Emily Blunt is looking lovely for her latest red carpet appearance!
03.10.2022 - 14:35 / deadline.com
Tricia Tuttle will step down as BFI Festivals Director following this year’s London Film Festival, the BFI announced today. She will remain in post through to early 2023 while the BFI recruits a replacement.
Tuttle has been with the BFI for a decade. For the past five years, she has led the BFI London Film Festival and BFI Flare, the organization’s LGBTQIA+ film festival. She was previously Deputy Head of Festivals from 2013-17.
“I have loved everything about my time at the BFI and as the Director of our Festivals,” Tuttle said.
“It’s been a deep and genuine privilege to lead BFI London Film Festival and BFI Flare: London LGBTQIA+ Film Festival, and to be a senior leader in an organisation that has shaped me as a passionate film fan and a professional working in film. I took the role knowing that I believe in cultural renewal. I came in to make an impact quickly, with an aim to open up our festivals to more people and then pass the baton. And I could not be more proud of what we have achieved in these 5 years, especially given the absolutely wild challenges we have faced! I am leaving on a high and with so much love for the people and the work of the organisation.”
The BFI said Tuttle has led the body’s festivals team with “energy, resilience and creativity,” and praised her for the five-year strategy she implemented for the London Film Festival, which it said has grown LFF audiences by 76% since 2019 and established a new footprint for the festival across the UK.
The statement also highlighted Tuttle’s role in introducing series programming to the London Film Festival with special presentations of HBO’s Succession and Hulu’s Dopesick.
BFI Chief Exec Ben Roberts added: ‘Tricia has been the driving force behind
Emily Blunt is looking lovely for her latest red carpet appearance!
Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.
Mani Haghighi is the latest film director who has been impacted by Iran’s ongoing restraint on filmmakers.
Janelle Monáe was fashionably late as she strolled onstage at the BFI Southbank, where she headlined the London Film Festival’s final major keynote ‘screen talk’ Friday afternoon.
Iranian filmmaker Mani Haghighi will no longer attend the London Film Festival premiere of his latest film Subtraction after authorities stopped him from boarding a flight to London.
Elsa Keslassy International Correspondent Iranian filmmaker Mani Haghighi had his passport confiscated at the airport as he was about to board a flight to attend the BFI London Film Festival. Haghighi was expected to present there the U.K. premiere of his latest film, “Subtraction.” A BFI London Film Festival spokesperson confirmed the news to Variety and issued the following statement: “The Iranian filmmaker Mani Haghighi was due to travel to London today to support the UK premiere of his film Subtraction which is screening tomorrow at the BFI London Film Festival, but has been prevented from boarding his flight to the UK. He was turned away by authorities in Iran and has his passport confiscated. He has returned to his home in Tehran. We understand that no reason has been given to Mani Haghighi for the confiscation. The BFI London Film Festival supports Haghighi and all filmmakers in their freedom to make their films and present them around the world.
Rita Ora shows off her toned core as she attends a private dinner & party hosted by Monot on Wednesday (October 12) in London, England.
Olivia Colman is gracing the red carpet at the 2022 BFI London Film Festival!
Brendan Fraser was the recipient of a very rare event at the 2022 BFI London Film Festival.
An elaborately beaded red shimmy dress becomes a talisman of beauty, truth and freedom in Dionne Edwards’ debut feature, BFI London Film Festival premiere Pretty Red Dress, a vivid portrait of a family with at least one too many secrets lurking in the closet along with that alluring frock.
Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.
Vanessa Kirby shows off the details on the back of her black velvet mini dress at the premiere of her movie, The Son, in London, England on Monday (October 10).
Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.
The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.
K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”
Manori Ravindran International Editor Musicals aren’t for everyone, but “Roald Dahl’s Matilda the Musical” seemed to be right on tune for the BFI London Film Festival. The Netflix movie adaptation of the stage musical, which debuted in the West End in 2012, opened the 66th edition of the festival on Wednesday night, where despite starting 45 minutes late, it found an appreciative audience in the Royal Festival Hall crowd, which included a number of revolting children. The Netflix and TriStar Pictures pic stars Emma Thompson as psychotic headmistress Miss Trunchbull, Lashana Lynch as Miss Honey, Stephen Graham and Andrea Riseborough as Matilda’s parents and Sindhu Vee as confidante Mrs. Phelps.
There are stories so good they can withstand any amount of retelling. Matilda began life as Roald Dahl’s rollicking tale of an outrageously spirited, clever little girl who defeats the bullying headmistress whose vocation is to make children miserable. The Royal Shakespeare Company turned it into a Christmas musical that burst the banks of the festive season, running for years and winning seven Olivier Awards in 2012 in London, then five Tonys the following year in New York. Now, director Matthew Warchus, along with writer Dennis Kelly and songwriter Tim Minchin, has directed the London Film Festival opener Roald Dahl’s Matilda the Musical for the screen. And once again, it is an absolute blast.
Emma Thompson, Stephen Graham, and Lashana Lynch passed through the London Film Festival on Wednesday, where they discussed their new film Matilda The Musical, directed by Matthew Warchus.
Brent Lang Executive Editor “Devotion,” a drama about a group of elite fighter pilots during the Korean War, will screen at the opening night of the Urbanworld Film Festival. The Sony Pictures and Black Label Media production was directed by J.D. Dillard and stars Jonathan Majors, who will serve as the festival’s official ambassador. HBO will return as a founding partner of the Urbanworld Film Festival, and Visa will serve as presenting partner. The festival will take place from Oct. 26 to Oct. 30. “This year’s slate is incredibly impressive,” said Karen McMullen, head of programming. “We have some of the top artists in the industry as well as exciting new voices premiering their films at Urbanworld. It has been a privilege working alongside this organization as we move into our 26th year as a festival. We can’t wait to see everyone in person in New York City to help us celebrate our dynamic films and filmmakers.”
Manori Ravindran International Editor BFI festivals director Tricia Tuttle is stepping down from the role after 10 years. This month’s edition of the London Film Festival will be her last in the post. Tuttle has, for the last five years, led as director the BFI London Film Festival as well as BFI Flare: London LGBTQIA+ Film Festival. She was previously deputy head of festivals from 2013 to 2017. She will remain in the role through to early 2023, while the BFI recruits for a new festivals leader. Tuttle leaves the festival during what’s shaping up to be one of its strongest editions yet: the festival has more world premieres than ever this year, with headline films including Matthew Warchus’ “Roald Dahl’s Matilda the Musical,” Guillermo del Toro’s “Pinocchio” and Asif Kapadia’s “Creature.”