‘The Exorcist: Believer’ Scares Up Top Spot at U.K., Ireland Box Office

Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the day-and-date Peacock bow. Overseas, the play is purely theatrical and has set a number of records.

The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday.

Shrek premiered in 2001 and created a legacy that still exists in 2023. The first movie launched a mega-successful franchise fronted by some of the industry’s most beloved actors.

EXCLUSIVE: Lionsgate and Francis Lawrence’s return to the Suzanne Collins franchise with a pic based on her prequel novel is looking like a $50M start on Nov. 17, which is in the vicinity of 2011’s Rise of the Planet of the Apes ($54.8M). While women 17-34 are indeed the hot demo for The Hunger Games: The Ballad of Songbirds and Snakes, it’s not excessively female as there is interest from males as well. The pic cost around $100M.

Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat.

Gene Maddaus Senior Media Writer Four CEOs are set to return to SAG-AFTRA headquarters on Tuesday with a new offer that they hope will break the stalemate in the 102-day actors strike. Among them will be Disney’s Bob Iger, who called SAG-AFTRA’s top negotiator, Duncan Crabtree-Ireland, on Saturday to invite the actors back to the bargaining table. The CEOs — who also include David Zaslav of Warner Bros.

There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.

Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.

Patrick Frater Asia Bureau Chief “Only the River Flows,” a pitch-black crime noir from auteur Wei Shujun, comfortably topped the mainland China box office on a quietish weekend. The film, ostensibly a murder mystery, but one concerned more with atmosphere than linear plotting, earned $12.6 million (RMB90.8 million) in its opening three days, according to data from consultancy Artisan Gateway, or close to a third of the market. The film had its premiere in Cannes where Variety gave it a rave review, calling it an “inventive riff on Asian-noir” and making comparisons with films by Park Chan-wook and Diao Yinan. “Only the River Flows” has since played at a succession of festivals ever since, including New Zealand, BFI London, Vancouver, Adelaide and last week’s Pingyao event in China. Falling to second place at the box office after three weeks on top was Zhang Yimou’s “Under the Light,” which earned $6.9 million for a four-weekend cumulative of $176 million. Chen Kaige’s war, propaganda film “The Volunteers: To the War” earned $5.3 million in third place.

Leonardo DiCaprio may be an Oscar-winning actor, but you just can’t deny Taylor Swift’s fandom.

Taylor Swift: The Eras Tour” reigned supreme in theaters for the second Friday in a row, earning $10.4 million, according to IMDB’s Box Office Mojo.After her negotiations with movie studios failed, the songstress struck an unprecedented agreement with AMC Theatres for its distribution.Some fans told The Post that they are getting reprimanded by fellow Swifties and theater employees for singing and dancing while watching the movie. Swift managed to beat out Martin Scorsese’s “Killers of the Flower Moon,” which saw sales of $9.4 million on Friday, its opening night.

Merrily We Roll Along, the Sondheim revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, cemented its place among Broadway’s top earners during its opening week, grossing $1,706,962, filling all seats at the Hudson and securing the highest average ticket price with $220.88.

Naman Ramachandran Trafalgar Releasing’s concert film “Taylor Swift: The Eras Tour” was on song at the U.K. and Ireland box office, debuting at No. 1 with £5.7 million ($6.9 million), according to numbers from Comscore.

Taylor Swift seems set to do for the UK cinema industry what she has pulled off for the live entertainment industry, ie provide a much-needed cash injection.

EXCLUSIVE: There’s a reason why her last name is Swift.

Naman Ramachandran Monia Chokri’s “The Nature of Love” has been acquired for U.K. and Ireland distribution by Vertigo Releasing. The film stars Magalie Lépine Blondeau (“Heartbeats,” “Laurence Anyways”) and Pierre-Yves Cardinal (“Tom at the Farm,” “Mommy”).

Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in like-for-likes, the bow is above M3GAN, Evil Dead Rise, Scream VI and Smile. (As regards the latter, recall that it legged out with terrific holds, so the comparison may not stick down the line since scores on Believer are not good, and Taylor Swift is on deck.) 

A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/SF next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles (Borat, Seinfeld).

according to IMDB’s Box Office Mojo.The Post called the slasher flick — which stars Ellen Burstyn and Linda Blair reprising their roles from the original — “a dud” and “awful.”“PAW Patrol: The Mighty Movie” remained in second place with close to $2.9 million in sales.Kim Kardashian, who voiced the character Delores in the 2021 original, returned for the sequel and this time was joined by her two eldest children North and Saint West, who also lent their voices to characters.“Saw X,” which was in first place last week, came in third, earning $2.4 million. Sci-fi action thriller “The Creator,” which was in the number three spot last week, moved down a notch to fourth with a just over $1.7 million take.

Taylor Swift’s upcoming new ‘Eras’ tour film has broken more box office records this week.The upcoming film will play at ODEON and Vue cinemas across the UK and Europe starting October 13, the same day it is released in US cinemas via AMC. The concert film is expected to be available in more than 100 countries worldwide.Directed by Sam Wrench, the upcoming film is described as a “breathtaking, cinematic view” of Swift’s latest tour, which runs through her biggest hits and rarities across all ten of her studio albums.It’s now been revealed that the film has has already surpassed $100m (£82m) globally in advance ticket sales, with more than a week to go before it hits cinema screens across the world.According to the film’s official distributor, AMC Theatres, this total reflects all showtimes, locations and circuits that will be showing the movie, not just AMC (via The Independent).