EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destinyis posting an estimated $6M-$7.5M Thursday night per sources, which is where previous older skewing action guy comps live.
16.06.2023 - 05:05 / deadline.com
EXCLUSIVE: Warner Bros./DC’s The Flashper box office sources is playing like a deeper universe superhero movie with around $9M in Thursday night previews which began at 3PM. While the pic’s critical score on Rotten Tomatoes has fallen to 67% fresh from 71% fresh, audiences are enjoying it more at 88%. That’s a good sign.
Already tonight, Warner Bros is celebrating before Flash‘s final Monday grosses: DC co-chief James Gunn and Peter Safran christened Flash director Andy Muschietti the official helmer of their future Batman reboot, The Brave and the Bold, while Warner Bros. Motion Picture Group and Television inked a multi-year pact with the Argentinian filmmaker and his sister producer Barbara Muschietti.
Flash‘s Thursday is in the vicinity of such preview nights as Sony/Marvel’s Venom ($10M), Marvel’s Doctor Strange ($9.4M), DC’s Aquaman ($9M excluding paid sneaks), yet above Marvel’s Ant-Man ($6.4M).
Wonder Woman did $11M on her Thursday night. But remember that was a long-awaited big DC superhero that female moviegoers were craving for, not to mention it had the big media wattage of Gal Gadot who was everywhere. Flash is in a very different situation: its star Ezra Miller literally just made his big PR debut for the film on Monday, four days before opening, at the Hollywood premiere; the actor kept largely out of the $200M pic’s promo machine given his tabloid history over the last year-plus. Also The Flash cast hasn’t been able to make a splash on late night TV since those shows are dark due to the WGA Strike.
The weekend outlook for Flash is between $70M-$75M, however, if it emulates the gross patterns of Doctor Strange and Venom, with tonight repping around 30% of its complete Friday+previews, then the
EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destinyis posting an estimated $6M-$7.5M Thursday night per sources, which is where previous older skewing action guy comps live.
Apple TV+ has unveiled several first-look photos and set the premiere date for Season 3 of The Morning Show. The 10-episode third season will debut Wednesday, September 13, with the first two episodes.
The Super Mario Bros. Movie” and “Guardians of the Galaxy Vol. 3” have generated massive business, the kind that would have been impressive in pre-COVID times. And movies like “Cocaine Bear,” “Scream VI” and “Evil Dead Rise” have been solid mid-budget hits, selling tickets in the spring and winter months when cinemas are hustling to keep seats filled. Overall, the domestic box office stands at $4.35 billion, a 20.7% improvement over where ticket sales clocked in at the same point in the pandemic-blighted 2022, according to Comscore. So things are getting better, and there are several promising films on the horizon such as “Mission: Impossible – Dead Reckoning Part One” and “Barbie” that could prove to be big summer hits.
Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” swung back to pole position atop the U.K. and Ireland box office, dethroning Warner Bros.’ “The Flash” in the process. In its fourth weekend, “Spider-Man: Across The Spider-Verse” collected £1.99 million ($2.5 million) for a total of £23.4 million, according to numbers from Comscore. In its second weekend, “The Flash” took £1.3 million for a total of £6.7 million. Sony’s “No Hard Feelings” bowed in third place with £1.18 million, while Universal’s “Asteroid City” debuted close behind in fourth position with £1.17 million.
As the summer season shines onto the box office, movie grosses don’t match what they used to be in seasons past.
Refresh for latest...: After two major studio movies bowed last weekend, this session was one of holdovers for Hollywood with mixed results.
our box office analysis last week of the struggles of “The Flash” and Disney/Pixar’s “Elemental,” the DC film suffered from multiple problems, including tepid word-of-mouth upon release, the deep disinterest among casual audiences in DC given its impending reboot, and lead star Ezra Miller’s public scandals, which left Warner Bros. unable to build a marketing campaign around the actor playing the film’s title star like most superhero films.
according to IMDB’s Box Office Mojo.The Jennifer Lawrence-led flick centers around a 32-year-old bartender and Uber driver who accepts a job to date a 19-year-old from a Craigslist ad created by his parents.Rolling Stone said the A-List actress is “easily the best thing in this comedy about a woman hired to ‘date’ a shy high school senior — yet not even foul-mouthed, no-filter J-Law can save this mess.”“Spider-Man: Across the Spider-Verse” crawled up to second place after being in third last week, earning 5.7 million. There was buzz from fans that a sequel to the flick would be released in March, but that rumor was dispelled from an anonymous artist who worked on the movie.“There’s no way that movie’s coming out then,” the employee dished to Vulture.“Everyone’s been fully focused on Across the Spider-Verse and barely crossing the finish line.
