Saverio Costanzo on Why ‘Finally Dawn’ Starring Lily James as a 1950’s Diva is His Coming of Age Movie

Leonardo DiCaprio has only words of praise for Killers of the Flower Moon breakout star Lily Gladstone.

Nick Vivarelli International Correspondent Netflix on Tuesday unveiled four new Italian originals – two feature films and two series – that confirm its continued investment in Italy as local subscribers grow. The new projects also bolster the fact that the bulk of the streamer’s Italian productions are not high end and have a primarily local focus.

Michael Peña plays José Hernández, the first migrant farm worker to go to space. In a new interview, Hernández revealed that he recommended Peña for the role in “A Million Miles Away,” the movie based on his life, after he’d seen his work in the film “The Martian.”Camila Morrone discusses working with craft ‘masters’ Willem Dafoe and Patricia Arquette10 movies & shows to watch for Hispanic Heritage Month“I said, ‘He has experience already. He's been an astronaut!’” said Hernández in an interview with People.

The National Hispanic Foundation for the Arts is honoring three artists at its annual Visibility Awards in D.C. on Wednesday, at an event designed to advance Latino representation in film and television.

EXCLUSIVE: Freestyle Digital Media has found its next starry acquisition in The Winter House, a romantic thriller starring Lili Taylor (Mystic Pizza) and François Arnaud (The Borgias) that it will release on digital platforms October 13th. 

After myriad delays, James Wan‘s “Aquaman And The Lost Kingdom” hits theaters on December 20, bringing the DCEU to a close. And despite all those release changes, Warner Bros.

Nick Vivarelli International Correspondent Nicola Maccanico, a former Warner Bros. and Sky Italia senior exec, has been spearheading the radical overhaul of Rome’s Cinecittà Studios since June 2021, when the government-owned facilities secured a multi-million dollar loan provided by the European Union’s post-pandemic recovery fund to upgrade and expand the iconic facilities. Under Maccanico’s watch, the studios – which now boast 20 state-of-the-art soundstages and one of Europe’s largest LED walls – have become a magnet for Hollywood productions, such as Netflix’s period soap “The Decameron” and Roland Emmerich’s gladiator series “Those About to Die,” which is still currently shooting.

Nick Vivarelli International Correspondent Emmy-nominated “The White Lotus” star Sabrina Impacciatore will play the Venice Film Festival’s master of ceremonies in the upcoming second season of the Italian version of “Call My Agent,” which will also feature a cameo by Venice artistic director Alberto Barbera. Impacciatore, wearing a red gown, disembarked from a water taxi at the Excelsior Hotel pier on the Venice Lido on Saturday welcomed by Barbera, as cameras rolled for a key scene in the show.

Nick Vivarelli International Correspondent Oscar-winning writer-director Bobby Moresco (“Crash”) is set to direct “Ferrari vs. Mercedes,” the latest movie set in Italy’s vintage auto racing world – following Moresco’s “Lamborghini: The Man Behind the Legend” and Micheal Mann’s “Ferrari” – being produced by Andrea Iervolino. Just like “Lamborghini,” which in the U.S.

Nick Vivarelli International Correspondent Italian hotshot Pietro Castellitto is in competition in Venice with his second feature “Enea,” in which he also stars as the titular character, a young Roman sushi restaurant owner and cocaine dealer whose best friend Valentino just got his license as an airplane pilot. There is a lot going on in this fresh and frenzied film lensed by ace cinematographer Radek Ladczuk (“The Babadook”). “Enea” is produced by Lorenzo Mieli’s the Apartment, which is a Fremantle company, and Luca Guadagnino’s Frenesy.

Nick Vivarelli International Correspondent Italian genre specialist Stefano Sollima – who is known in Hollywood for “Sicario: Day of the Soldado,” “Without Remorse” and the TV series “Gomorrah” – is in the Venice competition for the first time with Rome-set crime drama “Adagio.” This beautifully shot picture features an ensemble cast of Italian A-listers comprising Pierfrancesco Favino (“Nostalgia”), Toni Servillo (“The Great Beauty”), Valerio Mastandrea (“Perfect Strangers”) and Adriano Giannini (“The Ties”). It’s the tale of three old – and once mighty – mobsters searching for redemption in a cutthroat contemporary Rome that is literally burning. They find it in the form of a 16 year old named Manuel who is being blackmailed after venturing too deep in a rotting Roman underworld world that he doesn’t understand.

told Vulture. “I auditioned several times.

