It looked as though the 2023 Oscar season would be the first in over a decade without some sort of scandal in its midst. After the events of the past week, that does not appear to be the case.
It looked as though the 2023 Oscar season would be the first in over a decade without some sort of scandal in its midst. After the events of the past week, that does not appear to be the case.
Following her role as a feisty droid in “Solo: A Star Wars Story,” actor/writer/producer Phoebe Waller-Bridge (“Fleabag”) took another plunge into the world of blockbusters to reunite with Lucasfilm for their fifth and final “Indiana Jones” installment. Well, she must have had a bunch of fun on “The Dial of Destiny” as she’s looking to return to familiar franchise territory with a newly announced live-action “Tomb Raider” series at Amazon, a video game franchise very much inspired by likes of “Indiana Jones” but with a modern setting.
It’s challenging and/or impossible to speak about Chilean art and disassociate it from Chilean politics— the two are forever tragically intertwined, bonded together by trauma in a way that few modern countries have experienced. Because Chile suffered a collective social trauma in the 1970s, the country has never recovered and still grapples with it today.
Leave it to “Blade” star Stephen Dorff to torch superhero movies and how far he feels they’ve fallen. At the Sundance Film Festival to support the premiere of his latest movie, Eddie Alcazar‘s gonzo sci-fi odyssey “Divinity,” Dorff talked with The Daily Beast about how he feels about the present Hollywood climate, in particular Marvel movies.
2011’s “Attack The Block” is a lot of things: Joe Cornish‘s directorial debut, John Boyega‘s breakout film, and one of the most entertaining cult films out the UK in the 21st century. So, no shortage of excitement knowing that a sequel to the film is on the way.
The Sundance Film Festival returned to Park City after a two-year virtual hiatus and that means the in-person awards ceremony returned as well. Well, sorta.
Nicole Kidman already has a strong partnership with HBO after “Big Little Lies” and “The Undoing.” Now she’ll team up with network again for a new limited series. Deadline reports that Kidman and Maya Erskine will star in “The Perfect Nanny,” with Erksine also serving as writer and showrunner.
Joe Cornish‘s Netflix series “Lockwood & Co.” premieres on the streamer today, the English comedian and filmmaker’s first foray into TV. And to celebrate, The Playlist interviewed Cornish for an upcoming episode of The Playlist Podcast.
As “Pamela: A Love Story” approaches its January 31 premiere on Netflix, Pamela Anderson has had to talk about last year’s Hulu limited series, “Pam & Tommy.” And while the actress and former Playboy model accepts that Hulu made the show, she still considers the crew behind the series “assholes” for making it without her involvement or permission. READ MORE: ‘Pamela: A Love Story’ Trailer: New Netflix Doc Gives Pamela Anderson The Space To Tell Her Side Of The Story EW reports (via a new interview with Variety) that Anderson opened up about her take on the hit show from last year.
Well, James Cameron naysayers, it’s time to admit defeat. Variety reports that “Avatar: The Way Of Water” now sits at #5 in the all-time box office gross rankings with $2.054 billion globally.
The last eight months have been pretty remarkable for Lukas Dhont. After bursting on the global film scene with “Girl” in 2018, the Belgian filmmaker returned to the Cannes Film Festival with his sophomore effort, “Close.” That heartbreaking drama won the Grand Prix (effectively coming in second) and was quickly scooped up by A24.
Ava DuVernay‘s “Caste” has been shooting in Savannah, GA for weeks without any casting news save for “King Richard” star Aunjanue Ellis leading the cast. But now Deadline has the scoop on who joins Ellis for the upcoming film, and it’s an intriguing list. Niecy Nash-Betts, Jon Bernthal, Vera Farmiga, Nick Offerman, Jasmine Cephas Jones, and Connie Nielson are all on board for DuVernay’s race drama.
Writer/director Robert Eggers recently dipped his toes into period epic territory with “The Northman” but is returning to the world of horror/suspense with a remake of the classic silent vampire film “Nosferatu” that was originally helmed by German filmmaker F. W.
