Square Eyes Picks Up Theo Montoya’s ‘Anhell69’ Ahead of Venice Premiere (EXCLUSIVE)

Nothing to worry about, darling. Florence Pugh gushed about the cast and crew of Don’t Worry Darling days after the film’s headline-making premiere at the Venice International Film Festival.

Brendan Fraser gives a cheeky smile while arriving at JFK airport in New York City on Tuesday afternoon (September 6).

Fans online can’t seem to stop marveling at all the drama surrounding Don’t Worry Darling!!

rumors that Harry Styles spat on him during the world premiere of their film “Don’t Worry Darling” are a “complete fabrication.”“This is a ridiculous story — a complete fabrication and the result of an odd online illusion that is clearly deceiving and allows for foolish speculation,” the rep said in a statement to People.“Just to be clear, Harry Styles did not spit on Chris Pine. There is nothing but respect between these two men and any suggestion otherwise is a blatant attempt to create drama that simply does not exist.”Styles’ reps have yet to issue their own statement.The allegations first arose Monday when the 28-year-old singer went to take his seat at the Venice International Film Festival and proceeded to allegedly spit in the “Wonder Woman” star’s lap.Several fans of Pine and Styles immediately began debating on whether spittle was actually involved.“People actually think harry walked over there and decided to spit on Chris for no reason, in front of multiple people,” tweeted one user.

cast at the Venice Film Festival is going viral, this time involving the film's leading men, Harry Styles and Chris Pine. A viral clip is circulating online of 28-year-old Styles taking his seat next to 42-year-old Pine at the film's premiere in Italy. In the clip, the «As It Was» singer appears to do something with his mouth at the exact moment that Pine stops clapping, smiles and shakes his head.Soon after the clip began making the rounds, many fans were convinced that Styles had, in fact, spit on Pine in front of hundreds of attendees at the premiere. #HarryStyles appears to spit on Chris Pine i won't sleep until i know the truth pic.twitter.com/wLXjIHTYgUBut others think that Pine was simply realizing he'd put his own sunglasses, which he picks up a moment after the alleged spit, in his lap. «Chris Pine just wondered where his sunglasses were after the applause.

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has closed distribution deals for Italy and Greece following the film’s world premiere at the Venice Film Festival. The Israeli-Ukrainian co-production plays in Venice’s Horizons Extra section, and will have its North American premiere on Sept. 14 at Toronto Film Festival in the Contemporary World Cinema section. Rome-based P.F.A Films Srl will distribute the film in Italy, with a theatrical release planned for April 2023. The company’s recent titles include “Fabian – Going to the Dogs” by Dominik Graf, “The Audition” by Ina Weisse, and “Border” by Abbasi Ali.

Five years on from their thrilling diplomatic drama “The Summit,” icons of Argentinian cinema Santiago Mitre (“White Elephant,” “Paulina,” ) and Ricardo Darín (“Wild Tales,” “The Secret in Their Eyes”) have teamed up once more for the Venice-bound “Argentina, 1985.” This time, however, their collaboration is much more fact than fiction, as the film seeks to bring one of Argentina’s most historic judicial trials to the big screen.

It looks like things went off reasonably well for Olivia Wilde and Florence Pugh on the red carpet on Monday!

Nick Vivarelli International Correspondent Iranian cinema is having a great year despite the many impediments film directors face there, including being jailed. Reflecting this burst of irrepressible cinematic energy, after strong showing of Iranian cinema at Berlin, Cannes and Karlovy Vary, Venice has five films from the country, two of which are in competition. Also, Leila Hatami, star of Cannes festival jurist Asghar Farhadi’s “A Separation,” is a member of Venice’s main jury panel. “We have never received so many submissions from Iran, and many of them are good,” says Venice chief Alberto Barbera. He notes that “the paradox is that this is happening at a time when the Iranian regime is among the most rigidly conservative and repressive in the world,” and is responding to uprisings sparked by the country’s harsh economic conditions by re-incarcerating directors such as Jafar Panahi, whose latest film “No Bears” launches from Venice, fellow dissident filmmaker Mohammad Rasoulof, and others “who try to freely express their opposing points of view.”

