Sydney Sweeney On The “Honor” Of Speaking To Real Whistleblower For ‘Reality’ Role — Berlin Film Festival

Elsa Keslassy International Correspondent Mk2 films has enlisted leading distributors around the world for “Reality,” Tina Satter’s feature debut starring Sydney Sweeney, on the heels of its buzzy world premiere at the Berlinale. The movie, which bowed in the Panorama section, stars Sweeney (“White Lotus,” “Euphoria”) as Reality Winner, a 25 year-old whistleblower who spent five years in prison during the Trump administration. A former U.S. Air Force member and National Security Agency translator, Winner was convicted for leaking a confidential report on Russian election interference to the media. The film is based on Satter’s 2019 stage play “Is This a Room” and contains verbatim dialogue from the unedited transcript of a FBI audio recording. “Reality” captures the tense and surreal 90 minutes of FBI’s interrogation with Winner at her home in 2017.

can be found here.MAIN COMPETITIONGolden Bear for Best Film: “On the Adamant” (“Sur l’Adamant”), Nicolas PhilibertSilver Bear Grand Jury Prize: “Afire” (“Roter Himmel”), Christian PetzoldSilver Bear Jury Prize: “Bad Living” (“Mal Viver”), Joao CanijoSilver Bear for Best Director: Philippe Garrel, “The Plough”Silver Bear for Best Leading Performance: Sofia Otero, “20,000 Species of Bees”Silver Bear for Best Supporting Performance: Thea Ehre, “Till the End of the Night”Silver Bear for Best Screenplay: Angela Schanelec, “Music”Silver Bear for Outstanding Artistic Contribution: Hélène Louvart for the cinematography of “Disco Boy”ENCOUNTERSBest Film: “Here,” Bas DevosBest Director: “The Echo,” Tatiana HuezoSpecial Jury Award: “Samsara,” Lois PatiñoSpecial Jury Award: “Orlando, My Political Biography,” Paul B. PreciadoGWFF Best First Feature Award: “The Klezmer Project,” Leandro Koch, Paloma SchachmannSpecial Mention: “The Bride,” Myriam U.

Guy Lodge Film Critic The official awards ceremony of this year’s Berlin Film Festival is under way, with Kristen Stewart’s jury set to announce their winners from the Competition selections. This post will be updated as they’re announced.Previously announced: AUDIENCE AWARDS Panorama Audience Award: “Sira,” Apolline TraoréSecond Prize: “The Burdened,” Amr GamalThird Prize: “Midwives,” Léa Fehner Panorama Documentary Audience Award: “Kokomo City,” D. SmithSecond Prize: “The Eternal Memory,” Maite AlberdiThird Prize: “The Cemetery of Cinema,” Thierno Souleymane Diallo

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

Sydney Sweeney‘s outfit is partially covered by giant umbrellas as she arrives for a top secret project in Sydney, Australia on Friday (February 24).

Angelique Jackson Following a buzzy world premiere at the Berlin Film Festival, HBO Films has acquired the U.S. rights to the docudrama “Reality,” starring Sydney Sweeney. In the film, directed by Tina Satter, Sweeney portrays Reality Winner, a woman convicted of leaking a confidential report on Russian election interference to the media. The film contains verbatim dialogue from the unedited transcript of a FBI audio recording, capturing a tense 90 minutes as the FBI interrogates Winner at her home in 2017. The whistleblower — a former U.S. Air Force member and National Security Agency translator — was sentenced to five years in prison. Satter makes her feature directorial debut with the film, based on her 2019 stage play “Is This a Room.” She also executive produced the project and co-wrote the screenplay with James Paul Dallas.

EXCLUSIVE: HBO Films has closed a deal for U.S. rights to the Berlin Film Festival buzz competition title Reality. Directed by Tina Satter, the docudrama is a breakout turn for Sydney Sweeney as convicted classified document leaker Reality Winner. Sweeney stars in the hit HBO series Euphoria.

Makoto Shinkai’s latest pic Suzume is the first Japanese animated picture to play in competition at Berlin in two decades. However, Shinkai told a press conference in Berlin that a successful festival run has never been high on his list of priorities.