Based on its cast alone, “Thunderbolts” may be the buzziest film to come out of the MCU‘s Phase 5. And now the upcoming Marvel movie adds another intriguing name to its ensemble.
Diego Enrique Osorno is a first-rate reporter and filmmaker when it comes to tackling Mexico’s complicated political and sociocultural issues. Now, Osorno follows up his 2019 Netflix limited series “1994” with “La Montaña,” which has its world premiere at International Film Festival Rotterdam this weekend.
The avant-garde video artist Nam June Paik gets his own adulatory portrait in Amanda Kim’s documentary “Nam June Paik: Moon is the Oldest TV.” An act of biographical recovery that also, somehow, flattens a controversial artist, Kim’s film provides just enough contextual information to maintain interest, even if it’s never as radical as its titular subject. READ MORE: 25 Most Anticipated Films At The Sundance Film Festival Moving succinctly from birth to death, Kim provides a broad overview of Paik’s history and aesthetic interests.
In 2021, filmgoing audiences were treated to “CODA,” an affectionate look at a music-loving high school senior and her complicated bond with a deaf mother, father, and sibling. A year earlier, “Sound of Metal” presented the devastating journey of a rock drummer’s hearing loss and subsequent attempts to cope with his unfortunate predicament.
It’s been a little over 48 hours since the Oscar nominations have been announced and we’re sort of wondering, is anyone outside of the nominees themselves actually excited about this year’s ceremony? Sure, hardcore fans of “Everything Everywhere All At Once” are thrilled the critically acclaimed indie hit is on the cusp of winning Best Picture (we’ll get to that in a minute), but the buzz overall seems, tepid? Maybe it was because everyone was still getting vaxed and semi-stuck at home in 2021, but even the “Nomadland”/“Mank”/“Promising Young Woman”/“Minari” year had more heat? Continue reading ‘Everything Everywhere’ Takes Best Picture Lead But Where’s The Oscars Excitement? at The Playlist.
Even without the title of the doc being “Bill Russell: Legend,” there’s no denying that NBA icon Bill Russell is an absolute legend in the minds of sports fans around the world. As a player, he won five MVP trophies and 11 NBA Championships.
Pregnancy is often a complicated time for women. A sense of giddy anticipation and hope, but also anxiety and worry, and sometimes even dread.
On the latest episode of the “Team Deakins” podcast, hosted by legendary cinematographer Roger Deakins, Casey Affleck let it slip that he’s currently prepping for a new directorial project. And while Affleck didn’t divulge any ideas on the upcoming third film, it’s clear from his conversation with Deakins that it’ll be similar to 2010’s “I’m Not There” and 2019’s “Light Of My Life.” That is, it’ll be a more Affleck makes for his artistic fulfillment more than commercial success.
Exclusive: Earlier this year, in Steven Soderbergh‘s annual Seen, Read list—where the filmmaker details everything he watched or read in the year—the “Contagion” and ‘Oceans’ trilogy director unveiled a new venture he shot called “The Pendulum Project.” What is it exactly? Well, Soderbergh didn’t say, but his Seen, Read list did reveal the enterprise was a TV series, making it the third film or TV project he shot in 2022, alongside “Magic Mike’s Last Dance” and the HBO Max mini-series “Full Circle.” So, what is it exactly? Continue reading Steven Soderbergh’s ‘Pendulum Project’ Is A Satire Series From Writer Kurt Anderson Featuring Michael Cera, Roy Wood Jr.
Two episodes in, and HBO‘s “The Last Of Us” is already a sensation. Of course, that’s no surprise for those familiar with the game series.
In today’s episode of Bingeworthy, our TV and streaming podcast host Mike DeAngelo cries tears of joy for Apple TV+’s new dramedy, “Shrinking.” Created by Bill Lawrence (“Scrubs,” “Ted Lasso”), Brett Goldstein (“Ted Lasso,” “Thor: Love and Thunder”), and Jason Segel (“Forgetting Sarah Marshall,” “How I Met Your Mother”), the show follows Jimmy (Segel), a therapist who has gone off the deep end after the death of his wife.
