during the 2023 Cannes Film Festival at Palais des Festivals on Friday (May 19) in Cannes, France.

on May 19. The actor walked the red carpet for the premiere of The Zone of Interest in a black and white Louis Vuitton dress with a cape detail and sequined silver pockets—yes, the dress has pockets! And we all know how the .The column gown traded color for chrome with a silver structured belt tied around Blanchett's waist.

Harrison Ford showed off the honorary award he received at the 2023 Cannes Film Festival while attending a photocall for his new movie Indiana Jones and the Dial of Destiny on Friday (May 19) in Cannes, France.

The battle for gender equality in the cinema industry is gaining ground but victory is a long way off, representatives of Time’s Up! UK, L.A.-based org ReFrame, France’s Collectif 50/50 and Brazil’s Mulheres group told a panel in Cannes on Friday.

Warwick Thornton is a master maker of images. The first frames of The New Boy – a sweep of dusty ground; a flash of a small boy on a policeman’s back, strangling him; a pre-war telegraph pole, all drenched in the searing white midday light of the desert – create a collage of inland Australia, a world of open spaces. The boy is duly pulled off of the policeman, put in a sack and delivered in the dark to a mission; a nun opens the door to receive the delivery. At that point, the gallery of Thornton’s frame becomes a series of golden brown interiors that could have come from Rembrandt, except that they are peopled with Indigenous boys – Lost Boys, as Sister Eileen (Cate Blanchett) describes them to God – and the trio of adults who look after them. 

Guy Lodge Film Critic The new boy doesn’t get a name, and he doesn’t give one. Arriving at an isolated orphanage in rural South Australia in the early 1940s, he’s taken in with brisk kindness by the two nuns who oversee the place, but privileges like names are for children a little further along in their understanding and acceptance of this establishment’s firm Christian principles: Until he’s ready for baptism, the shirtless, mostly wordless Aboriginal newcomer will be acknowledged but not identified. It’s a limbo state that evocatively represents the tension between Australia’s Indigenous population and even the most notionally inclusive of their colonizers; in Warwick Thornton’s thoughtful magical-realist fable “The New Boy,” spiritual differences aren’t treated with violence, but echo bloody territorial conflict just the same.