Alejandro G. Iñárritu Gets Teary-Eyed as Three-Hour ‘Bardo’ Nabs Four-Minute Standing Ovation in Venice

When it comes to biopics, they don’t get much more intensely intimate than Andrew Dominik‘s “Blonde.” And the film’s world premiere at the Venice Film Festival earlier this month confirmed that Ana de Armas expertly channels Marilyn Monroe in her performance. In fact, de Armas got so close to Monroe during the film’s production the actress attempted to contact the deceased starlet, in a way.

Clayton Davis “Glass Onion: A Knives Out” from writer and director Rian Johnson is another uproarious take on the whodunit series that outdoes its predecessor in nearly every way. Turning in killer performances, Janelle Monae and Edward Norton lead an invigorating ensemble that makes this awards observer hope Netflix will put every available dollar behind making this its leading awards contender for 2022.  Daniel Craig reprises the role of Benoit Blanc, throwing himself into the funniest performance seen this year. It’s impossible to explain what the film is about without spoiling it, so we won’t do that. What we will do is tell you that the award for SAG ensemble is going to be a cutthroat race with “Glass Onion” in the mix alongside “Women Talking” and “Everything Everywhere All at Once.” 

If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.

Ana de Armas is a proud actress. The 2022 Venice Film Festival comes to an end tomorrow and Thursday saw the world premiere of the highly anticipated film about Marilyn Monroe’s life, Blonde. Once the movie ended, there was a 14-minute long standing ovation.According to Variety, the Cuban-Spanish actress was glowing as tears ran down her face.

Marilyn Monroe Biopic “Blonde” is already raking in the praise.

Blonde” debuted to a massive 14-minute long standing ovation during its world premiere at the 2022 Venice Film Festival. Ana de Armas, who plays Marilyn Monroe, was in tears at the screening, her face glowing as tears streamed down. Before the film’s world premiere Brad Pitt, who is among the film’s producers, de Armas, director Andrew Dominik, Adrien Brody and Julianne Nicholson created commotion on the red carpet, largely for Pitt who worked the crowds wearing a black Covid mask when he came into close contact with fans to sign autographs and do selfies. Pitt made a surprise appearance in Venice since he was not present at the film’s press conference earlier in the day. Dede Gardner, who is also among “Blonde” producers, was also on hand.

Blonde, Andrew Dominik’s long-awaited and anticipated Marilyn Monroe biopic starring Ana de Armas, just had its world premiere Thursday night at the Venice Film Festival, where the audience greeted it with an 11-minute standing ovation after the credits rolled.

If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.

No film at the Venice Film Festival not called “Don’t Worry Darling” has attracted such morbid fascination as Andrew Dominik’s Marilyn Monroe not-a-biopic, “Blonde.” Turns out that “morbid” qualifier is soft, to say the least: to call “Blonde” relentless would be about as immense an understatement as one can conjure of a movie that subjects its lead, Ana de Armas’ fictionalized Monroe, to two hours and forty-seven minutes of unending sexual torture, leering voyeurism, and devastating dehumanization.  READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch Much has already been made about the X-ratedness of it all, but god, this is — by design — soul-sapping stuff, leaving you bloodied and brutalized.

Ana de Armas and Adrien Brody pose with their Blonde co-star Julianne Nicholson and writer and director Andrew Dominik during the film’s Thursday (September 8) photo call at the 2022 Venice Film Festival.

Zack Sharf Alejandro Gonzalez Iñarritu does not like superhero movies. The Oscar winner said in 2014 while promoting “Birdman” that superhero movies were a form of “cultural genocide,” adding, “I don’t respond to those characters. They have been poison because the audience is so overexposed to plot and explosions and shit that doesn’t mean nothing about the experience of being human.” Robert Downey Jr. weighed in on Iñarritu’s comment in 2015 during an interview with The Guardian to promote his turn as Iron Man in the Marvel blockbuster “Avengers: Age of Ultron,” but the actor’s retort was somewhat controversial. Downey Jr. noted that he “respects the heck out of” Iñarritu but also mocked Iñarritu’s Spanish roots by saying, “For a man whose native tongue is Spanish to be able to put together a phrase like ‘cultural genocide’ just speaks to how bright he is.”

Hugh Jackman and Laura Dern hit the red carpet together for the premiere of their new movie, The Son, during the 2022 Venice Film Festival on Wednesday (September 7) in Venice, Italy.

Hugh Jackman and Laura Dern devastated the Venice Film Festival with the world premiere of Florian Zeller’s “The Son,” which earned a 10-minute standing ovation. Jackman appeared visibly moved during the  film’s reception, as did the audience. Jackman hugged his young co-star Zen McGrath amid the ovation. The film, which centers on a gut-wrenching family tragedy, led to audible gasps from viewers during one dramatic scene. Based on this rapturous reception, Zeller might be back for more Oscar glory with “The Son.”“The Son” centers on “a family as it falls apart and tries to come back together again,” according to Sony Pictures Classics’ official synopsis. Jackman stars as a father whose 17-year-old son comes to live with him after deciding he can no longer stay with his mother (Dern) years after his parents’ divorce. Jackson’s character, Peter, has a new partner, Kirby’s Beth. As Peter overextends himself to give his son a better life. 

Casey Affleck heaped praise on Andrew Dominik’s forthcoming Marilyn Monroe biopic Blonde during a press conference for his latest film Dreamin’ Wild at the Venice Film Festival Wednesday.

Over the weekend, we saw a number of high-profile films get major premieres at the Venice Film Festival. One of the most anticipated features to debut is Alejandro G.

The Whale at the Venice International Film Festival.The new film from Darren Aronofsky sees the actor play a reclusive English teacher who lives with life-threatening obesity.Since the film premiered over the weekend, footage has emerged of the audience giving Fraser a standing ovation, which reportedly lasted for six minutes. The star can also be seen to be tearful during the clip.The standing ovation for #TheWhale was so enthusiastic, Brendan Fraser tried to leave the theater but the crowd’s applause made him stay.

Brendan Fraser’s return to Hollywood at the 79th Venice Film Festival was met with many tears.

The Whale” at the Venice Film Festival is any indication, Brendan Fraser’s return to Hollywood will be met with plenty of cheers — and even more tears. When the credits rolled on the Darren Aronofsky drama, in which Fraser plays a 600-pound gay man confined to a wheelchair, the actor was overcome with emotion.Fraser sobbed throughout the six-minute standing ovation for the film, which will likely put him at the forefront of this year’s best actor Oscars race.Among those spotted inside the Sala Grande Theatre were Pheoebe Waller-Bridge, Nick Kroll and Hillary Clinton staffer Huma Abedin, who was seated a few rows behind Fraser and shed as many tears as he did. Many others inside the theater also broke out a handkerchief during the film’s heartbreaking final scenes.

Timothée Chalamet‘s new movie received an almost nine-minute standing ovation at Venice Film Festival. The actor arrived in Italy for the premiere of his second film with Call Me By Your Name director Luca Guadagnino on Friday (2 September). Chalamet plays a cannibal in the film, which is titled Bones and All.