TCM Creative Structure Set: Steven Spielberg, Martin Scorsese & Paul Thomas Anderson Taking Active Role; Exec Charles Tabesh To Remain

With the writers and actors on strike, well, who the hell knows what’s going on? You may not hear from any actors, writers, or hell, even directors who are not doing press in solidarity. So, in a bid to still continue making things interesting for you and for us, we’re reintroducing an old Flashback Friday or Throwback Thursday feature and just calling it “Flashback”: a fun excuse to highlight old interviews, old stories, classic movie stories and more.

Steven Spielberg predicted an “implosion” in the Hollywood film industry 10 years ago, whereby he warned of ticket price fluctuation as a result of failing blockbuster films.Speaking at the opening of a new media centre at the University of Southern California alongside George Lucas back in June 2013, the directors envisioned a world in which the failure of half a dozen $250million (£190million) movies could result in a dramatic ticket price variances.Spielberg told USC students (via Hollywood Reporter) that price increases could mean “you’re gonna have to pay $25 for the next Iron Man, you’re probably only going to have to pay $7 to see Lincoln”.He added that students were trying to enter the industry at a time when event more established directors struggled with getting commercial releases into cinemas, saying his Oscar-winning 2013 film Lincoln came “this close” to premiering on HBO instead of a theatrical release.The Jaws director went on to say that some ideas from younger filmmakers are “too fringe-y for the movies”.He said: “That’s the big danger, and there’s eventually going to be an implosion – or a big meltdown.

To say that Martin Scorsese’s new film, “Killers of the Flower Moon,” has been highly anticipated is an understatement. Before we even saw one frame from the film, there were numerous reports about the production of the film, including the massive budget.

Sophia Scorziello editor Paramount and Apple have released the second trailer for Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone in one of the year’s buzziest films. “Killers of the Flower Moon” marks Scorsese’s first narrative feature since the 2019 film “The Irishman.” The Apple Original film has set its wide theatrical release for October 20, and will subsequently stream on Apple TV+. “Killers of the Flower Moon” is based on David Grann’s non-fiction novel of the same name, which investigates the dozens of harrowing murders of Osage people in Oklahoma throughout the 1920s. Scorsese’s film and Grann’s book follow romance of Enerest Burkhart (DiCaprio) and Mollie Kyle (Gladstone) and the immense wealth of one Native American nation.

reinstated at Warner Bros. Discovery after widespread outcry over his dismissal from the classic movie network, thanked fans for their continued support on Tuesday. “The support for TCM, and for me, has been wonderful,” he tweeted.“I just want to say that it’s always taken a true team to make it work,” he added.

And now a promising update on the ongoing crisis at Turner Classic Movies. EW reports that after Steven Spielberg, Martin Scorsese, and P.T.

EXCLUSIVE: Prison Break and Legends Of Tomorrow star Dominic Purcell is replacing the late Ray Stevenson in Paramount and Republic Pictures’ movie Cassino In Ischia, which is now back underway in Italy.

Naman Ramachandran The BFI has set a major U.K.-wide film celebration of one of the greatest and most enduring filmmaking partnerships in the history of cinema: Michael Powell (1905-1990) and Emeric Pressburger (1902-1988), best known for iconic films including “The Red Shoes” (1948), “A Matter of Life and Death” (1946) and “Black Narcissus” (1947), the latter of which premiered on Wednesday at Bologna’s Piazza Maggiore as part of Il Cinema Ritrovato, screening from a new 35mm print made by the BFI. From Martin Scorsese to Matthew Bourne, Kate Bush to Tilda Swinton, Powell and Pressburger have influenced creatives for decades and this is the largest and most wide-ranging exploration ever undertaken about the work of the legendary writer-producer-director team. The celebration will kick off this fall with the BFI Distribution re-release of “I Know Where I’m Going” (1945), recently restored by the BFI National Archive and The Film Foundation.

TCM while directors Paul Thomas Anderson, Steven Spielberg and Martin Scorsese will provide guidance on curation and programming scheduling, Warner Bros. Discovery announced on Wednesday. “TCM is a cultural treasure, and we are honored to help steer the future direction of this beloved brand with the partnership of three of the most iconic filmmakers of our time, Steven, Marty, and Paul.

