1960s Soho, London comes back to life in Edgar Wright’s Last Night in Soho. You can’t visit without paying a price though, as Eloise (Thomasin McKenzie) finds out in the period psychological thriller.
10.12.2021 - 23:47 / deadline.com
Editors note: Deadline’s Read the Screenplay series returns to exclusively reveal the scripts of films that will be factors in this year’s movie awards race.
Maggie Gyllenhaal made her directorial debut with The Lost Daughter, the adaptation of pseudonymous Italian author Elena Ferrante’s 2006 novel. Gyllenhaal, an Oscar-nominated actress, also adapted the screenplay and did not pull punches with the book’s provocative material. She has already been awarded for the feat, taking the Best
1960s Soho, London comes back to life in Edgar Wright’s Last Night in Soho. You can’t visit without paying a price though, as Eloise (Thomasin McKenzie) finds out in the period psychological thriller.
Lisa Taddeo Guest ColumnistFor Variety‘s Writers on Writers, Lisa Taddeo pays tribute to “The Lost Daughter” (screenplay by Maggie Gyllenhaal; based on the novel by Elena Ferrante).Since my own child was born, I must often. Pause.
Based on Elena Ferrante‘s book of the same name, Maggie Gyllenhaal‘s terrific directorial debut, the Gotham Award-winning film “The Lost Daughter” is about a woman’s beach vacation in Greece, which takes a dark turn when her obsession with a young mother forces her to confront the secrets of her past. The movie uncovers the complex notions of guilt and resentment that can build up when confronting how motherhood is all-consuming.
Olivia Colman (The Night Manager, The Crown) has already more than secured her reputation as one of the best drama actors the UK has ever produced.
,” she said about parents on a recent appearance on The Late Show. “They also want to have a drink sometimes, and they also want a night with their husband or wife, and they also want to work, and they want many things like we do.”She added: “I love my children, but it’s a very complicated experience.
Motherhood. It’s such a rich subject for art to ponder, you’d think we’d have already seen every kind of mother onscreen.But actually we haven’t.
Thelma Adams In many of 2021’s screenplay contenders, motherhood is laid bare in all of its thorny reality.
Maggie Gyllenhaal is opening up about what it is like to direct your spouse in a sex scene.
Maggie Gyllenhaal suits up for an appearance on The View in New York City on Wednesday (December 15).
Olivia Wilde is getting all the details about The Lost Daughter from Maggie Gyllenhaal!
The Associated Press’ film writers picks for best movies of 2021:
The Associated Press' film writers picks for best movies of 2021:LINDSEY BAHR:1. “The Lost Daughter”: There’s an element of danger, real and theoretical, permeating every moment of Maggie Gyllenhaal’s electric adaptation of the Elena Ferrante novel.
Maggie Gyllenhaal makes a speech on stage while being honored at the 2021 SFFILM Awards Night at Yerba Buena Center for the Arts on Monday night (December 6) in San Francisco, Calif.
Dakota Johnson is all smiles while heading into Deadline’s Contenders Event on Saturday morning (December 4) in New York City.
The Lost Daughter filmmaker Maggie Gyllenhaal and actress Dakota Johnson were attracted to the hard, often unattractive truths — particularly about motherhood — that too often go unexplored in cultural conversation that the film explores.
Maggie Gyllenhaal and Peter Saarsgard brought an important guest to the Gotham Awards on Monday night. The longtime couple was joined by their 15-year-old daughter, Ramona, at the annual awards show, which was held at Cipriani Wall Street. The teen looked chic in a black dress with lace embellishments, while her famous mom wore a gold sequin Rodarte dress and her dad looked dapper in a black suit.