'Transplant': TV Review

In William Olsson’s “Lost Girls & Love Hotels,” Margaret (Alexandra Daddario), is spiraling out of control. An American expat living in Japan, the young woman spends her days fighting off a hangover, barely competent enough to hold a job, and her nights drunkenly talking in bars followed by late-night sexual encounters with strangers.

Focusing as much on bystanders to a historical event as on its central character, documentarian Keith Maitland follows up his brilliant (and Emmy-winning) Tower with Dear Mr. Brody, another inventive look at a fifty year-old piece of American history: In January 1970, a 21 year-old "hippie millionaire" announced to the media that he intended to give his money away to anyone who'd ask for it.

Oscar-winner Kevin Spacey was accused in a civil lawsuit on Wednesday of sexual assault and battery in the 1980s by actor Anthony Rapp and a second, unnamed person when both plaintiffs were about 14.

Oscar-winner Kevin Spacey was accused in a civil lawsuit on Wednesday of sexual assault and battery in the 1980s by actor Anthony Rapp and a second, unnamed person when both plaintiffs were about 14.

Owen Gleiberman Chief Film CriticHere’s a startling statistic for you. In Mississippi, at the height of the Reconstruction era (which lasted until 1877), African-American voter registration stood at 67 percent.

The setting of the new limited series We Are Who We Are — a fictional American army base in northeastern Italy, where nobody feels like they belong — is so steeped in narrative potential that almost any of its characters could make for a compelling protagonist.

Daniel D'Addario Chief TV CriticOn Hulu’s “Woke,” cartoonist Keef Knight (Lamorne Morris, recently of “New Girl”) sees his world shaken into surreality by an experience that’s sadly common. After a run-in with violent, racist police officers who stop short of taking his life but manhandle and humiliate him in the process, Keef begins to hear the accoutrements of his life — pens, photos of himself, liquor bottles — speaking to him in frank and often harsh tones.

food for granted, blessed as we are by millions of acres of fertile farmland, particularly in California and the central states.Those farmlands, and our food supply, are tipping toward grave risk unless we modify our farming habits, author Tom Philpott says in “Perilous Bounty: The Looming Collapse of American Farming and How We Can Prevent It.”He makes a solid case that our intensive, industrial farm practices are draining California aquifers and causing severe fertile soil erosion in the

Peter Debruge Chief Film CriticIt’s been said about the Civil War that the South lost the war but won the narrative, rewriting history to soften its motives while enacting laws to uphold a uniquely American form of apartheid. In the face of more than a century and a half of such malignant propaganda, terrifying social thriller “Antebellum” lands like an explosive mortar — a potent, politically charged cross between “The Handmaid’s Tale” and an M.

Peter Debruge Chief Film CriticIt’s been said about the Civil War that the South lost the war but won the narrative, rewriting history to soften its motives while enacting laws to uphold a uniquely American form of apartheid. In the face of more than a century and a half of such malignant propaganda, terrifying social thriller “Antebellum” lands like an explosive mortar — a potent, politically charged cross between “The Handmaid’s Tale” and an M.

Chris Willman Music WriterBettye LaVette is widely — and wisely — revered as one of our greatest living rhythm and blues singers, and maybe right there at the pinnacle. Her star as a knock-down, drag-out, leave-no-prisoners stylist has risen in the decade and a half since she made her return to prominence in her late 50s, 60s and now early 70s after decades of having seemed publicly MIA.

As a film that documents the plight of an undocumented Filipina transwoman living in the United States, Isabel Sandoval’s “Lingua Franca” embodies the fresh face of cinema in 2020. As the first year of a new decade circles around the corner, Sandoval stands with her arms out, ready to greet the oncoming culture shift with a quiet, politically minded drama that strives to speak out for the unheard and shine a light on marginalized artists seeking to gain a foothold in the industry.

Peter Debruge Chief Film Critic“Cowboys” taps directly into the myth of the American male, with his leather boots and blue jeans, square jaw and wide stance, as immortalized in the collective imagination by painter Frederick Remington, director John Ford and decades of Marlboro tobacco advertising. But it does so with a twist: This debut feature from Anna Kerrigan explores how that tough-guy archetype impresses itself on a gender-nonconforming child.

Many documentaries have explored battles for gay liberation: There have been films about Stonewall, AIDS activism and the struggle for marriage equality. But Cured, which received its (virtual) premiere at this year’s Outfest, finds a fairly fresh slant that scintillates.

Like a crude and profane marriage between “Falling Down” and “Joker,” movies about aggrieved and disenfranchised American white men seemingly justified with their rage about a cruel and unfair world, director Derrick Borte’s reminiscent revenge thriller “Unhinged” is deeply misguided. “Unhinged” wants to map a similar Venn diagram sweet spot where the Worst Day Ever ™, a cruel lack of empathy, and selfish incivility trigger a point-of-no-return path to unholy violence and retribution.

Time could be up for Cuba Gooding Jr..