Mr. Bachmann and His Class took director Maria Speth years to research, six months to shoot, and another three years to edit.
02.03.2021 - 16:52 / variety.com
Jessica Kiang However long ago your school days, you can still name your favorite teacher.
(Thanks for everything, Dr Sharkey.) Maria Speth’s affectionate and inspiring portrait of an affectionate and inspiring man leaves little doubt that for a vast proportion of the students who’ve passed through the halls of Georg Büchner Comprehensive in the German factory town of Stadtallendorf during the past 17 years, that name will be “Herr Bachmann.”But as much as the laid-back, woolly-hatted Dieter
.Mr. Bachmann and His Class took director Maria Speth years to research, six months to shoot, and another three years to edit.
Naman Ramachandran U.K. production funding and distribution agency Drive has sold two-part documentary series “The Diana Interview: Revenge of a Princess” to Channel Nine in Australia, REELZ in the U.S., TV 2 in Norway, Servus TV in Austria, RTL Netherlands and TVNOW in Germany, to broadcast this year.Produced by Minnow Films for U.K.
Jamie Lang In today’s Global Bulletin, Highland Film Group secures distribution in key territories for Kevin Bacon-starrer “One Way,” “Germany’s Next Top Model” gets a five-season renewal, ITV brings back “The Cube,” launches “Stack It!” and picks up co-producers for “A Year on Planet Earth,” Amazon Prime Video unveils premiere details for “Toofaan,” Filmzie and Netgem TV team in the U.K., Mopar Studios enlists U.K.
Video: Phil shows his passion for peas after not everyone agreed with his sandwich tastes (Liverpool Echo)Floral tributes for Queens Drive hit-and-run victimBlood Red: Jurgen Klopp says RB Leipzig win could boost Liverpool confidenceProfessor Chris Whitty explains why there is a five week gap between stages of lifting lockdown in EnglandBlood Red: Julian Nagelsmann comments on Jurgen Klopp links with Germany national team jobPiers Morgan storms off GMB set after Alex Beresford blasts his
When filmmaker Maria Speth brought her documentary crew to a provincial German school, her goal was "open-ended observation." Observing a classroom where jam sessions and juggling lessons are as likely as lessons in math and grammar, she achieves that and more with Mr. Bachmann and His Class, one of the most effortlessly absorbing and deeply encouraging nonfiction films of recent memory.
BERLIN -- One of Germany's best-known TV directors and scriptwriters has been formally charged with raping an aspiring actress almost 25 years ago, Munich prosecutors said Friday.Dieter Wedel was the first prominent figure in the country named when the #MeToo movement targeting alleged sexual abusers in the media and the arts gathered pace in Germany three years ago.Wedel, 81, has denied claims by several women that he pressured them for sex.The 20-page indictment against Wedel claims that in
Not long into I'm Your Man, Dan Stevens' character, a genial android named Tom, arranges a perfectly contrived combination of romantic clichés for his would-be partner, Alma. The rose petals are "artfully" strewn, the candles flicker, and flutes of bubbly are ready for sipping beside the bubble-filled tub.
Jessica Kiang Ten years ago, German director Tim Fehlbaum’s decent little post-apocalyptic sci-fi debut “Hell,” made two category errors that impacted its reach and longevity, both of which are corrected in his decent, slightly larger post-apocalyptic sci-fi follow-up, “Tides.” First, somewhat forgivably, “Hell” was in German, and so although a perfectly serviceable survivalist riff on “Mad Max,” outside German-speaking territories it got sidelined, with English-speaking mainstream and genre
Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian — Going to the Dogs (Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where
The Pygmalion myth gets a gender flip in I’m Your Man, the Berlin Film Festival competition entry from Germany’s Maria Schrader. Maren Eggert stars as Alma, a single anthropologist who agrees to live with a humanoid robot for three weeks as part of a trial testing period. Thomas (Dan Stevens) has been designed as Alma’s ideal partner, using algorithms based on her brain scans, her responses and research involving 17 million people.