The 7th Annual MACRO Lodge At The Sundance Film Festival Reveals 2024 Schedule of Events

Daughters is Natalie Rae and Angela Patton’s odyssey documenting Patton’s program that empowers girls of incarcerated Men yields insight through the subjects themselves – carefree tweens enjoying their chance to just be kids.

Luther Vandross‘ voice was the soundtrack of many Black millennial childhoods. Personally, I would wake up every Sunday to church music followed by his hit single “Never Too Much” which still stops most people in their tracks to this day. In the documentary, Luther: Never Too Much, director Dawn Porter chronicles a his journey to stardom and how he manifested the career he desired.

Kieran Culkin is opening up about what was happening with Jesse Eisenberg at the 2024 Sundance Film Festival!

The 2024 Sundance Film Festival awards ceremony honoring the best of this year’s lineup in Park City is in progress right now at the Ray Theatre. Refresh frequently as the winners are announced.

Glen Powell is getting some very special support at the premiere of his new Netflix movie!

Angelique Jackson When basketball legend Sue Bird decided to let a team of filmmakers capture her final season after playing 21 years in the WNBA, she wasn’t entirely sure what to expect from watching her career be contextualized on film, but it turned out to be wonderful. “You play such a long time — so many different moments, so many different memories — and to have it now, in this one film is amazing,” Bird said, visiting the Variety Studio presented by Audible at the Sundance Film Festival.

Laura Chinn’s feature film writing and directing debut hits close to the heart – her heart especially – in a semi-autobiographical story set in 2005 and inspired by her own growing pains at a dark time in her family’s life as her brother is dying of cancer and moved unknowingly into what turned out to be the same nursing facility, Suncoast, where Terri Schiavo was also a patient.

Todd Gilchrist editor Although it isn’t structured any differently from dozens of other cradle-to-grave documentaries about artistic luminaries, “Luther: Never Too Much” sheds light on much more than just the life and career of R&B singer Luther Vandross. Drawn largely from interview and performance footage of Vandross over his almost 40 years in entertainment, and bolstered and contextualized by retrospective talks will collaborators and confidantes, director Dawn Porter’s film exposes some uneasy truths about the music industry and the media we may now know, but whose seeming ubiquitousness at the time he was alive may be difficult to fully comprehend.

Caroline Brew editor Lena Waithe, who is a juror at Sundance, believes the festival “really sets the tone for the year,” citing “Past Lives” as an example from last year. “Obviously, ‘Past Lives’ has done really well, surprisingly so to the business. It’s a quiet movie about home, friends, what would’ve happened if you would’ve stayed in one place versus going somewhere else,” Waithe said.

Rafa Sales Ross Guest Contributor Norwegian director Thea Hvistendahl’s zombie movie “Handling the Undead,” premiering at Sundance and to be released in the U.S. by Neon, sees the reunion of Renate Reinsve and Anders Danielsen Lie, the stars of Oscar-nominated “The Worst Person in the World,” in a poetic, visually-charged chronicling of a hot summer’s day in Oslo when the dead mysteriously come back to life.

Kobi Libii’s work on the sadly short-lived Comedy Central show “The Opposition with Jordan Klepper” always tended toward the confrontational. By donning the guise of right-wing media provocateurs, he highlighted the absurd internal contradictions of ideological hardliners.

In the realm of zombie-themed films, a genre often filled with clichés and predictable plot lines, Handling the Undead aims to stand out as something different.

Zack Sharf Digital News Director Justice Smith‘s career has taken him to the forefront of major Hollywood tentpoles such as “Dungeons & Dragons: Honor Among Thieves,” “Jurassic World: Fallen Kingdom” and “Pokémon: Detective Pikachu,” but it has never taken him to the Sundance Film Festival until now. The 28-year-old actor was one of five honorees at the Variety & Golden Globes Breakthrough Artists Party presented by Adobe, and earning a breakthrough artist award was “a really warm welcome” to the annual Park City event.

Saoirse Ronan is stepping out to promote her new movie.

Zack Sharf Digital News Director SPOILER ALERT: This story hints at a major cameo in the Sundance Film Festival premiere “Freaky Tales,” which debuted on opening night. Ryan Fleck and Anna Boden’s electrified the opening night of the 2024 Sundance Film Festival with “Freaky Tales,” a genre-driven anthology movie that tells four interconnected stories in 1987 Oakland, California. The movie is a return to indie filmmaking for Fleck and Boden, who made a name for themselves as the directors of indie hits like “Half Nelson” before they jumped into the Marvel Cinematic Universe with “Captain Marvel.” “It was great to come back to the indie film world in a lot of ways,” Boden said at the Variety Studio presented by Audible.

lifeless “Captain Marvel,” their latest movie has, um, flecks of the supernatural heroism and urban vigilante justice that we associate with the comic book genre. Running time: 106 minutes. Rated R (strong bloody violence, language throughout including slurs, sexual content and drug use).However, unlike many of those bland caped behemoths, “Freaky Tales,” which had its world premiere Thursday night at the Sundance Film Festival, also boasts enough forceful, nerdy personality to fill the San Francisco Bay.

“These are the tales, the freaky tales,” repeatedly intones Oakland rap legend Too $hort over the interstitials of writer and directors Ryan Fleck and Anna Boden’s “Freaky Tales.” This Bay Area anthology film takes its title from the over nine-minute song, which is itself an extended chronicle of prominent personalities the rapper encounters. While the directing duo occasionally approximates something wild in their headrush of 1987 nostalgia, they do not earn the second line of the rap.

, The Heart. The 25-year-old daughter of former president Barack Obama dressed the part of an indie filmmaker for the screening in a gray coat, pinstriped button-down, black jeans, cherry-colored leather Chelsea boots, and a skinny gray scarf for a look that feels very indie sleaze. Thin impractical scarves do seem to be for spring.

died of an accidental overdose last July. He was 25.His “Freaky Tales” co-star Jay Ellis took the stage of the Eccles Theater after the debut screening and recalled filming the finale fight scene with him.“My first day, as we went to go do the work at the house, I got to meet Pedro [Pascal], I got to meet Ben Mendelsohn and I got to meet Angus Cloud,” the actor said onstage, flanked by Pascal and Mendelsohn.“Rest in peace to Angus,” added Ellis, who plays Golden State Warrior Sleepy Floyd.

Steeped in what its audience might deem mature mythology, “The Pink Opaque,” a fantasy show aimed at teen audiences, comes on at 10:30 PM on the Young Adult Network every Saturday. Unfortunately for Owen (first played by Ian Foreman), a meek mixed-race middle school boy growing up in the 1990s, that’s past his strict bedtime.