Daniel Brühl Leads German Contingent at Berlin With ‘Next Door’

BERLIN -- The manager of a prominent Berlin theater has stepped down in the wake of accusations by women of bullying and sexual harassment.Klaus Doerr announced his resignation from the German capital's Volksbuehne theater on Tuesday.

Christopher Vourlias European Film Promotion, a network of 37 film promotion bodies from across the continent, is gathering 29 European sales companies from nine nations under the Europe! Umbrella at the virtual edition of the Hong Kong Intl. Film & TV Market (FilMart).For the second year running the annual event has been moved online because of the coronavirus pandemic.

Mr. Bachmann and His Class took director Maria Speth years to research, six months to shoot, and another three years to edit.

International buyers have jumped on Maria Schrader's I'm Your Man, and the Daniel Brühl-directed Next Door, both of which premiered in competition at the Berlin International Film Festival last week.

Leo Barraclough International Features EditorBerlinale Competition entries from two actors turned directors, Maria Schrader and Daniel Brühl, were among titles on the Beta Cinema slate at the European Film Market to prove popular among international distributors.Schrader, an Emmy Award winner as the director of “Unorthodox,” premiered comic-tragic tale “I’m Your Man,” starring Dan Stevens (“Downton Abbey”), Maren Eggert (“I Was At Home, But…”) and Sandra Hueller (“Toni Erdmann”), at the virtual

When he was offered the lead role in Fabian —Going to the Dogs, a coming-of-age tell set in Berlin in the early 1930s, Tom Schilling wasn't really interested in doing another period drama.

Angelique Jackson Tracey Deer, an indigenous filmmaker who hails from the Mohawk Nation, has signed with CAA.Deer recently made her narrative feature debut co-writing and directing the coming-of-age film “Beans,” which captures a young Mohawk girl’s experiences during the 1990s Oka Crisis. The feature debuted at the Toronto International Film Festival and also screened at the Berlin Film Festival, after which FilmRise acquired the U.S.

Thomas Jane tracks down his prey in this exclusive first-look image from upcoming western thriller The Last Son. The film — previously entitled The Last Son of Isaac LeMay and being sold at Berlin's virtual European Film Market by VMI Worldwide, which first announced it at the AFM in 2019 — also stars Sam Worthington, Machine Gun Kelly and Heather Graham.

BERLIN -- One of Germany's best-known TV directors and scriptwriters has been formally charged with raping an aspiring actress almost 25 years ago, Munich prosecutors said Friday.Dieter Wedel was the first prominent figure in the country named when the #MeToo movement targeting alleged sexual abusers in the media and the arts gathered pace in Germany three years ago.Wedel, 81, has denied claims by several women that he pressured them for sex.The 20-page indictment against Wedel claims that in

This year, more than most, Berlin's European Film Market was an opportunity to gauge the health of the global indie industry. Judging from the business done over the past week — the 2021 EFM wraps Friday — the general assessment would be: The patient is stable and the prognosis is promising.

There's sardonic self-deprecation in the part Daniel Brühl has chosen for himself in his first feature as director, that of a European movie star sweating over an audition for a Hollywood superhero film that stands to push his fame — and his bank account — to the next level. But celebrity entitlement is only one part of the package.

Naman Ramachandran International sales agency The Open Reel has scored a number of sales at the Berlin European Film Market (EFM).Daniel Sánchez López’s BFI Flare LGBTIQ+ Film Festival selection “Boy Meets Boy,” a German production, has sold to Peccadillo Pictures for the U.K. and Ireland and to Optimale to France and Francophone territories.

You have to wonder when she sleeps. The tireless Maria Schrader — fresh off an Emmy win as outstanding director of a limited series for Netflix's Unorthodox and another critically acclaimed turn in front of the camera as East German spy Lenora Rauch in Amazon's Deutschland 89 — somehow managed, during a pandemic, to shoot her fourth feature film.

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

Danis Goulet’s Night Raiders, executive produced by Oscar-winning Jojo Rabbit writer-director Taika Waititi, is no typical sci-fi thriller. An entry in this year’s Berlin Film Festival’s Panorama section and Goulet’s feature debut, the film flips the genre on its head by using the future to confront Canada’s past colonization and subjugation of its First Nation peoples.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

EXCLUSIVE: New York-based distributor FilmRise has struck a deal with sales firm WaZabi Films for U.S. rights to TIFF 2020 and Berlin 2021 drama Beans.

Leo Barraclough International Features EditorIn the black comedy thriller “Next Door,” the directorial debut of actor Daniel Brühl, the main character, Daniel, is a successful actor living in an old quarter of Berlin. His day is about to be ruined, and his life too.

Two fine actors volley for advantage across 90 minutes in the tastily insidious little melodrama Next Door (Nebenan).

Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian — Going to the Dogs (Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where