EXCLUSIVE: Fresh off its world premiere in the Berlin International Film Festival’s competition program, where it won the Silver Bear Jury Prize, Maria Speth’s feature documentary Mr Bachmann And His Class has sold into multiple territories.
09.03.2021 - 00:47 / hollywoodreporter.com
When filmmaker Maria Speth brought her documentary crew to a provincial German school, her goal was "open-ended observation." Observing a classroom where jam sessions and juggling lessons are as likely as lessons in math and grammar, she achieves that and more with Mr. Bachmann and His Class, one of the most effortlessly absorbing and deeply encouraging nonfiction films of recent memory.
EXCLUSIVE: Fresh off its world premiere in the Berlin International Film Festival’s competition program, where it won the Silver Bear Jury Prize, Maria Speth’s feature documentary Mr Bachmann And His Class has sold into multiple territories.
A curious footnote in pre-World War II British history fails to provide adequate fuel for a gripping espionage thriller in Six Minutes to Midnight, a disappointingly conventional passion project for genderfluid comic Eddie Izzard, inspired by childhood visits to the local museum at Bexhill-on-Sea.
Mr. Bachmann and His Class took director Maria Speth years to research, six months to shoot, and another three years to edit.
Young Europeans' swerve toward the right and far right gets another movie thrown at it with the premiere of Je Suis Karl, from German director Christian Schwochow (November Child, Cracks in the Shell).
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Not long into I'm Your Man, Dan Stevens' character, a genial android named Tom, arranges a perfectly contrived combination of romantic clichés for his would-be partner, Alma. The rose petals are "artfully" strewn, the candles flicker, and flutes of bubbly are ready for sipping beside the bubble-filled tub.
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The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.
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Toward the end of Tina, the revealing documentary tribute by Dan Lindsay and T.J. Martin for HBO, Tina Turner is seen in an extended concert clip performing the Beatles' "Help" as a decelerated ballad — intimate, melancholy and full of feeling.