Benvenuti in Italia! Harry Styles and Olivia Wilde arrived in Venice separately ahead of the Don’t Worry Darling world premiere on Sunday, September 4.

Christopher Vourlias On the eve of the 79th Venice Film Festival, where his powerful Ukraine war documentary “Freedom on Fire: Ukraine’s Fight for Freedom” will premiere out of competition on Sept. 7, Oscar-nominated filmmaker Evgeny Afineevsky was in a frantic race against time. Footage was still being shot in Ukraine into the second week of August, with Afineevsky only completing the film on Aug. 31 — the same day that Ukrainian President Volodymyr Zelenskyy addressed the A-list celebrities and foreign press at the festival’s opening ceremony, urging the world not to forget the war in Ukraine with the impassioned plea: “Don’t turn your back to us.”

Leo Barraclough International Features Editor Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmakers Jørgen Leth, best known for “The Five Obstructions,” and “The Lost Leonardo” helmer Andreas Koefoed, has debuted its trailer with Variety. The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s most renowned and prolific jazz musicians, including Jakob Bro, Bill Frisell, Lee Konitz, Paul Motian and Midori Takada. Leth, who has directed more than 40 films including landmark works such as “A Sunday in Hell” (1977) and the surrealist short “The Perfect Human” (1968), returns to Venice after his feature documentary “The Five Obstructions,” which he co-directed with Lars von Trier, screened on the Lido in 2003.

Leo Barraclough International Features Editor Variety has been given exclusive access to a first-look clip for “Amanda,” Carolina Cavalli’s quirky Italian-cool film in Venice Horizons, starring Benedetta Porcaroli (star of Netflix series “Baby”), and featuring Italian heavyweight Giovanna Mezzogiorno, and Italian “X-Factor” winner Michele Bravi. The film, which is reminiscent of early Wes Anderson, premieres at Venice on Monday, then goes to Toronto – it’s the only Italian film to play both fests this year. Charades is handling international sales. I Wonder is distributing in Italy. The film centers on Amanda, 24, who lives mostly isolated and has never had any friends, even if it’s the thing she wants the most. When she discovers that as toddlers her and Rebecca used to spend a lot of time together, Amanda chooses her new mission: to convince her that they are still best friends.

When Trace Lysette got to Venice for the premiere of the Andrea Pallaoro-directed drama Monica, she learned that she becomes the first Trans actress to headline a competition film here. Lysette plays the title character, a Trans woman who comes home to care for the mother who rejected her years ago, The young woman has a lot of personal issues she is working through, but among the most frustrating is that the mental faculties of her mother (Patricia Clarkson) are failing along with her health. She doesn’t recognize her child, and Monica tries her best to build a bond as her caretaker. Lysette was a regular in the Amazon series Transparent, and she co-starred with Jennifer Lopez and Constance Wu in Hustlers. But this is her first leading role in a movie. We met at the Excelsior hotel for a Disruptors party thrown by Deadline, Thelios and Guillotine Vodka. It is clear that setting a milestone in Venice is not something Lysette takes lightly.

Bardo” be Alejandro González Iñárritu’s third best director Oscar in a row following “Birdman” and “The Revenant” wins? It’s a question many were asking heading into the Venice Film Festival, where the Netflix-backed “Bardo” world premiered in competition. The three-hour-long drama, which wrapped at 12:15 a.m. Venice time, earned a standing ovation of just over four minutes at the Sala Grande. A number of audience members began leaving before the movie ended given the late hour, but the vast majority stayed to applaud the helmer.Iñárritu was visibly moved by the reception to his film, certainly one of his most personal efforts to date, and had tears in his eyes as he embraced his cast and producers.

At 80 years old, Walter Hill shows no signs of slowing down. The veteran director of influential action thrillers like “The Warriors,” “48 Hrs.,” and “Streets of Fire” has reinvented himself in recent years as a reliable gun-for-hire on prestige TV Westerns (“Deadwood,” “Broken Trail”) and crime movies like “Bullet to the Head” and “The Assignment” that fall somewhere between VOD schlock and ‘70s grindhouse revivalism.