Tallinn Black Nights Film Festival Brings Estonia and Baltic Nations Into the Spotlight

Italian filmmaker Alice Rohrwacher’s latest pic La Chimera has inked a series of international deals for The Match Factory following its well-received debut at last month’s Cannes Film Festival.

Elsa Keslassy International Correspondent Momento Film, the leading Swedish banner founded by David Herdies (“Winter Buoy”) and Michael Krotkiewski (“Bellum — The Daemon Of War”), is boasting a slate of projects including the documentaries “Leaving Jesus” and “The Underdog,” as well as Simón Mesa Soto’s “A Poet.” While at Cannes, the banner also started teasing one of its biggest project so far, “The Swedish Torpedo,” Frida Kempff (“Winter Buoy”)’s period film inspired by the life of Sally Bauer, the first Scandinavian to swim across the English Channel in 1939. “The Swedish Torpedo” will start shooting in August with a topnotch cast led by Josefin Neldén (“Border,” “438 Days”), Mikkel Boe Følsgaard (“Royal Affair,” “Borgen”), as well as Lisa Carlehed (“The Emigrants”).

A Castle Douglas technology charity is eyeing up expansion plans after experiencing high demand for a new service.

Leo Barraclough International Features Editor The 37 national film institutes that are members of European Film Promotion have elected a new EFP board of directors at the general assembly on May 23 during the Cannes Film Festival. The board consists of seven members, with their term of office lasting for two years. Five of the current members remain on the board, including Simone Baumann, managing director of German Films, as new vice president, Daniela Elstner, executive director UniFrance, Eda Koppel, head of marketing at Estonian Film Institute, Stine Oppegaard, manager, international relations, feature films, Norwegian Film Institute, and Markéta Santrochová, head of Czech Film Center, who has been re-elected as EFP president.

Nanni Moretti returns to the film-within-a-film format with a fitfully funny new comedy that, this time, offers two films-within-a-film (plus a surreal dream sequence). It is, frankly, a relief after 2021’s terrible, soapy melodrama Three Floors, and, at a crisp 96 minutes, so much easier to swallow. In some ways a companion piece to 2015’s Mia Madre, it finds the director putting all his neuroses back on show, pontificating on everything from movie violence to streaming platforms and why wearing slippers onscreen is a fashion no-no that can only be pulled off by Aretha Franklin in The Blues Brothers.

Ed Meza @edmezavar Norwegian distributor Fjong Film has picked up Hilmar Oddson’s award-winning Icelandic dark comedy “Driving Mum.” While French-U.K. sales and production company Alief has already sold the film widely in Europe, the Norwegian deal marks its first sale in Scandinavia. The Tallinn Black Nights Grand Prix winner, a theatrical hit in Iceland and Estonia, follows aimless protagonist Jon (Þröstur Leó Gunnarsson), who, grappling with immeasurable grief, finally comes of ripe age while fulfilling his mother’s (Kristbjörg Kjeld) final wish. Fjong Film CEO Nina Tryggvadottir, who was born in Iceland, connected with the unconventional road movie, acquiring all rights for the title.

Naman Ramachandran Classic cult film streamer Cultpix has struck a deal with Polish cultural institution WFDiF – Documentary and Feature Film Studios (Wytwórnia Filmów Dokumentalnych i Fabularnych) for a season of Polish erotic cinema classics from the 1980s and early 1990s. Titles featured in the season include Krzysztof Nowak’s “What Do the Tigers Like: (1989); Andrzej Barański’s “Bachelor Life in a Foreign Country” (1992); Roman Załuski’s “Och Carol” (1985); Ryszard Ber’s “Thais” (1983); Marek Koterski’s “Porn” (1990); and Jacek Bromski’s The Art of Loving (1989). The deal was revealed at the ongoing Cannes film market, where Cultpix expanded deals with previously signed film libraries – Germany’s The Playmaker Munich, as well as Echelon Studios and Vinegar Syndrome from the U.S. – for over 250 titles to be released later in 2023 and in early 2024.

Christopher Vourlias With Jonathan Glazer’s Auschwitz-set Holocaust drama “The Zone of Interest” competing for the Palme d’Or and a host of Polish producers bringing buzzy upcoming projects to the Marché du Film, the Polish industry should again have Cannes talking. Here’s a rundown of some of the highlights: The Zone of Interest(Competition)Director: Jonathan GlazerProducers: James Wilson, Ewa Puszczyńska (JW Films, Extreme Emotions)Sales: A24The veteran British filmmaker’s first film in nearly a decade, which will compete for the Palme d’Or, is a Holocaust drama loosely based on the novel by Martin Amis that’s sure to be among the festival’s most talked-about films.

