‘The Clearing’ Review: Teresa Palmer & Miranda Otto Can’t Save An Underwhelming Hulu TV Drama About Cults

Jamie Foxx’s hospitalisation, saying that the actor will share details about the incident “when he’s ready”.On April 12, Foxx’s daughter Corinne confirmed her father was in recovery in Atlanta after suffering a “medical complication”. A month later, in response to growing speculation, Corinne posted that Foxx had been out of hospital “for weeks” and was “recuperating”.Due to Foxx’s hospitalisation, Cannon was announced as the replacement host on game show Beat Shazam for its sixth season, which began on May 23.Speaking on ExtraTV about taking over as host, Cannon said he received both Corinne and her father’s “blessing” to host the show.“One thing I’ve always respected about how Jamie’s moved throughout his entire career, if you’ve noticed, he’s always been somebody who is extremely professional and extremely private,” Cannon said.

Nick Vivarelli International Correspondent Marco Bellocchio’s drama “Kidnapped” that reconstructs the true tale of a Jewish boy who was kidnapped and forcibly raised as a Christian in 19th century Rome, has opened strongly in Italy following its Cannes launch. The revered Italian auteur’s film about Edgardo Mortara, who in 1858 was taken away from his family in Bologna to live in the Vatican – after it surfaced that the boy secretly been baptized a Christian – has also sparked debate and prompted the Vatican to comment the abduction for which Pope Pius IX has been held responsible. “Kidnapped” over the weekend bowed in third place at the Italian box office, placing itself after “The Little Mermaid” and “Fast X” and pulling a handsome more than €550,000 ($587,000) intake to date from roughly 300 screens.

EXCLUSIVE: In a competitive situation, Australian actor James Mackay has signed with Elevate Entertainment.

As we approach the long-awaited release of “The Flash,” the discussion about Ezra Miller and their abuse allegations and legal issues has not really died down. Though people are praising Miller’s performance in the film, there are still plenty of folks wondering if the actor is going to stay in the lead role if the character continues in the DCU under James Gunn and Peter Safran.

Chinese author Yu Hua is no stranger to Cannes. The famed postmodernist writer’s work first graced the silver screens of the Palais back in 1994 with director Zhang Yimou’s masterclass adaptation of his seminal novel, “To Live.” A searing portrait of a single family’s struggle through China’s mid-century upheaval and the Cultural Revolution, “To Live” would go on to win the festival’s coveted Grand Prix award, Prize of the Ecumenical Jury, and the Best Actor Award.

The Clearing, the actress took little convincing to take on the part – despite the dark subject matter and the disturbing places it would take her.“I was completely riveted by the world that they set up,” Palmer tells WHO over Zoom from her home in LA.WATCH: The Clearing Official Teaser | Disney The opportunity to work back in Australia with a stellar cast and crew of women was also a big drawcard for the podcaster, author, and mother to four young children – Bodhi, 9, Forest, 7, Poet, 4, and Prairie, 1 – with her husband, actor and director Mark Webber, who has a son Isaac, 15, from a previous relationship.The shoot for The Clearing turned out to be as rewarding as it was taxing. As WHO discovered during our chat, multitasking (she breastfed during the interview), mummy time and the support from her family is the key to making it work.You’re extremely busy, not only with your family but all the other projects you have. How do you manage it all?I’m exhausted, honestly.

Bhagwan Shree Rajneesh] cult in the ’80s, when I was a really little kid. So, when they said this role was to play a cult leader, I thought that would be a real challenge.”“The Clearing,” based on a novel by JP Pomare, is a fictional story that’s partly based on the real-life Australian cult The Family, which operated from the 1960s through the 1980s.In the show, the group is called The Kindred and is led by Adrienne (Otto), who considers herself to be “the mother” of a large group of kidnapped blond children. Adrienne rarely gets her hands dirty and has adult minions, including Tamsin (Kate Mulvany), who abduct and discipline the children on her behalf. She’s also helped by her friend, Dr.

