The Best Vibrators, Tested & Reviewed 2024

Siddhant Adlakha Nishtha Jain‘s “Farming the Revolution” — winner of the best international feature documentary prize at Hot Docs — captures the vast emotional scope of revolutionary movements. Chronicling the lengthy stand-off between Indian farmers and the Modi government, during which tens of thousands of Sikh and Punjabi farm workers occupied highways and state borders, the film is remarkable in its audio-visual inquiry into protest as a cultural movement, and in its excavation of the emotional highs and lows involved in making lasting change.

Todd Gilchrist editorFor a writer, signing on to “Planet of the Apes” is less an assignment than a calling. After all, it’s the longest-running science-fiction series in film history.

Alex Ritman Writer-director S. Craig Zahler (“Bone Tomahawk”) is set to reunite with his “Dragged Across Concrete” and “Brawl in Cell Block 99” star Vince Vaughn and Oscar winner Adrien Brody (“The Pianist”) for upcoming crime thriller “The Bookie & the Bruiser.” Anton will introduce the film to international distributors at the upcoming Marche du Film in Cannes. UTA Independent Film Group and Range Media Partners arranged the financing and will be representing the North American distribution rights.

Rebecca Rubin Senior Film and Media Reporter Primates will rule (the box office) again! Disney’s “Kingdom of the Planet of the Apes” is aiming for $50 million to $55 million from 3,700 theaters in its domestic debut, which will easily be enough to tower over the box office chart. Those ticket sales are roughly even with two of the three prior installments in 20th Century’s rebooted “Planet of the Apes” franchise: 2017’s “War for the Planet of the Apes” opened to $56.2 million and 2011’s “Rise of the Planet of the Apes” opened to $54.8 million, while 2014’s “Dawn of the Planet of the Apes” notched a series-best $72 million.

EXCLUSIVE: The Latino Film Institute has set its lineup for the 23rd Los Angeles Latino International Film Festival, which will take place from May 29th through June 2nd at the TCL Chinese Theatres in Hollywood.

Alex Salmond’s company fell into the red for the first time after it was formed nine years ago.

Patrick Frater Asia Bureau Chief Chinese filmmaker Zhang Yimou this week made his first-ever trip to the Far East Film Festival in Italy’s Udine, and appeared to fall in love with the theatrical and festival experience all over again. At a masterclass on Thursday morning, Zhang spoke of his filmmaking techniques and priorities, his enduring quest for the human touch and why not all films need to be masterpieces.

Patrick Frater Asia Bureau Chief Prolific Philippines-based Epicmedia Productions has come on board “The Passport,” a Malaysian coming of age story about a Tamil family and their punk rock daughter. Production is by Malaysia’s Sixtymac Pictures. Currently at financing stage, the project will mark the directing debut of Ananth Subramaniam, whose short films have played at BiFan and Fantasia, and whose works explore his Tamil-ancestral identity and family within the context of a multi-layered genre.

Naman Ramachandran Eminent Indian documentarian Nishtha Jain’s latest effort is an account of the epic, year-long farmers’ protest that took place in India in 2020-21. “Farming the Revolution,” which world premieres at Hot Docs, follows the millions of Indian farmers who gathered during the height of COVID-19 lockdown at the borders of the country’s capital, Delhi, to protest against newly enacted farm laws. The farmers believed that if implemented, these laws would negatively impact the government-protected farmers’ markets, leaving them to the vagaries of the free market.

Naman Ramachandran International documentary marketplace Sunny Side of the Doc has revealed the 42 projects from 21 countries that make up the official selection for its 2024 edition. As always, the projects are topical and eclectic, ranging from Helene Lam Trong’s “Inside Gaza,” that tells the inside story of the ongoing conflict in the region; to Francois-Xavier Destors’ “Edgar Hilsenrath The Masturbator,” an animated documentary journeying through the transgressive world of Edgar Hilsenrath, the first German-Jewish writer and Holocaust survivor who dared to laugh at death.

Addie Morfoot Contributor The 31st edition of Canada’s influential Hot Docs Film Festival, which gets underway Thursday, could very well be the last. For the past month, the Toronto festival, one of North America’s largest dedicated to documentaries, has been roiled by staff and funding turmoil. On March 25, artistic director Hussain Currimbhoy and 10 of the fest’s programmers abruptly exited their posts.

FBI: International is having some major casting shakeups.

EXCLUSIVE: Rotterdam competition title Small Hours of the Night from Daniel Hui (Demons, Snakeskin) and SXSW premiere Adrianne & The Castle by Shannon Walsh (The Gig is Up, Illusions of Control) have landed international reputation via non-fiction agency Indox. 

EXCLUSIVE: Sunrise Films and Vertigo Releasing have acquired North American and UK distribution rights on the Danish horror-thriller The Girl in the Trunk. The film will be released on digital download across both territories on May 28. 

EXCLUSIVE: German-based TV event Seriencamp will return to Cologne in June and has a raft of key industry players signed up for its upcoming tenth edition.

The 21st Irish Film & Television Academy (IFTA) Awards, which highlight Irish filmmakers, television creators and performers, saw Pat Collins’ That They May Face The Rising Sun win Best Film in an upset. Despite earning a second-best 11 nominations, the top award was its only win.

Alex Ritman Cillian Murphy capped off his domination of awards season by claiming the top acting prize for film on home soil. The Oscar, BAFTA, Golden Globe and SAG award winner on Saturday night added perhaps a final statue to his flawless haul for Christopher Nolan’s “Oppenheimer,” when he was named best lead actor at the 21st Irish Film and TV Academy Awards.

Lise Pedersen “The Landscape and the Fury” by Switzerland’s Nicole Vögele took the Grand Jury Prize in the International Feature Film Competition at Swiss doc festival Visions du Réel on Friday. Shot on the Bosnian-Croatian border, which is also the European Union border, the film unveils the struggle of refugees being chased away by police and navigating a terrain still contaminated with mines from the Bosnian War.

Netflix Co-CEO Greg Peters says internal viewership data from before and after the implementation of paid password sharing shows the new policy has not turned off viewers, as some had initially predicted it would.

Lise Pedersen Two new cash prizes introduced this year in Swiss film festival Visions du Reel’s industry section, VdR-Industry, were among a flurry of awards handed out as the program wrapped in Nyon, Switzerland, on Wednesday. The Eurimages Co-production Development Award, created to promote the fund’s role in encouraging international co-production from the initial stages of a project, and which comes with a cash prize of €20,000 ($22,000), went to “The Last Days of the Hospital” by Mehran Tamadon (“My Worst Enemy,” “Bassidji”).