A cottage in the woods: isolated, idyllic and unavoidably reminiscent of some half-forgotten fairy tale. Unfortunately, Leon (Thomas Schubert) is not a country person. When his friend Felix’s car breaks down on the forest road on the way to the family holiday house where they both plan to work in peace and quiet, all Leon can hear are unnerving crackles in the undergrowth. Wild boar. Leon is definitely not a wild boar kind of guy.

Doctor Zhivago, Casablanca, Amour. Over the decades, cinema has produced some fictional love stories of enduring beauty and resonance. But for sheer emotional force, even those classics may not rival the true love story told in The Eternal Memory.

Dame Helen Mirren ditched her signature bob for ageless platinum waves as she attended the Berlin premiere of Golda.The actress, who last year admitted to still loving her former boyfriend, Liam Neeson, stunned as she attended the 73rd Berlin International Film Festival in Germany on Monday and was pictured with long flowing hair extensions. Helen, 77, sported an off-the-shoulder floor-length black dress that featured a low-cut ruffled neckline, which she paired with gold chandelier earrings as she walked the red carpet.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

Sydney Sweeney heats up the red carpet in a red hot dress for the premiere of her movie, Reality.

Israeli film producer Yoav Roeh spoke passionately at the Berlin Film Festival on Sunday about the threat to freedom of speech in Israel under a proposed overhaul of the country’s judiciary by Benjamin Netanyahu’s hard-right government.

Marta Balaga Director: Vita Maria Drygas Producer: Vita Żelakeviciute Production companies: Drygas Film Production Sales: Dogwoof Documentary is a journey to places devastated by military conflicts, seen through the eyes of thrill-seeking tourists. (Generation 14plus) Director: Asaf Saban

As the 73rd Berlin Film Festival rolls into its first weekend, one of the buzziest titles on the ground is the taut political thriller Reality, starring Euphoria and White Lotus breakout Sydney Sweeney.

.On February 18, the 25-year-old star arrived at the photocall for her latest film, Reality, wearing an suit that was more cutout than fabric. For the occasion, stylist Molly Dickson paired black flared trousers with a single-breasted, crystal-embroidered blazer with massive cutouts that wrap around from the front panels to just below her shoulders, leaving waist and most of her back exposed.In keeping with the tailored aesthetic, Sweeney wore her hair in a slicked-back ballerina bun and contrasted her minimalistic makeup with a single statement ear cuff.

Shayeza Walid Acclaimed New York-based theater director Tina Satter has worked on productions on and off Broadway for more than a decade. Now, in her first ever venture into film, Satter makes her directorial debut with “Reality,” starring Sydney Sweeney, based on Satter’s play “Is This a Room.” The film premiered Saturday at the Berlin Film Festival with Variety critic Jessica Kiang calling it a “clever, gripping docudrama.” For Satter, who co-wrote the screenplay with James Paul Dallas, making this movie was always in the books. The film, based on the real-life FBI interrogation transcript of whistleblower Reality Winner, is one Satter could envision the first time she came across the documents of the conversation between Winner and the Federal Bureau.

Jessica Kiang In the widely covered story of the U.S. intelligence operative harshly sentenced in 2018 for leaking a confidential report on Russian election interference to The Intercept, the accidental (in)appropriateness of the operative’s name was always an eyecatching detail. Could one of recent reality’s most highly public losers actually be called Reality Winner? Playwright Tina Satter’s enormously compelling film-directing debut adds another layer of cosmic irony to that nominative determinism. In using the title “Reality,” and being scripted verbatim from exchanges recorded by the FBI during Winner’s 2017 surprise interrogation, Satter not only vividly revisits the story, she also makes us question the very relationship between a narrative film and the truth it claims to expose. Reality can be stranger than fiction, but “Reality” fuses the two to become stranger, and more riveting, still. 

Like so many young performers, Sydney Sweeney proved that she was a star before she could get the chance to prove that she was a well-rounded actor. Her name-making gigs as a vindictive, canonically gorgeous high schooler on TV’s “Euphoria,” a vindictive, canonically gorgeous college sophomore on “The White Lotus,” and a vindictive, canonically gorgeous recent grad in the “The Voyeurs” all required her to channel an innate charisma toward variations on a broadly consistent type, her abilities yet to be stretched far enough to chart their full potential.