‘Social Hygiene,’ ‘We’ Among Berlin Encounter Selections, ‘Censor,’ ‘Dirty Feathers’ in Panorama

Dan Lindsay and T.J. Martin co-directed the sports documentary Undefeated in 2011, and their Berlin Film Festival Special Gala, Tina, could have shared the same title.

A teacher comes under fire for a sex tape in Bad Luck Banging Or Loony Porn, the Berlin Film Festival competition entry from Romanian writer-director Radu Jude (Aferim!). We first meet Emi (Katia Pascariu) when she is engaged in graphic sex with her husband, who’s filming an amateur video.

Tides just aches to be a waterborne Blade Runner crossed with Mad Max, but instead emerges as even more waterlogged than Waterworld. A soupy, post-apocalyptic Europudding that needed more action, greater imagination and a star of some magnitude in the leading role, this tale of an investigation into the possibility of restoring life to a mostly decimated Earth is all dark, grim and clammy.

Variety Staff Follow Us on TwitterSince you can’t be in Berlin this year, Variety is bringing Berlin to you. We’re publishing daily digital editions, running March 1-4, of coverage from the European Film Market.

Ed Meza @edmezavarWith a strong showing at this year’s Berlin Film Festival that includes the directorial debut of Daniel Brühl and new works by Maria Schrader and Dominik Graf in competition, German films are set to garner much of the spotlight at the accompanying European Film Market.Brühl, who is set to reprise his role as the vengeful Helmut Zemo in the upcoming Marvel series “The Falcon and the Winter Soldier,” explores the contradictions of present-day Berlin in “Next Door.” The seemingly

Ed Meza @edmezavarBerlin has been wrought a shadow of its former bustling self by the ongoing pandemic, and while locals can still be seen on the streets, its once thriving nightlife, packed restaurants, crowded bars and 24-hour dance parties seem like a distant memory.The Berlinale was one of the few major industry events that managed to take place last year before the COVID-19 crisis hit Europe in March. This year, it has followed other major A-list festivals online.

Greenwich Entertainment has acquired the U.S. distribution rights to writer and director Ted Braun’s new documentary ¡Viva Maestro! A theatrical release is planned for later this year after the deal with Participant was unveiled at the virtual Berlin market.

The underseen but arresting 2016 documentary feature Peter and the Farm is a warts-and-all portrait of a flinty Vermont loner and his volatile relationship to the land that has consumed him for more than three decades. Its director, Tony Stone, now blurs the line between nonfiction and narrative filmmaking to depict another solitary man inseparable from his natural environment in Ted K, a piercing psychological probe into the domestic terrorist known as the Unabomber.

Two fine actors volley for advantage across 90 minutes in the tastily insidious little melodrama Next Door (Nebenan).

Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian — Going to the Dogs (Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where

Director Tony Stone delves into the world of “Unabomber” Ted Kaczynski in Ted K, premiering in the Panorama strand of the Berlin Film Festival. More of a mood piece than a biopic, it stars an understated Sharlto Copley as the former math professor, who’s living off grid in the Montana mountains, fostering a burgeoning grudge against technology.

There’s no doubt about it, it’s all in the eyes: an ice-blue stare, locked on you, promising satisfaction and loyalty without asking for anything in return. That’s what love is, and Dan Stevens is the humanoid robot here to give it to us.

Kayo Washio has worn a lot of hats at Japanese pay TV broadcaster Wowow. Early in her career she was an on-camera interviewer for the company's flagship movie channel, hosting sit-downs with A-list Hollywood stars and directors as they introduced their projects to Japan —from Steven Spielberg to Tom Cruise, Brad Pitt, George Clooney and hundreds of others.

The Pygmalion myth gets a gender flip in I’m Your Man, the Berlin Film Festival competition entry from Germany’s Maria Schrader. Maren Eggert stars as Alma, a single anthropologist who agrees to live with a humanoid robot for three weeks as part of a trial testing period. Thomas (Dan Stevens) has been designed as Alma’s ideal partner, using algorithms based on her brain scans, her responses and research involving 17 million people.

Self-taught Vietnamese filmmakerLê Bảo's directorial debut Taste takes place in the Ho Chi Minh City slums where he grew up, but the film centers on a displaced Nigerian man who is a world away from home.

You have to wonder about the shelf life of all the compact film productions being stitched together around COVID pandemic restraints, particularly those in which the visual field is limited to computer desktops.

Jamie Lang A year after featuring as the European Film Market’s focus country, Chile returns with a delegate of more than 20 producers who will participate in a virtual stand, backed by ProChile and the Ministry of Culture.Bastard.

There’s a scene about two-thirds into The Scary of Sixty-First, where, in quite possibly a cinematic first, a woman possessed by the spirit of an underage girl aggressively pleasures herself on a bed strewn with photos of Prince Andrew and assorted royal memorabilia.

Berlinale Encounters hated to Variety about his latest feature before its world premiere on March 3. Cote, in interview, flows.

Buyers across Europe and Latin America have boarded the upcoming Norwegian disaster film The North Sea, from director John Andreas Andersen.