Todd Spangler NY Digital Editor Warner Bros. Discovery raised the hackles of some in the film community with last month’s launch of Max — the reskinned and renamed version of HBO Max — because the new service’s content details pages consolidated writers, directors, producers and others under a single “creators” heading. Five weeks after issuing a mea culpa and promising to fix the situation, WBD has now updated the listings in Max. The updates appear to be live on platforms including the max.com website and iOS and will be rolling out across all device platforms this week. For example, on Max, Oscar-winning film “Raging Bull,” starring Robert De Niro, now includes the following listings: Directors: Martin Scorsese; Writers: Paul Schrader, Mardik Martin; Producers: Irwin Winkler, Robert Chartoff; Based on Source Material by: Jake La Motta, Joseph Carter, Peter Savage. When Max launched on May 23, the service grouped all of those individuals under a single “creators” heading.

Brent Lang Executive Editor Christopher Storer is no slouch when it comes to orchestrating kitchen chaos, having created the hit Hulu comedy-drama “The Bear.” Now, he’ll turn his camera on “The Winter of Frankie Machine” and trade trades the tense world of short-order cooking for a mob story about a hitman who is lured out of retirement to set up a meeting between waring crime families only to turn into a target himself. It’s a mean streets saga that previously attracted attention from the likes of Martin Scorsese, who was set to make it at Paramount Pictures with Robert De Niro, only to abandon it in favor of “The Irishman”; as well as Michael Mann and William Friedkin.

Jennifer Maas TV Business Writer Warner Bros. Discovery has walked back its decision to cut longtime Turner Classic Movies programming exec Charles Tabesh following a PR black eye over dramatic cost-cutting changes at the beloved cable network, and announced a partnership with filmmakers Steven Spielberg, Martin Scorsese and Paul Thomas Anderson to help curate content at TCM. Tabesh, a 25-year TCM executive who had been slated to leave as part of the downsizing of TCM staff, will now stay in his post and report to Warner Bros. film chiefs Mike De Luca and Pam Abdy, who Variety previously reported were slated to take oversight of the operations at the network.

Steven Spielberg’s Amblin Partners has sold a 50% stake in its catalog of music publishing and music master rights from the film music library to Multimedia Music, including  marquee and award-winning films 1917, Green Book, The BFG, Bridge of Spies, The Post, Office Christmas Party, Thank You For Your Service and The Girl on the Train and others. The catalog features iconic music from several of the most renowned and celebrated composers in the world including John Williams, Thomas Newman, Danny Elfman, Alexandre Desplat, Rachel Portman, Mark Isham and Rob Simonsen. 

Over the past week, you’ve likely heard the outcry from filmmakers and film fans about the uncertain fate of TCM under the Warner Bros. Discovery regime.

Harrison Ford is synonymous with the role of Indiana Jones, but the 80-year-old is revealing he wasn't the original man chosen to don the iconic hat, leather jacket, and whip of the beloved character. While promoting the franchises fifth installment, "Indiana Jones and the Dial of Destiny," Ford described how he got the role. "How I got the job? Tom Selleck had the job, but he also incurred an obligation to do a television series, and he was unable to get out of that contract," he shared with Deadline.

Harrison Ford is glad he was the second choice for “Indiana Jones”.

EXCLUSIVE: CreativeChaos, the production company behind Paramount+’s The Murder of God’s Banker, and Above the Clouds, which produced Harvey Keitel and Sam Worthington feature film Lansky, have teamed up for a feature documentary about a group of youth climate activists.

layoffs of several other members of the network’s top brass, part of cuts affecting approximately 100 staffers across Warner Bros. Discovery’s U.S. Networks Group this week.The channel will now be run by Warner Bros.

News kept on churning this week — from Sunday morning until end of Friday — on the Warner Bros. Discovery front.

Variety, in wake of the exit of network head Pola Changnon this week. Warner Bros. Discovery CEO David Zaslav had been considering bringing in De Luca and Abdy for some time, insiders said, to rely on their cinephile instincts and shape the best possible programming slate for the channel — one beloved by Hollywood titans and film fans for its showcase of film history. TCM will still exist with the US Networks Group run by Kathleen Finch. While De Luca and Abdy will advise, a senior executive in charge of operations is expected to be named in the future. Warner Bros. Discovery had no comment on the matter.