‘Elemental’ Shows Spark Overseas, ‘The Flash’ Crosses $200M WW; ‘Little Mermaid’ Nears $500M & China Is ‘Lost In The Stars’ – International Box Office

Prince Harry and Meghan Markle were spotted putting on a united front as they emerged in public, after it was confirmed they have vacated their UK home.

the saga of the wandering Asian elephants in 2020 and 2021, while exploring the rarely-seen world of Yunnan, China. The 90-minute film, shot with Imax cameras and slated for release across the Imax network in 2024, is currently in production in China.

Patrick Frater Asia Bureau Chief Production is now under way on “The Elephant Odyssey,” a major wildlife documentary film that will release in Imax theaters next year. The film, directed by Alice Gu, chronicles the highly unusual trek by a herd of elephants in China that began in early 2020. As the group diverted from their usual habitat and marched over 1,000 km (600 miles) across remote Yunnan Province they attracted global attention, including live-streamed drone footage. They raided grain stores, indulged in impromptu village feasts and messy mud fights, and even gave birth while on the road. Reasons for the herd’s 18-month trek are unclear, with wildlife experts variously pointing to climate change and the failure of conservation efforts.

K.J. Yossman Louis Theroux will deliver this year’s James MacTaggart memorial lecture, the flagship address at the Edinburgh TV Festival. The documentary maker, who also founded unscripted production company Mindhouse in 2019, has examined everything from Scientology to porn to neo-Nazis in his films. He has also turned his hand to social media, podcasting and streaming. Theroux will address the challenges broadcasters face in today’s “multi-platform universe,” how he has maintained longevity after a quarter of a century in the broadcasting industry and the pros and cons of the tech revolution we are all living through.

Netta is back, and it’s “Everything”!

Cynthia Littleton Business Editor How do you make money in the emerging creator economy? Who better to answer this question than street-level entrepreneurs who were on duty working the show floor and environs on June 22 at Vidcon, fan convention for creators and influencers held annually in Anaheim, Calif. If you’re going to hawk a product or service all day at a convention, you’d better master the 60-second pitch. The seven street-level entrepreneurs who spoke to Variety‘s for this week’s “Strictly Business” podcast offered insights into where the opportunity is and where the market is heading for creators and influencers who aim to ply their trade largely virtually via social, streaming and e-commerce platforms. The companies represented are involved in distribution, technology and visual effects, e-commerce, marketing and promotion and matchmaking between brands and influencers.

As the summer season shines onto the box office, movie grosses don’t match what they used to be in seasons past.

Rebecca Rubin Film and Media Reporter “The Flash” continues to stumble at the box office, collecting $26.6 million from 78 international territories over the weekend and bringing its overseas tally to just $123.3 million. The Warner Bros. comic book movie, starring Ezra Miller as the eponymous, timeline-spanning speedster, has grossed $210.9 million globally, including a lousy $87 million at the domestic box office. It’s far less than what a film of its size and scope — it cost $200 million to make and another $100 million to market — needs to break even in its theatrical run. China is leading the foreign territories with a lackluster $23.6 million followed by Mexico with $14.4 million and the United Kingdom with $8.5 million.

Rebecca Rubin Film and Media Reporter In another universe, “The Flash,” once touted by its own studio as “one of the greatest superhero movies of all time,” would be towering over the box office with ease in its second weekend of release. But in this universe, audiences are flat-out rejecting the Warner Bros. movie, starring Ezra Miller as the eponymous, timeline-spanning speedster. Rather than taking a victory lap, the comic book adventure is cratering in third place with $15.3 million from 4,265 North American theaters, marking a brutal 73% decline from its unimpressive $55 million debut. That’s a far bigger drop than recent DC adaptations, including “Black Adam” (59%) and “Shazam: Fury of the Gods” (69%), which ended up as huge money losers for the studio.

Nick Vivarelli International Correspondent The Filming ItalySardegna Festival that kicks off Italy’s summer moviegoing season will play a prominent role in the ongoing push to lure Italians back into movie theaters, just as the country’s box office is starting to gain traction.    A robust roster of talents from Hollywood and Italy and a solid lineup of premieres are booked for this event, which combines film and TV and unspools June 22-25 in the Forte Village resort near Cagliari, capital of Sardegna (Sardinia in English). The fest is set to take place just as the Italian government starts to invest €20 million ($22 million) to promote moviegoing through a campaign called Cinema Revolution, under which cinema tickets will be half-price for a limited time. 

Ryan Murphy is responding allegations.

Joe Otterson TV Reporter As WGA pickets continue to mobilize at the remaining TV shows in both New York and Los Angeles, at least one Ryan Murphy-produced show was the focus of striking writers’ efforts on Wednesday: “American Horror Story: Delicate.” The show is currently shooting on 52nd street in Manhattan, according to several WGA East member Twitter feeds — including one person who posted video of star Kim Kardashian entering the production. “It doesn’t appear that @KimKardashian is a friend of the labor movement. She just now crossed our picket line to work on Ryan Murphy’s @AHSFX Hamptons, shooting here on 52nd in NYC,” wrote “The Blacklist” exec producer and WGA strike captain T Cooper on his Twitter account.