Elsa Keslassy International Correspondent Leading French producer Michael Gentile’s Paris-based outfit The Film is about to start shooting Julie Delpy’s next directorial outing, “The Barbarians,” and Laurence Arné’s “Les Hennedricks” starring Dany Boon. Delpy’s comeback to French filmmaking since “Lolo,” “The Barbarians” is a satirical comedy unfolding in a small town in Brittany which is preparing to welcome Ukrainian refugees after voting unanimously to greet them in exchange for subsidies from the government. But instead of seeing Ukrainians come into town, they see Syrian refugees, causing some tensions among locals and testing their liberal beliefs. Delpy will star in the film opposite Sandrine Kiberlain (“Mademoiselle Chambon”), Laurent Lafitte (“Elle”) and Ziad Bakri (“The Weekend Away”), India Hair (“Angry Annie”), Mathieu Demy (“The Bureau”) and Delpy’s father Albert Delpy.

Ukraine war and the momentous burst of rebellion against the Iranian regime prompted by the death of Mahsa Amini are reverberating profoundly at the Cannes Film Festival. At the festival’s opening ceremony on Tuesday night, legendary French actress Catherine Deneuve paid tribute to the war’s victims by reciting a poem from Ukrainian poet Lessia Oukraïnka, solemnly declaring: “I no longer have either happiness or freedom, only one hope remains to me: to return one day to my beautiful Ukraine.” One year ago, Cannes got off to an emotional start with remarks from Ukrainian President Volodymyr Zelenskyy.

Leo Barraclough International Features Editor Global Screen has racked up presales to multiple territories for the animated family adventure movie “Niko — Beyond the Northern Lights,” the third in the box office hit franchise about a flying reindeer. The sales agency will be showing a first scene to buyers at Cannes Film Market. The animated movie has been picked up Kino Swiat for Poland, Bluelabel for South Korea, Just4Kids for the Benelux, GPI for the Baltic states, Karantanija for ex-Yugoslavia, Zinos Panagiotidis for Greece, Bad Unicorn for Romania, Bohemia Motion Pictures for Slovakia and the Czech Republic, Pro Film for Bulgaria and Bir Film for Turkey.

Eurovision Song Contest viewers say they were 'emotional' as they were quick to spot a massive change to Graham Norton's role on the show. The Irish TV star is, quite frankly, a Eurovision legend and viewers are used to watching the action unfold with his quick-witted commentary.

The Eurovision Song Contest final is underway with singers from 26 all taking to the stage.

The Eurovision Song Contest 2023 will take place in Liverpool with a live audience at the M&S Bank arena tonight.

The second of two Eurovision Song Contest semi-finals took place on Thursday in Liverpool, northern England.

The second Eurovision Song Contest semi-finals will take place on Thursday night and will see 16 countries battle it out for a place in the grand final.

Elsa Keslassy International Correspondent Frida Kempff (“Winter Buoy”) is set to direct “The Swedish Torpedo,” a period film inspired by the life of Sally Bauer, the first Scandinavian to swim across the English Channel in 1939. The prominent Nordic cast is led by Josefin Neldén (“Border,” “438 Days”), Mikkel Boe Følsgaard (“Royal Affair,” “Borgen”), as well as Lisa Carlehed (“The Emigrants”). Produced by David Herdies and Erik Andersson at Momento Film, the film will start shooting in August in Sweden, Estonia, Belgium and England. “Five years ago I didn’t know who Sally Bauer was and even less what she had achieved. Five days ahead of the outbreak of WWII she swam across the English Channel,” said Kempff I feel this is a story that needs to be told, about a woman who accomplished the impossible and shattered both social norms and world records.”

Sex Education star and West End powerhouse Hannah Waddingham last night sent Eurovision fans wild after making a cheeky dig at the expense of Britain's Got Talent judge Amanda Holden.Ted Lasso star Hannah, 48, was seen joining forces with Amanda's BGT co-star Alesha Dixon - as well as Ukrainian singer Julia Sanina - to present the first semi-final of the much-loved singing contest last night. It was during her hosting stint that Hannah left viewers in hysterics following a jibe at 52-year-old Amanda, whose role it was to award points on behalf of the United Kingdom during the 2021 ceremony. Mum-of-three Amanda previously came under fire during her Eurovision stint after making a joke that didn't go down well with viewers, quipping that she didn't know the difference between French and Dutch, leading some fans to dub her "arrogant".

The Eurovision Song Contest kicked off on Tuesday night (May 9) with its first live show in Liverpool. The annual competition is being held in the UK on behalf of last year's winners Ukraine after Sam Ryder took second place in the 2022 competition.

BBC viewers have said Amanda Holden was 'thrown under the bus' by Eurovision Song Contest presenter Hannah Waddingham.