Lily Slater has been a huge part of one of the year's most dramatic EastEnders storylines - with her underage pregnancy causing chaos in Albert Square.

Killers Of The Flower Moon actor Lily Gladstone has described Yellowstone as a “delusional” portrayal of the American West.The American neo-Western drama created by Taylor Sheridan and starring Kevin Costner premiered in June 2018, with the second part of the fifth and final season due to air this November.The show follows the Dutton family who own the Yellowstone Dutton ranch, and the conflicts they face from groups along their shared borders – including an Indian reservation, a cattle ranch and land developers.Gladstone – who featured in Martin Scorsese‘s Killers of the Flower Moon – said that she found Yellowstone‘s depiction of the American West “delusional” and “deplorable” in an interview with Vulture.She added that she’d previously auditioned for the show, having worked on projects with both Native and non-Native creators, sharing: “No offence to the Native talent in that. I auditioned several times.

Nick Vivarelli International Correspondent Venice Film Festival artistic director Alberto Barbera is adamant about his decision to place six Italian movies in this year’s 23-title festival lineup. “Nobody accused the French of chauvinism because they had seven French films in competition in Cannes this year,” Barbera quipped to a snarky Italian reporter when the Venice lineup was announced in July, though he did concede, “It’s true that in the past I have not done this.” Indeed, Barbera’s previous limit on Italian movies in competition for the Golden Lion was five titles last year, which some local critics considered a stretch.

Lily Gladstone will soon be seen in the hugely anticipated “Killers of the Flower Moon”, starring alongside Leonardo DiCaprio and Robert De Niro in the latest film from acclaimed director Martin Scorsese.

Time is a relative construct stretched to the limits of elasticity by Saverio Constanzo with the period drama “Finally Dawn.” The bloated 140-minute runtime begins at a cinema in Rome in 1953 as three women watch the final scene of a saccharine war drama, the light of the big screen coming to reveal a mother and two daughters, one donning the beauty of a Hollywood starlet and the other the beauty of a traditional Italian woman, with big blue eyes framed by thick curly hair. Venice Film Festival 2023: The 17 Most Anticipated Movies To Watch The curly-haired girl is Mimosa (Rebecca Antonaci), a shy 21-year-old used to inhabiting the uncomfortable but familiar shadow of her daintier sister, Iris (Sofia Panizzi).

Michaela Zee Lily Gladstone is condemning Hollywood’s depiction of the American West in film and television, particularly the Kevin Costner-led series “Yellowstone.” “Delusional! Deplorable!” Gladstone told Vulture of Taylor Sheridan’s Western drama. “Yellowstone” and its spinoff series “1883” and “1923” follow different generations of the Dutton family and their cattle ranch in Montana.

The glory days of Cinecitta are evoked in Finally Dawn (Finalmente l’Alba), a sprawling story of uncertain tone – sometimes thrilled, sometimes appalled and sometimes as generally bewildered as nervous ingenue Mimosa (Rebecca Antonaci), an ordinary young woman of Rome who finds herself leading the way through this warren of a Wonderland. Cinecitta has recently revived its fortunes after a long slump, with a slow build of refurbishment and expansion, but director Saverio Costanzo leans heavily into nostalgia for times past, setting his story in the ‘50s when there were still legions of centurions marching around the studio lot and live animals awaiting their close-ups. A lion features here, roaring at passers-by. It may well be the film’s most sympathetic character.

Peter Debruge Chief Film Critic Mousy and diminutive, to the point that she practically disappears beneath a frizzy bramble of brown hair, Mimosa (Rebecca Antonaci) adores movies. In “Finally Dawn,” she stumbles into one, drafted into being a featured extra on a swords-and-sandals epic shooting at Cinecittà. Doing so makes Mimosa a potential target in a meandering true-crime-adjacent period piece inspired by the death of Wilma Montesi, which plays like an Italian spin on the Black Dahlia case.