Rebecca Rubin Film and Media Reporter “Spider-Man: Across the Spider-Verse” has notched another box office milestone, crossing $500 million globally. So far, Sony’s animated comic book sequel has grossed $290.4 million in North America and $215.9 million internationally, which brings its worldwide tally to a mighty $506.3 million. It currently stands as the third-highest grossing domestic release of the year, behind Universal’s “The Super Mario Bros. Movie” ($572 million) and Disney’s “Guardians of the Galaxy Vol. 3” ($345 million). And it’s the fourth-biggest global release following “Mario” ($1.3 billion), “Guardians” ($822 million) and “Fast X” ($679 million). “Across the Spider-Verse” opened on June 2, collecting a huge $120 million during its first weekend in theaters. Despite competition from “Transformers: Rise of the Beasts,” another comic book adventure “The Flash” and Pixar’s animated “Elemental,” the second “Spider-Verse” remained a huge draw at the movies and even managed to surpass the entire run of its 2018 predecessor, “Into the Spider-Verse” ($384 million), after just 12 days of release.

Rebecca Rubin Film and Media Reporter Can an R-rated comedy that draws big laughs still bring in outsized ticket sales at the box office? Jennifer Lawrence’s “No Hard Feelings” will put that question to the test as the raunchy funny film opens over the weekend in 3,000 North American theaters, where it’s expected to earn a tepid $12 million in its debut. That’s not a terrible result at a time in which theatrical comedies, especially of the R-rated variety, have become something of endangered species. But it also wouldn’t be a great start considering its star power, $45 million budget and prime June release date. Earlier this year, Universal’s wild R-rated “Cocaine Bear” opened to $23.2 million — and (with all due respect to the drugged-up grizzly) that film wasn’t headlined by one of the biggest names in Hollywood.

Jazz Tangcay Artisans Editor Composer Sherri Chung admits she was late to the “Gremlins” party — only because she was too young and found it too scary. But when she grew older and was reintroduced to the movie, she thought “it was the greatest thing ever.” The 1984 film, as well as Jerry Goldsmith’s score, became a key inspiration for her. So when she got the opportunity to score Max’s new animated series “Gremlins: Secret of the Mogwai,” directed by Tze Chun, she decided to “lean into the scary and the fear, but also the emotion” with her music. The series is an origin story that gives a partial explanation as to how Gizmo ends up in a Chinatown antique store at the beginning of 1984’s “Gremlins.” To add a Chinese element to the score, Chung used bamboo flutes, but the meat of the score came from the erhu, a two-stringed bowed musical instrument sometimes referred to as the “Chinese violin.”

Naman Ramachandran Warner Bros.’ superhero film “The Flash” debuted atop the U.K. and Ireland box office with £4.2 million ($5.4 million), according to numbers released by Comscore. In second place, in its third weekend, Sony’s “Spider-Man: Across The Spider-Verse” swung to £2.6 million for a total of £20.3 million. In third position in its fourth weekend, Disney’s “The Little Mermaid” earned £1.3 million and now has a splashy £22 million total. Paramount’s “Transformers: Rise Of The Beasts” collected £1.1 million in fourth place in its second weekend for a total of £4.99 million. Elysian’s “Greatest Days” debuted in fifth position with £536,955.

Kevin Mayer and Tom Staggs’ Candle Media has struck a partnership with TikTok, with an initial focus on Reese Witherspoon’s Hello Sunshine to uncover underrepresented independent authors and literary material from the #BookTok community.

DC and Warner Bros.’ long-in-the-works superhero movie “The Flash” opened to $55 million in its first three days in North American theatres, according to studio estimates on Sunday.

Patrick Frater Asia Bureau Chief Warner Bros.’s “The Flash” and Disney/Pixar’s “Elemental” made theatrical debuts in China that were in line with their soft starts in North America and other international territories. “The Flash” captured the top spot in China with a $13.4 million (RMB94.8 million) opening weekend ($13.8 million including previews), according to data from consultancy Artisan Gateway. It deposed “Transformers: Rise of the Beasts” which opened a week earlier and which slipped to second place in its sophomore frame. “Transformers” took a 69% fall and recorded $12.4 million between Friday and Sunday in China. That produces a $61.7 million cumulative after ten days in Chinese theaters.

Rebecca Rubin Film and Media Reporter After struggling at the domestic box office, this weekend’s two major releases — the Warner Bros. superhero adaptation “The Flash” and Disney’s Pixar adventure “Elemental” — failed to catch fire with international audiences. “The Flash” pulled in $75 million in its international box office debut, which doesn’t sound all that bad… except when considering the movie is available in 78 overseas markets. That means it failed to hit $1 million in the vast majority of the territories in play. China led the way with a lackluster $13.8 million, followed by Mexico with $9.4 million, the United Kingdom with $5.3 million, Korea with $3.7 million and Brazil with $3.5 million.