‘Supergirl’: Milly Alcock, Emilia Jones & More Testing For DC Studios Film

Well, that was relatively fast. After a few weeks of screen-testing, James Gunn and Peter Safran, the co-CEOs of DC Studios, have found their Supergirl: it’s Milly Alcock, known for her breakout turn in HBO’s “House Of The Dragon.” Alcock played the younger version of Princess Rhaenyra Targaryen in the first half of HBO’s “Game of Thrones” spin-off (later, Emma D’Arcy took over the teenage and adult versions of the character as the series went through a time leap forward.

Sundance Film Festival premiere. It’s an interesting home for the documentary, because Reeve experienced his greatest commercial success playing the Man of Steel in the first four Superman movies, which Warner Bros. produced.

Brad Pitt is spending another day on set of his new movie.

American Cinemas Editors has cut together the nominees for its 74rd annual ACE Eddie Awards, which will be handed out next month. See the list of all 13 film and TV categories below.

Netflix has confirmed that several of its hit series will return with new seasons this year, including Squid Game, Bridgerton and Emily In Paris.Squid Game creator Hwang Dong-hyuk broke the news to Netflix shareholders in a letter yesterday (January 23), as revealed by a Variety report. In Hwang’s letter, he name-dropped several titles returning to the streaming in 2024, headlined by his smash hit Korean thriller.While he was unable to share an official release date for Squid Game’s second season, Hwang assured shareholders that it will arrive this year, alongside new seasons of Bridgerton, Emily In Paris, Formula 1: Drive To Survive, The Diplomat, Empress, Love Is Blind and more.Other titles mentioned include Tour de France: Unchained, Full Swing, and new shows like 3 Body Problem, Griselda, The Gentlemen, Eric, Avatar: The Last Airbender and Cien Años de Soledad.Season 3 of Bridgerton is locked in for a May 14 release, while Avatar: The Last Airbender arrives on February 22.Squid Game was renewed for a second season back in 2022, months after it was released the year prior to global appeal and critical acclaim.

While in England, German director Wim Wenders was sandwiched between a press tour and a brief lunch when a member of his team walked into the restaurant to secretly signal across the room that he was nominated for his first feature film Oscar with Japan’s Best International Feature Film, Perfect Days. “Someone came in raising their thumb, which was the sign that we had agreed on, and no word was spoken because there were too many guests in the restaurant,” Wenders laughed while retelling the Tuesday nomination. “So, I knew then I could let that meal go a little cold. It was lovely because I had prepared myself to not expect anything. I had completely prepared myself to not be on the list so that I wouldn’t be disappointed. So [this nomination] was quite a surprise today.”

Billie Eilish’s ‘What Was I Made For?’ and Ryan Gosling’s ‘I’m Just Ken’ are among the tracks nominated for Best Original Song at this year’s Oscars.The two compositions for the film Barbie are among the five nominees in the category, which were announced earlier today (January 23).The other songs to get a nod were ‘Wahzhazhe (A Song For My People)’ from Killers of the Flower Moon, with music and lyrics by Scott George, ‘It Never Went Away’ by Jon Batiste and Dan Wilson, from American Symphony, and ‘The Fire Inside’ by Diane Warren, from Flamin’ Hot.It is the second Oscar nomination for Eilish, who previously won in this category in 2022 for writing and performing the title track of the James Bond film No Time to Die. She wrote ‘What Was I Made For?’ with her brother Finneas O’Connell, and it has also been nominated for Record of the Year and Song of the Year at the Grammys.Were she to win, Eilish would join an elite group of composers to have won multiple Academy Awards for Best Original Song, a list that includes Elton John, Randy Newman, Burt Bacharach, Tim Rice and Giorgio Moroder.‘I’m Just Ken’ was written by Mark Ronson and Andrew Wyatt, the latter of whom is the frontman of Swedish electro-pop band Miike Snow.

The first line of “Winner” says it all: “My name is Reality Winner.” This uninspired introduction to the character, an NSA employee who leaked classified documents surrounding Russian election interference to the media, sets the tone for what’s to follow. Susanna Fogel’s film is not actively bad, just aggressively bland.

Reality Winner is probably better known in Europe than the U.S., thanks in part to Tina Satter’s extraordinary arthouse film Reality (2023), which dramatized the 25-year-old Texan translator’s arrest in 2017 using the verbatim transcripts of her interactions with the FBI. Winner, a funny and surprisingly powerful biopic directed and co-written by Susanna Fogel, will go quite a long way towards raising her profile back home.

Jesse Eisenberg brought the villain Lex Luthor to life in the DC film universe, and the role has been passed off to Nicholas Hoult.

Peter Debruge Chief Film Critic The U.S. government decided to make an example of Reality Winner, giving the former NSA translator a five-year prison sentence. So it’s only fair that director Susanna Fogel should be able to make an example of her, too — only this time, to very different ends.

After “Aquaman & The Lost Kingdom” ended the DCEU with a whimper (albeit a successful whimper relative to the DCEU’s other three 2023 releases), it’s time to look ahead to James Gunn and Peter Safran‘s franchise reboot. And the DCU can’t be a middling, clunky, and visually uninspired as the DCEU right? Well, let’s wait and see on that, considering audiences must wait until July 11, 2025 for Gunn’s “Superman: Legacy.”   READ MORE: ‘Superman: Legacy’: María Gabriela De Faria To Play Villain The Engineer As ‘Supergirl’ Finds New Writer But Variety reports (via Entertainment Tonight) that new Lois Lane Rachel Brosnahan at least promises Gunn’s film will have more life and humor than many of the DCEU entries.

Is the era of the superhero movie over? After the MCU‘s rough year last year a string of poor showings to end the DCEU‘s run, it’s up for debate. But the worst may be yet to come for the genre next decade, even if James Gunn and Peter Safran‘s DCU franchise reboots goes well.

William Earl Variety is returning to the Sundance Film Festival this year with its annual Interview Studio, presented by Audible, the leading creator and provider of premium audio storytelling. Throughout the festival, videos from the interview studio will be distributed across Variety.com as well as Variety and Audible’s social media channels (Instagram: @audible, @Variety; Twitter: @audible_com, @Variety; TikTok: @audible, @VarietyMagazine).

Chris Willman Senior Music Writer and Chief Music Critic The musical-comedy “Shucked” had its closing performance on Broadway Sunday night, but the show went out with an even louder set of whoops than expected, as the curtain call included the news that a feature film adaptation is in the works. Show reps confirm to Variety that a movie version of “Shucked” is being set up with Mandalay Pictures. The producers for Mandalay will be Jason Michael Berman (AIR) and Jordan Moldo, along with Alan Fox.

The new Netflix series The Gentlemen from Guy Ritchie has its debut trailer.

Patrick Frater Asia Bureau Chief Leading Korean film sales agent Finecut has picked up international distribution rights to “Noise,” a contemporary horror film by first time director Kim Soo-jin. The film will be launched next month a the European film Market in Berlin. The story follows a woman with a hearing impediment who is haunted by sounds linking to her sister’s disappearance and the presence of a malevolent spirit.

Latino Filmmakers Network on Thursday revealed its programming activities for the upcoming Sundance Film Festival.

Casting is reportedly getting underway to find the new DCU’s Supergirl!

EXCLUSIVE: We are hearing that DC Studios is planning to test actresses to play Supergirl and that Milly Alcock, Emilia Jones and Meg Donnelly are in the mix.