Tokyo Film Festival Unveils Yasujirō Ozu Tribute With Official 2023 Poster

Late Oscar-winning Japanese composer Ryuichi Sakamoto was celebrated at the Venice Film Festival on Tuesday with the Out Of Competition premiere of concert film Opus.

Busan International Film Festival (BIFF, October 4-13) has unveiled its full line-up, including opening and closing films, and announced that Hong Kong star Chow Yun-fat has been named as Asian Filmmaker of the Year. 

Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.

The devil is in the details. Pink-nailed toes scrunching on a pink carpet; a packet of false eyelashes; piles of chips in a Vegas casino; the pills. Always the pills: squeezed in a palm that opens to reveal its little white prize; lined up in bottles on the bedside table; slipped into a pocket on the way to school. “Maybe the pills are too much,” ventures Priscilla Beaulieu to her boyfriend Elvis Presley, after one of his flares of temper where she just manages to dodge his fist. “I have doctors looking after me,” he growls. “I don’t need a second opinion.”

When Venice head Alberto Barbera announced his competition lineup in July, he confessed that he and his selection team were surprised to see one submission in their database: a feature project by Japanese filmmaker Ryûsuke Hamaguchi. 

Shinrin-yoku, which translates as “forest-bathing,” was a Japanese invention of the 1980s: a meditative therapy that connects burnt-out urbanites with the healing power of nature. Evil Does Not Exist, the latest film from the celebrated director of Drive My Car, Ryusuke Hamaguchi – and a contender for the Golden Lion at the Venice Film Festival — opens with a long series of scenes of trees that are so serenely paced and beautifully scored that they leave you feeling as if you have been forest-bathing for real. 

Japan has selected Perfect Days, the Tokyo-based fiction feature from German filmmaker Wim Wenders, as its entry for the Best International Feature Film category at the 2024 Oscars.

Naman Ramachandran The European Film Academy has revealed the nominations for Lux – The European Audience Film Award. The nominated films are: “20,000 Species of Bees” by Estibaliz Urresola Solaguren (Spain); “The Teacher’s Lounge” by İlker Çatak (Germany); “Fallen Leaves” by Aki Kaurismäki (Finland, Germany); “On the Adamant” by Nicolas Philibert (France, Japan); and “Smoke Sauna Sisterhood” by Anna Hints (Estonia, France, Iceland).

The plan was for renowned director William Friedkin to be appearing at the Venice Film Festival presenting the out of competition World Premiere of his latest production, an adaptation of Herman Wouk’s 1954 play The Caine Mutiny Court-Martial. Unfortunately Friedkin died August 7th, but the show goes on anyway.

Mark Schilling Japan Correspondent In 2021, Hamaguchi Ryusuke won truckloads of awards and nearly universal critical acclaim for his three-hour drama “Drive My Car,” including three prizes at Cannes and a best picture Academy Award nomination, the first ever for a Japanese film. (That Oscar went elsewhere, but “Drive My Car” was named best international feature film.) Instead of trying to top this triumph with a bigger budget and more internationally known names in the cast, Hamaguchi has returned to his indie roots with “Evil Does Not Exist,” which premieres in competition at this year’s Venice Film Festival.

Mitski has announced listening parties for her upcoming LP ‘The Land Is Inhospitable And So Are We’, along with film screenings.The music and film double features will occur next week on Thursday, September 7. These events will be presented in movie theatres in eight international cities, including Chicago, Dallas, London, Los Angeles, Melbourne, Nashville, Sydney, and New York — plus one planetarium in Tokyo, Japan — with the US events co-presented by Spotify.Fans will be able to gather together in an intimate setting for an early preview of ‘The Land Is Inhospitable And So Are We’ in its entirety.

We’re thrilled to announce that we’ve teamed up with Lisa Snowdon once again to create another very special OK! Beauty Box, packed full of the presenter’s favourite beauty products. A passionate advocate for self-care, Lisa knows the importance of taking little moments of me-time whenever possible – and this limited-edition box helps you to do just that.

Patrick Frater Asia Bureau Chief The main competition section of the Busan International Film Festival is set to showcase two new features from Bangladeshi directors, the feature debut of Japanese documentary maker Mori Tatsuya and ruminations on Hong Kong by mainland Chinese director Choi Ji. The festival on Wednesday unveiled its New Currents competition section, reserved for films by directors making their first or second works of fiction, as well as its Jiseok section, a showcase for somewhat more established Asian auteurs. In addition to the Bangladesh duo, New Currents includes two films from Japan, two from Korea and one each from China, Thailand, Malaysia and India. From Bangladesh, Iqbal H. Chowdhury’s “The Wrestler” sees an old fisherman challenge a wrestling champion to combat, and in “The Stranger” Biplob Sarkar tells a coming-of-age, gender-identity tale. From Japan, Mori recounts the events of the Great Kanto earthquake in “September 1923,” while Yamamoto Akira delves into profound and shocking love in “After the Fever.” New Currents’ Korean contributions come from Lee Jong-su, whose “Heritage” tracks a man who opts out of military service and his supervisor, and Sohn Hyun-lok, whose “That Summer’s Lie” blurs truth and fiction in memories of a past romance. India’s Rajesh S.

Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has been set as the opening film of this year’s Tokyo Film Festival while Godzilla Minus One, written and directed by Takashi Yamazaki, will close proceedings.

Patrick Frater Asia Bureau Chief Wim Wenders’ acclaimed “Perfect Days” will open the Tokyo International Film Festival in October. The event will close with “Godzilla Minus One,” the latest addition to Toho’s iconic monster movie franchise on Nov. 1. “Perfect Days” follows the routine and revelatory chance encounters of a simple toilet cleaner in Tokyo.

Naman Ramachandran The 67th BFI London Film Festival has unveiled the titles that will compete in its official, first feature, documentary and short film competitions. Festival director Kristy Matheson said: “The films represented in each of these competitive strands offer audiences an exciting array of U.K. and global filmmaking voices and cinematic forms.

The U.S. premieres of the films Yoko, Ripple, and Tea Friends highlight the seventh Agency for Cultural Affairs, Government of Japan (ACA) Cinema Project, which will spotlight “Emerging Japanese Films” in a series set to run Sept. 26-28 at the Linwood Dunn Theater in Hollywood.

EXCLUSIVE: Sources tell Deadline that the Toronto International Film Festival’s opening night film on Sept. 7, The Boy and the Heron from Hayao Miyazaki, has sold out in record time.

John Hopewell Chief International Correspondent Living legend Hayao Miyazaki’s animated fantasy epic “The Boy and the Heron,” the latest from Japan’s legendary Studio Ghibli, will open the 71st San Sebastian Festival, screening on Sept. 22. Bowing San Sebastian, Miyazaki’s film, which he has declared to be his last, will score an extraordinary double of opening both the Toronto and San Sebastian festivals in the space of a couple of weeks.

Hayao Miyazaki will open the 71st edition of the San Sebastian Film Festival with his latest pic, The Boy and the Heron.