Suki Waterhouse gives her Daisy Jones And The Six style a modern twist in Gucci dress

Bob Dylan and Aretha Franklin and was the father of Spike Lee, has died aged 94.The musician died at his Brooklyn home yesterday (May 24), according to a publicist for Spike Lee, confirmed to The New York Times.

The Warehouse Project will be back in September, with the likes of Bicep, Honey Dijon, The Blessed Madonna and Jamie Jones on the bill for its 2023 season. It’s also revealed that it will be opening up two new areas of its Depot Mayfield home, including the roof.

Suranne Jones is back with a star-studded drama on ITV, which was inspired by her dreams.

Zack Sharf Digital News Director Halle Bailey recently praised her “The Little Mermaid” co-star Melissa McCarthy for teaching her how to speak up and say what works for her on set, but there was a time when McCarthy herself wasn’t always so vocal. In a recent interview with The Observer, McCarthy revealed she once became sick due to working on a toxic set that left many of the cast and crew “weeping.” The experience led McCarthy to realize she can’t remain quiet amid inappropriate working conditions. “I did work for someone once who ran such a volatile, hostile set that it made me physically ill,” McCarthy said. “My eyes were swelling up, I was absorbing all of this nuttiness.”

It’s not the years, it’s the mileage! Harrison Ford defended the de-aging technology used on him during a flashback sequence in his new film, Indiana Jones and the Dial of Destiny.   

Harrison Ford looked emotional as he received a five-minute standing ovation at this year’s Cannes Film Festival on Thursday.

Asked about the WGA strike at the Cannes Film Festival press conference Friday for Indiana Jones and the Dial of Destiny, director James Mangold said, “No movie happens without a great script, and no great script happens without writers.”

Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.The latest offering marks the fifth and final instalment of the Indiana Jones franchise, and sees acting legend Harrison Ford return to the role of the daring adventurer at the age of 80.With the first part of the movie being set in 1944, Dial Of Destiny kicks off with the whip-cracking archaeologist looking to retrieve one half of the Antikythera – an ancient dial built by Archimedes – from a Nazi scientist (played by Mads Mikkelsen). The remainder of the film ventures forward to 1969, where Jones partners up with his goddaughter Helena (Phoebe Waller-Bridge) to locate and retrieve the other half, and potentially alter the course of history.Over four decades since the original Raiders Of The Lost Ark film hit the silver screen, the latest instalment is the first of the sequels not to be directed by Steven Spielberg – with James Mangold now taking the reins.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.

Naman Ramachandran Jonathan Pryce (“The Two Popes”), Meera Syal (“Yesterday”) and Toby Jones (“Tinker Tailor Soldier Spy”) are joining the cast of “Flavia de Luce.” As revealed by Variety, Isla Gie (“The Sandman,” “The Outlaws”) will star alongside Martin Freeman (“Sherlock,” The Hobbit”) in the upcoming feature film, which is an adaptation of the New York Times bestselling novel “The Sweetness at the Bottom of the Pie: A Flavia de Luce Mystery.” Protagonist Pictures has launched international sales on the family adventure and is introducing to buyers at the ongoing Cannes film market. CAA Media Finance are handling North America.

first reactions on social media were more positive. Per usual for Cannes premieres it did receive ovations, but they were reserved for Harrison Ford himself rather than the James Mangold-directed film.

Owen Gleiberman Chief Film Critic “Indiana Jones and the Dial of Destiny” is a dutifully eager but ultimately rather joyless piece of nostalgic hokum. It’s the fifth installment in the “Indiana Jones” franchise, and though it has its quota of “relentless” action, it rarely tries to match (let alone top) the ingeniously staged kinetic bravura of “Raiders of the Lost Ark.” How could it? “Raiders,” whatever one thinks of it as a movie (I always found it a trace impersonal in its ’40s-action-serial-on-steroids excitement), is arguably the most influential blockbuster of the last 45 years, even more so than “Star Wars.” Back in 1977, George Lucas took us through the looking glass of what would become our all-fantasy-all-the-time movie culture. But it was Steven Spielberg, teaming up with Lucas in “Raiders,” who introduced the structural DNA of the one-thing-after-another, action-movie-as-endless-set-piece escapist machine. This means that “Indiana Jones and the Dial of Destiny” isn’t just coming after four previous “Indiana Jones” films. It’s coming after four decades of high-priced Hollywood action decadence, from the “Fast and Furious” series to the “Mission: Impossible” and “Terminator” and “Lara Croft” and “Transformers” and latter-day “Bond” films (not to mention the Marvel space operas), all of which owe a boundless debt to the aggro zap of the “Raiders” aesthetic.

Cannes Film Festival, is about the years and the mileage. Then it’s about the years some more because the semi-supernatural twist this time around involves time travel.The film is full of action, stunts and escapes from Nazis, because that’s what “Indiana Jones” movies are. It relies heavily on the charm and charisma of Harrison Ford because of course it does.

There must be 50 ways to escape a Nazi. Over the 2 hours and 22 minutes of Indiana Jones and the Dial of Destiny, we see Indy and his ragtag entourage drive planes, trains and automobiles through the streets of New York, Tangiers and somewhere picturesque in Sicily, hijack two getaway tuk-tuks, ride a horse at full pelt through the New York subway tunnels, and fly a vintage plane through a “time fissure” to land right in the middle of – well, we can’t say too much, but the kind of place and time that would be Indy’s idea of Shangri-la. “Too many Nazis!” growls Indy, just before he leaps from a speeding train hundreds of yards down into a churning river. Sometimes, the essence of being an adventuring hero is to know when to put the bullwhip down and get out of Dodge.

“Indiana Jones and the Dial of Destiny” is mostly encouraging. The fifth Harrison Ford-starring Indy flick doesn’t open theatrically until the week of June 30, but Cannes audiences got the first look. “Indiana Jones and the Kingdom of the Crystal Skull” debuted at the 2008 Cannes Festival, however, that was days away from its Memorial Day weekend launch.

Following its out-of-competition world premiere this evening at the Cannes Film Festival, Indiana Jones and the Dial of Destiny was treated to a five-minute standing ovation as the audience inside the festival’s Grand Théâtre Lumière.

Harrison Ford returned to the Cannes Film Festival on Thursday, picking up an honorary Palme d’Or before the world-premiere screening of Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny.

We’re still reeling from the shocking Vanderpump Rules season finale on Bravo on Wednesday night, y’all.

Michael Douglas and Catherine Zeta-Jones stopped by Cannes for some stunning red carpet photos. They were accompanied by their daughter, Carys, who looked stunning in a white dress.Catherine Zeta-Jones shares video of her daughter’s “Wednesday sass”From Jenna Ortega to Catherine Zeta-Jones: These are the highest-earning stars from ‘Wednesday’Michael Douglas shares why Catherine Zeta-Jones makes him take his pants off on the golf courseCatherine wore a stunning red gown, while Michael wore a traditional black suit.

Rooting for his girl! Robert Pattinson is girlfriend Suki Waterhouse’s “greatest fan,” a source exclusively reveals in the latest issue of Us Weekly.