Berlinale Move Online Exacerbating Berlin’s Economic Woes

Bleecker Street has acquired U.S. rights to Maria Schrader’s I’m Your Man after the film picked up a Silver Bear for Maren Eggert’s lead performance at the 2021 Berlin International Film Festival.

Leo Barraclough International Features EditorAltered Innocence has picked up U.S. rights to Kateryna Gornostai’s debut feature film “Stop-Zemlia,” which just had its world premiere in the Generation 14plus section of the Berlin Film Festival.The film follows Masha, her two best friends, and the rest of their class through parties, field trips and romance in their last year of high school.

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

Mubi, the arthouse streaming platform, and theatrical distributor has signed a deal for Céline Sciamma's Petite Maman, picking up all rights in the U.K., Ireland and Turkey for the new French-language drama from the director of Portrait of a Lady on Fire. Petite Maman premiered in competition at the 2021 Berlin International Film Festival last week.

Elsa Keslassy International CorrespondentThe Berlin Film Festival’s European Film Market had a successful 2021 online edition with the participation of 12,000 attendees from 131 countries. The industry event, which took place March 1-5, gathered 504 exhibitors — 215 of which were newcomers at EFM — from 60 countries.

Arthouse streamer and distributor Mubi has acquired all rights for Céline Sciamma’s well-received Berlin Film Festival title Petite Maman for the UK, Ireland and Turkey.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

Guy Lodge Film CriticNow in its 35th year, the Teddy Awards are among the Berlinale’s most affectionately regarded institutions.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

Naman Ramachandran The Berlin Film Festival’s Golden Bear for best film has been won by “Bad Luck Banging or Loony Porn” (Babardeală cu bucluc sau porno balamuc), directed by Radu Jude and produced by Ada Solomon.The international jury, made up of former Golden Bear winners, includes Mohammad Rasoulof from Iran, Nadav Lapid from Israel, Adina Pintilie from Romania, Ildikó Enyedi from Hungary, Gianfranco Rosi from Italy and Jasmila Žbanić from Jasmila Zbanic from Bosnia and Herzegovina.More to

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

Ed Meza @edmezavarPalestinian filmmaker Annemarie Jacir’s Gaza-set drama “The Oblivion Theory” has won the top prize at the Berlinale Co-Production Market.Presented by Paris-based Incognito Films and Berlin’s One Two Films, the film is based on José Eduardo Agualusa’s novel “A General Theory of Oblivion,” although the book’s story has been moved from Angola to Palestine during the First Intifada, the sustained protests by Palestinians against Israel occupation that lasted from 1987 to 1993.The

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

Emiliano Granada One thing’s clear from the 2021 Berlin Film Festival’s get-go:  Its Berlinale Series strand grows stronger every year, and features for the first time two Latin America series which underscore the creative excitement of the limited miniseries format.“The Last Days Of Gilda,” Gustavo Pizzi and star Karine Teles’ adaptation of the same-titled stage play by Rodrigo de Roure is in its style, a playful portrayal of a woman trapped in a political and social tsunami now storming

For the students at a remote boarding school for Kurdish boys, survival is a matter of course, particularly during the frigid depths of winter. The meals are meager, the heating doesn’t work, and even the principal’s car won’t start.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

Naman Ramachandran Cold War spy drama “Baloton Brigade” has been selected to pitch at Series Mania in Lille as part of the Berlinale-Series Mania Project Exchange.Under the terms of the partnership, now in its seventh year, one project pitched at Series Mania at Lille is invited to pitch again at the ongoing Berlin Series Market’s Co-Pro Series (March 1-5). In return, Series Mania invites a Berlinale project to pitch in Lille as part of the Series Mania Forum (Aug.

John Hopewell Chief International CorrespondentYear by year, the Berlin Film Festival’s drama series strand and market movers closer to center-stage. As in so many ways, COVID-19 may merely accelerate that process.