A teenage Vada (Jenna Ortega) arrives at her high school with her best friend Nick (Will Ropp). The coarse Vada isn’t part of the in-crowd.
02.03.2021 - 09:18 / variety.com
Jessica Kiang Ten years ago, German director Tim Fehlbaum’s decent little post-apocalyptic sci-fi debut “Hell,” made two category errors that impacted its reach and longevity, both of which are corrected in his decent, slightly larger post-apocalyptic sci-fi follow-up, “Tides.” First, somewhat forgivably, “Hell” was in German, and so although a perfectly serviceable survivalist riff on “Mad Max,” outside German-speaking territories it got sidelined, with English-speaking mainstream and genre
.A teenage Vada (Jenna Ortega) arrives at her high school with her best friend Nick (Will Ropp). The coarse Vada isn’t part of the in-crowd.
Peter Debruge Chief Film CriticYou’ve never seen Udo Kier like this before.
After his debut feature, “Shithouse,” won the Grand Jury Prize at last year’s SXSW festival, Cooper Raiff is getting ready for his next endeavor, and he’s got some great company.
Kelly Ripa is the spitting image of Esther Ripa! The 50-year-old TV personality took to Instagram on Tuesday and shared side-by-side pics of herself and her mother-in-law that showed off their physical similarities.In one of the images, Esther is seen smiling in profile while wearing her hair pulled back, a dark blazer and a collared shirt.
Kelly Ripa is the spitting image of Esther Ripa! The 50-year-old TV personality took to Instagram on Tuesday and shared side-by-side pics of herself and her mother that showed off their physical similarities.In one of the images, Esther is seen smiling in profile while wearing her hair pulled back, a dark blazer and a collared shirt.
Young Europeans' swerve toward the right and far right gets another movie thrown at it with the premiere of Je Suis Karl, from German director Christian Schwochow (November Child, Cracks in the Shell).
The apple did not fall far from the tree when it comes to Kelly Ripa and her mother.
When filmmaker Maria Speth brought her documentary crew to a provincial German school, her goal was "open-ended observation." Observing a classroom where jam sessions and juggling lessons are as likely as lessons in math and grammar, she achieves that and more with Mr. Bachmann and His Class, one of the most effortlessly absorbing and deeply encouraging nonfiction films of recent memory.
Dieter Wedel, one of Germany's most successful television directors, has been indicted on suspicion of rape connected to allegations dating back to 1996. The public prosecutor's office in Munich brought the indictment before the 10th criminal chamber of the Munich I district court on Friday.
BERLIN -- One of Germany's best-known TV directors and scriptwriters has been formally charged with raping an aspiring actress almost 25 years ago, Munich prosecutors said Friday.Dieter Wedel was the first prominent figure in the country named when the #MeToo movement targeting alleged sexual abusers in the media and the arts gathered pace in Germany three years ago.Wedel, 81, has denied claims by several women that he pressured them for sex.The 20-page indictment against Wedel claims that in
Not long into I'm Your Man, Dan Stevens' character, a genial android named Tom, arranges a perfectly contrived combination of romantic clichés for his would-be partner, Alma. The rose petals are "artfully" strewn, the candles flicker, and flutes of bubbly are ready for sipping beside the bubble-filled tub.
Reba McEntire already has the holidays in mind.The country singer and actress will star in and produce , a music-themed holiday film for Lifetime's annual «It's a Wonderful Lifetime» lineup as part of her new two-movie deal, it was announced Wednesday. The movie will serve as a tentpole title for Lifetime later this fall and winter, and will also feature an original holiday song by McEntire.tells the story of Belle, a marketing executive who is worried she may lose her job.
Jessica Kiang However long ago your school days, you can still name your favorite teacher.
Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian — Going to the Dogs (Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where