Warwick Thornton is no stranger to La Croisette. His debut feature, “Samson and Delilah,” won the Camera d’Or at the 2009 Cannes Film Festival, where his latest feature, “The New Boy,” just had its premiere.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch “The New Boy” never gives its protagonist, the titular New Boy, a name.

Kaouther Ben Hania’s powerful drama “Four Daughters” which mixes documentary and fiction to tell the story of Tunisian mother whose two elder daughters joined ISIS is scoring a slew of sales following its well-received Cannes competition premiere. French company The Party Films Sales has sealed deals on “Four Daughters” for: Benelux (Cineart); Spain (Caramel Films); Italy (I Wonder); Switzerland (Trigon); Sweden (Triart); Denmark (Camera Film); Norway (Arthaus); Finland (Cinemanse); Poland (New Horizons); Greece (Ama Films); former Yougoslavia (Discovery) and Turkey (Bir Film). Rights to the film for multiple other territories are under negotiations, the company said.

Wes Anderson is a genre; one of decorative embellishment, ornamental whimsy, baroque fantasy, and symmetrical precision. It wasn’t always this way, and it’s also not just superficial embroidery.

Disney’s live-action “The Little Mermaid” — the highly anticipated and revamped musical starring Halle Bailey — is finally here to take us back under the sea. The music by Oscar-winner Alan Menken that made the first one a hit is also back, but these songs have been rewritten for the live version with help from Lin-Manuel Miranda.

adapted from David Grann’s book of the same name — is set in Oklahoma during the 1920s and depicts the serial murders of members of the oil-wealthy Osage Nation, which was later dubbed the Reign of Terror and led to the formation of the FBI. The Post reached out to Scorsese for comment.“It’s taken its time to come around, but Apple did so great by us, shooting out there … there was lots of grass — I’m a New Yorker,” said the “Goodfellas” director in a post-film speech.

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

I am still searching for my words; my thoughts first ran dry in the opening minutes of the shattering and evocative “Killers of the Flower Moon.” It begins with the Osage tribal elders mourning the loss of their language and customs as they bury a sacred pipe. The scene breaks, next revealing these Indigenous folks — forcibly moved from Missouri to present-day Oklahoma (thought to be terrible, barren land) — discovering oil as psychedelic music erupts with the splash of the black liquid.

In Jean-Stéphane Sauvaire’s “Black Flies,” silence is as scarce a commodity as hope. Young first responder Ollie Cross (Tye Sheridan) learns very early on that the job comes with two partners: the one sitting next to you and the relentless cacophony of sounds that cut through the vastness of night as shears.

A few seconds before the world premiere of Sean Price Williams’ directorial debut “The Sweet East,” the names of Josh and Benny Safdie rolled on the screen as part of the Directors’ Fortnight vignette.

At its best moments, the extremely straightforward construction of Cédric Kahn’s “The Goldman Case” allows for fascinating dynamics and images to occur apparently unforced, as if by themselves, for the viewer to seize on their own. The film, which has just opened the Directors’ Fortnight section of this year’s Cannes Film Festival, is refreshing for this bared-down, almost documentary-like approach — especially because it focuses on an incredibly complex man who needs all the space he can get to show everything that he is, in all his apparent contradictions.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch This revelation takes place progressively, over the course of the almost surgically precise and aggressive trial that takes up most of the film’s runtime.

Speaking on her decision to bring the story of chief royal mistress Jeanne du Barry to screen, French actress and director Maïwenn said the figure of the Countess seduced her because she is a “magnificent loser,” adding that the allure might have a thing or two to the similarities they share. And, after watching Cannes opener “Jeanne du Barry,” it is easy to see why the controversial director identifies with her heroine.

Brie Larson seemed to dodge questions surrounding this year’s Cannes Film Festival opening with the Johnny Depp-led film “Jeanne du Barry”.