Sayed Kashua Discusses Cannes Pic ‘Let It Be Morning’

Riley Keough, 32,  is sharing a rare photo with her mom Lisa Marie Presley, 53, just over a year after her brother Benjamin Keough‘s passing. The doting look-alike mother and daughter posed in a pretty snapshot that was part of Riley’s new Instagram post on July 31.

Guy Lodge Film CriticIn a small Arabic village in Israel, at what is meant to be the emotional crescendo of a crowded, elaborate wedding, several cages are opened to release a flight of doves into the air. Except “a waddle of doves” might be a more appropriate term, given the birds’ reluctance to spread their wings, as they tip-claw tentatively into the outside world.

Shakira’s new single “Don’t Wait Up” is a must-add to your summer playlist.

In a candid new interview with the New York Times, Riley Keough opens up about her brother Benjamin, who died by suicide in July 2020 at just 27.

Singer Keyshia Cole, 39, and her loved ones are in mourning following the tragic death of her mother, Frankie Lons. Keyshia’s brother Sam confirmed to TMZ that Frankie died of a drug overdose at her Oakland, California home on Sunday, July 18, which was her 61st birthday. Frankie was celebrating her birthday at the residence when she took the drugs after decades of struggling with addiction, Sam told TMZ.

Sorrow mounts to the exclusion of everything else in Three Floors (Tre Piani), a decade-spanning account of the ongoing misfortunes of multiple families residing in a comfortable Roman apartment complex.

KISS‘ Paul Stanley has revealed that the band are likely to release some NFTs (non-fungible tokens) “in the foreseeable future”.Speaking in a new interview, the guitarist and co-lead singer discussed the prospect of KISS getting into world of NFTs and cryptocurrency.“Well, we certainly are on the edge of the diving board into NFTs,” Stanley told SiriusXM’s Jim Norton and Sam Roberts. “That’s obviously a natural, and we’re flexing our muscles just before we dive in.

Riley Keough is remembering her brother on the first anniversary of his death. The 32-year-old actress took to Instagram on Monday to pay tribute to Benjamin Keough, who died by suicide on July 12, 2020.

Premiering in competition at this year’s Festival de Cannes, Nanni Moretti’s wild melodrama “Three Floors” is based on a 2017 Israeli novel called “Shalosh Qomot” from writer Eshkol Nevo and begins with an undeniably tragic event. One dark night on a quiet street of Rome, a drunk driver runs over a lady crossing the road, narrowly avoids hitting a pregnant woman, then finally crashes into a building, landing straight into a family’s living room.

Adrien Brody shared a sweet red carpet kiss with his girlfriend Georgina Chapman at the premiere of his movie The French Dispatch on Monday (July 12) in Cannes, France.

A wedding guest gets stuck in his home village in Let It Be Morning, the Cannes comedy/drama from Israeli filmmaker Eran Kolirin, based on a book by Palestinian novelist Sayed Kashua. Showing in the Un Certain Regard section, it stars Alex Bakri as Sami, a married Palestinian who’s attending his younger brother’s wedding in an Arab village in Israel.

Eran Kolirin is best known to worldwide audiences for his debut breakout, 2007’s The Band’s Visit. That film was Israel’s submission to the Oscars and had a good shot at taking the Foreign Language prize, but its use of English ultimately saw it disqualified. Since then, Kolirin has made just three features, including this year’s Un Certain Regard premiere Let There Be Morning.

Jamie Lang Leading Italian sales agent and production company The Open Reel is at the Cannes Marché du Film selling its newly-acquired Spanish feature “Mía and Moi” (“Mia y Moi”) from director Borja de la Vega.

annual event on the Riviera will file past a pair of sniffer dogs posted at the entrance to the Palais where screenings are held, Cannes town hall has said. The hounds handled by the local Municipal Police have been trained to detect Covid-19 through human sweat as part of a prevention program trialled in France.

After serving up three very potent films over the past decade, Israeli director Nadav Lapid issues forth a shrill and strident screed in his fourth feature, Ahed’s Knee (Ha’Berech). Undeservedly included in the Cannes competition, this rough and hasty-looking outing is nothing short of a bilious broadside of anger at and resentment toward anything to do with the Israeli government.

Israeli writer/director Nadav Lapid has been on the international radar for quite some time, 2011’s “Policeman” made international waves, and 2014’s ‘The Kindergarten Teacher” was so well regarded, Hollywood, Netflix, and Maggie Gyllenhaal made a remake in 2018. But things started to really take off for Lapid after “Synonyms” won the Golden Bear award at the 69th Berlin International Film Festival in February 2019 and introduced most of the world to breakout star Tom Mercier.

Carole Horst Singaporean producer Jeremy Chua has amassed an impressive body of work in a relatively short period of time. Adullaah Mohammad Saad’s “Rehana,” a Singapore/Bangladesh co-production led by Chua’s Potocol, will pay at Un Certain Regard.

The first decade of Nadav Lapid’s career has been a rapid ascension to the top.