In a few short years, Adam Driver has gone from underground TV curiosity to the most compelling leading man in movies. The young actor has already notched two consecutive Oscar nominations for his roles in 2018’s “BlacKkKlansman” and 2019’s “Marriage Story,” plus an extended excursion into the “Star Wars” universe.
So, James Gunn and Peter Safran have taken over the DC Universe with DC Studios. So far, that’s meant Henry Cavill out as Superman, Gal Gadot’s Wonder Woman fate is unclear (though director Patty Jenkins threequel was rejected), Jason Momoa with vague but good news about his future, and everyone else with a big fat TBD.
Since its premiere in 2018, “Succession” has swiftly become one of HBO‘s most popular and critically acclaimed shows ever. Now the show finally returns for its highly anticipated fourth season, aiming to win the Emmy for Best Drama three times in a row.
Over the years, comedian Marc Maron has had stand-up specials on Epix, and a few on Netflix, including “Marc Maron: Too Real” and “End Times Fun.” Now he gets a coveted comedy special on HBO with “Marc Maron: From Bleak To Dark,” set to premiere on the network next month. READ MORE: The 70 Most Anticipated TV Shows & Mini-Series Of 2023: Filmed live at NYC’s Town Hall, “From Bleak To Dark” sees Maron cover a handful of touchy topics with his characteristic cynical charm.
Not yet thirty years old, Mia Goth has already collaborated with several world-renowned filmmakers for her willingness to follow their most demented muses. Her girlish appearance strikes a shocking contrast with the atrocity exhibitions that she gravitates toward: eagerly taking to sexual grooming in Lars Von Trier’s “Nymphomaniac;” undergoing forcible insemination and grisly spaghettification with Claire Denis in “High Life;” becoming an insane asylum’s incestuous princess for Gore Verbinski in “A Cure for Wellness;” witnessing her own disembowelment as part of the orgiastic blood ritual Luca Guadagnino that’s the grand finale to “Suspiria;” manifesting a century of madness for Ti West’s in-progress trio of period pieces of “X,” “Pearl,” and the upcoming “Maxxxine.” And so it’s no surprise that Goth’s latest outing is another twisted affair: Brandon Cronenberg‘s “Infinity Pool,” which takes place at a Mediterranean beach resort that hides a violent and depraved sub-culture.
13 years after it was canceled, the catering comedy “Party Down” returns to STARZ for a belated third season, and all the gang is back Adam Scott, Jane Lynch, Ken Marino, and more. Because revivals are all the rage in the era of #TooMuchContent and the streaming war era.
Every year, as the Academy Awards announce their Oscar nominees, The Razzie Awards follow suit with their awards for the past year’s worst films and performances. But the Razzies may have taken their schtick too far for their 2023 ballot.
Christopher Landon helped put Blumhouse on the map last decade thanks to his writing and directing credits on the “Paranormal Activity” and “Happy Death Day” films. Now Landon returns for his first film since 2020’s “Freaky,” a horror movie for Netflix that’s a little more family-friendly than his usual efforts.
PARK CITY – After almost 40 years, there are actually few subjects in the LGBTQ community the Sundance Film Festival hasn’t put a spotlight on. The fact that Vuk Lungulov-Klotz’s “Mutt,” a rare non-coming-out story about a trans man, is part of the annual independent event is therefore noteworthy in and of itself.
Caught somewhere between a movie and a series, “Willie Nelson & Family” doubles down on the history and mythology of its namesake to stretch the latter into what would have been better served as the former. Honest, introspective, yet rarely revelatory, the anthology often mistakes the comprehensive for the essential, and while it succeeds in explaining Willie Nelson to its audience, that’s about all it does.
In writer/director A.V. Rockwell’s feature directorial debut, “A Thousand and One,” Inez (a deeply felt Teyana Talyor) has returned to Harlem after spending a year in Rikers Prison.
This is “a place of mountains and myths,” we’re told as a montage of Central Appalachian imagery fills the frame. The mists, buffalo, ferns, and flowing waters intercut with the coal-filled mountains and mining towns that grew up around them.