Sony’s mission to return comedy to the big screen with the R-rated Jennifer Lawrence movie No Hard Feelings began Thursday, when the film grossed $2.15 million from showtimes that began at 4 p.m. at 2,745 locations. The pic hopes to do around $12M this weekend in what will be second session where Warner Bros’ misfire The Flash hopes not take a -70% tumble. At the low end that’s $16.5M. A good hold will be off 55% to north of $24M.
Daniel Craig famously portrayed the role of James Bond, aka 007, in the last few James Bond movies.
Ben Croll The walls of Barcelona’s international convention center might soon rattle once the 4,000 European exhibitors, suppliers and service providers in town for the CineEurope trade show breathe out a collective sigh of relief. At the root of such succor are Europe’s more than encouraging box-office admissions, which saw a marked uptick in late 2022 and have continued to rise into the new year. “I think this edition will be very much about celebrating because 2022 was a much better year than 2021,” says Laura Houlgatte, CEO of the Intl. Union of Cinemas (UNIC), which tends to the needs of cinema trade associations and exhibitors across the old continent. “[What’s more] the numbers for the first quarter of 2023 have left everyone in a very good mood.”
The Flash is currently No. 1 at the box office, although the numbers are not quite matching expectations.
The Post noted in a review that called the flick “solidly entertaining.”The film is tracking to open in the $70 million range over the long Father’s Day and Juneteenth weekend, according to The Hollywood Reporter.Next in line was Pixar’s new animated adventure film “Elemental,” which grossed $11.8 million in its opening night on Friday. It could end up being Pixar’s lowest debut, wrote the blog Slashfilm.The family flick is set in a New York-esque metropolis inhabited by anthropomorphic wind, water, fire and Earth citizens, and is sweet but underwhelming, said The Post.“Spider-Man: Across the Spider-Verse” took third in the box office, raking in $8.1 million.
“The Flash” is raking it in at the box office.
The Flash” got off to a slow start in its domestic box office sprint, earning $9.7 million in Thursday previews. That’s barely more than the $8.9 million earned by “Transformers: Rise of the Beasts” last weekend and only a bit more than the $7.5 million and $7.6 million earned by “Black Adam” and “Fast X” respectively in their Thursday preview runs.
Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are appearing in pockets of the world all the time and it can be hard to keep track… So, we’re going to do the hard work for you.
Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” led the U.K. and Ireland box office for the second consecutive weekend with £4 million ($5.1 million), according to numbers from Comscore. The web-slinging animation now has a total of £16.2 million. Paramount’s “Transformers: Rise Of The Beasts” debuted in second place with a healthy £2.9 million. In its third weekend, in second position, Disney’s “The Little Mermaid” collected £2.1 million for a total of £19.9 million. In fourth place, another Disney title, “Guardians Of The Galaxy Vol 3” earned £511,837 in its sixth weekend for a total of £35.5 million. Rounding off the top five in its fourth weekend was Universal’s “Fast X” with £475,640 and a total of £14.2 million.
“Transformers: Rise of the Beasts” stormed into theatres worldwide this weekend, amassing a staggering $110 million at the international box office.
according to IMDB’s Box Office Mojo.The flick, which The Post called “another annoying robo-flop,” is expected to see an over $100 million international debut, according to Deadline.It dethroned “Spider-Man: Across the Spider-Verse,” which brought in $16.6 million, after holding the No. 1 spot on its opener last weekend.Eagle-eared fans reported sound problems with the computer-animated movie, and Sony promptly sent a new version to theaters, according to Variety.“The Little Mermaid” swam down a notch to third place, raking in just over $6.8 million in sales.
“Transformers: Rise of the Beasts” began its domestic box office sprint on Thursday with $8.8 million in preview screening grosses. That is on par with (sans inflation) the $8.8 million earned via Tuesday previews for “Transformers: The Last Knight” in June of 2017 and the $8.75 million Thursday preview gross of “Transformers: Age of Extinction” in 2014.