‘Dead for a Dollar’ Trailer: Walter Hill’s New Western With Christoph Waltz & Willem Dafoe Premieres In Venice

David Farrier has made his mark in the past several years with documentaries with off-beat subjects like 2016’s “Tickled” and his 2018 Netflix series “Dark Tourist.” Now, he’s back with his latest feature, “Mister Organ,” about perhaps his most weirdest subject yet. READ MORE: Fantastic Fest 2022 Lineup: New Films From Luca Guadagnino, Park Chan-wook, Martin McDonagh, & More Added To The Event The upcoming doc follows Farrier as he becomes interested in the titular Michael Organ, a wheel clamper in New Zealand.

Is there any place better than the great outdoors to escape from everything? That’s the logic of Thandiwe Newton‘s grieving college professor in “God’s Country,” who heads out to Big Sky Country in Montana to mourn his mother’s passing. But when two hunters trespass on her property, Newton’s teacher finds herself less in the solace of nature than in an escalating battle of wills that leads to fatal consequences.

Death Cab For Cutie returned to their Live From Home streams this week – watch them cover R.E.M. and debut new song ‘Pepper’ below.During the first COVID lockdown in 2020, Death Cab frontman Ben Gibbard launched the Live From Home series, which saw him stream to fans at 4pm every single day, sharing covers and raising over £200,000 for local charities in the Seattle area.Ahead of the release of their 10th studio album, ‘Asphalt Meadows’, this Friday (September 16), the band returned for a special edition of Live From Home on Monday night, which carried on Gibbard’s trend of mixing originals with cover versions.During the set, the band covered R.E.M.’s ‘Near Wild Heaven’ and shared a version of unreleased ‘Asphalt Meadows’ track ‘Pepper’.Check the full performance out below.Speaking to NME this month, Gibbard discussed how his Live From Home performances gave him structure and belief during the pandemic.“I was just feeling so anxious and watching too much news,” Gibbard told NME of his headspace in the early pandemic before ‘Live From Home’ began.

Kate Beckinsale walks the runway during the Naeem Khan fashion show in the midst of 2022 New York Fashion Week at Sony Hall in New York City.

Since the mid-1980s, William Gibson has set a precedent for heady SF novels, with “Neuromancer” and its “Sprawl” trilogy being the ur-texts of cyberpunk. So, how have William Gibson‘s novels never crossed over to movies and TV? Maybe because Gibson’s speculative fiction is too hard to translate to a broad appeal.

For many years now Venice has been a respectful platform for those big-name directors of the 1970s and early ’80s who are happy to go back into the fray long after those juicy studio budgets dried up: Brian De Palma, William Friedkin, Paul Verhoeven, John Carpenter and — to a lesser extent — George Romero all found a home here for their late-period passion projects. Walter Hill, now 80, joins their ranks with an improbably youthful horse opera, and while it shows up the limitations of both writing and shooting a Western in the modern age (concessions to modern sensitivities have to be made, and digital cinematography somehow just doesn’t cut it with the subject matter), it’s nevertheless a wickedly enjoyable genre romp and full of violent surprises.

Willem Dafoe and Christoph Waltz have joined the raft of famous faces making appearances at the Venice International Film Festival. The Hollywood heavyweights were pictured in apparent good spirits, as they arrived for the event on Tuesday evening ahead of the premiere of their film Dead For A Dollar. The pair star in the Western, which is written and directed by Walter Hill, alongside actress Rachel Brosnahan.

Christoph Waltz and Willem Dafoe buddy up on the red carpet for the premiere of their movie, Dead For A Dollar, during the 2022 Venice Film Festival on Tuesday (September 6) in Venice, Italy.

can judge a film by its title. Consider “Dead for a Dollar:” It certainly sounds like a Western, doesn’t it? The “dollar” might call to mind some of the classics of the genre, while the “dead” at least promises a few good shoot-outs, a bit of bloody fun.

“I need a drink,” offers a character (who shall remain nameless to avoid spoilers) as the final line of “Dead for a Dollar,” director Walter Hill’s return to the Western. It’s a note of exasperation, not triumph, following the genre’s inevitable shootout.

Owen Gleiberman Chief Film Critic The title of Walter Hill’s “Dead for a Dollar” makes it sound like a spaghetti Western, and the picture opens with stunning vistas and a wistfully valorous neo-Morricone score that gives you the impression — maybe the hope — that it will be. It ends on a very different note: a series of titles explaining, with precise dates and details, what happened to each of the main characters, as if the film were based on a true story. It’s the “American Graffiti” gambit of treating fictional characters as though they were real, only in this case it ends up revealing something essential about the drama we’ve been watching. Namely, how it could be so avid, specific, and scrupulously carpentered…yet remote.

The D’Amelio Show season two trailer is here! – Just Jared Jr This Harry Styles/Chris Pine story is wild – Celebitchy Find out what Kim Kardashian is calling out – Popsugar Guess who got married! – Just Jared Jr

Dead For A Dollar stars Christoph Waltz, Rachel Brosnahan, Willem Dafoe and Benjamin Bratt pose with director Walter Hill at the film’s photo call during the 2022 Venice Film Festival on Tuesday (September 6).

The harrowing new trailer for “All Quiet on the Western Front” has been released ahead of the movie’s premiere at this year’s Toronto International Film Festival.

Ahead of accepting the Venice Film Festival’s Glory to the Filmmaker Award this evening, legendary filmmaker Walter Hill met with the press corps here on the Lido to talk about his new western, Dead For A Dollar.

Evgeny Afineevsky released his Oscar-nominated Netflix documentary Winter on Fire: Ukraine’s Fight for Freedom in 2015, documenting the Euromaidan protests the previous year in the city of Kyiv that led to the collapse of the Russia-aligned Azarov government and the removal and exile of Putin ally Viktor Yanukovych as Ukraine’s president. Afineevsky returns to Venice this year with Freedom on Fire: Ukraine’s Fight for Freedom, a follow-up that details the real stories of the people of Ukraine as they continue their fight against Russia’s invasion of their country.

In a triumphant world premiere at the Venice Film Festival, Darren Aronofsky’s The Whale received a seven-minute standing ovation inside the Sala Grande this evening. Star Brendan Fraser was visibly moved as he was embraced by his director while extended applause rang throughout the auditorium.

Longtime “Alien” franchise screenwriter and producer Walter Hill (“48 Hours“) has revealed that Disney isn’t too keen on his “Alien 5” spec script — or in bringing back Sigourney Weaver‘s iconic hero Ellen Ripley for a legacy sequel. The “Alien” franchise is in an interesting place at the moment.

Romain Gavras’ immersive modern tragedy Athena just had its world premiere at the Venice Film Festival, receiving a 4 1/2-minute standing ovation in the process.

It’s Bones and All day here at the Venice Film Festival, where the Timothée Chalamet-Taylor Russell starrer from Luca Guadagnino received a 10-minute standing ovation after its world premiere screening this evening.