Italian Cinema Builds on Bumper Budgets to Up Quality, Be Bolder, Battle in International Markets

Nick Vivarelli International Correspondent Italian multi-hyphenate Ilaria Borrelli’s Arabic-language feminist drama “The Goat” – featuring Mira Sorvino and John Savage, alongside a stellar Egyptian cast – is set for back-to-back launches at Egypt’s upcoming El Gouna Film Festival, followed by the closing film slot at the Rome Film Festival. A rare, if not unique, case of an Arab production directed by an Italian, “The Goat” stars young Egyptian TikTok star Jessica Hosam as an 11-year-old pregnant orphan named Hadya who after being forced into marriage becomes the target of a western corporation that seeks to control the only water source in her village.

Nick Vivarelli International Correspondent Rome’s MIA market dedicated to international TV series, animation, feature films, and documentaries is set to feature a panoply of 62 projects from 36 countries for its upcoming 9th edition. Though European content remains the core of the curated pre-Mipcom event that will run Oct.

Nick Vivarelli International Correspondent Netflix on Tuesday unveiled four new Italian originals – two feature films and two series – that confirm its continued investment in Italy as local subscribers grow. The new projects also bolster the fact that the bulk of the streamer’s Italian productions are not high end and have a primarily local focus.

Nick Vivarelli International Correspondent A lavish Arabic-language film titled “Sukkar,” that draws inspiration from U.S. writer Jean Webster’s epistolary novel “Daddy-Long-Legs” and is being touted as the Arab world’s first musical movie in the Western canon, is set to release in cinemas across the Middle East and North Africa.

A first-time filmmaker has claimed the top prize at the 19th Annual Camden Film Festival in Maine, one of the country’s foremost all-documentary festivals.

Organizers of the Camden International Film Festival in coastal Maine are moving ahead with regular programming today, as Hurricane Lee – downgraded to a post-tropical cyclone – aims further north towards Nova Scotia.

Elsa Keslassy International Correspondent Charades has closed multiple deals on “There’s Something in the Barn,” Magnus Martens’s (“Fear the Walking Dead”) comedy horror movie from “Dead Snow” producers at 74 Entertainment and XYZ Films. The English-language movie is headlined by Martin Starr (“Freaks and Geeks,” “Spider Man”), Amrita Acharia (“Game of Thrones”) and Jeppe Beck Laursen (“The Last Kingdom”).

Steven Gaydos Executive VP of Content When first-time documentary director Leonard Manzella premieres his award-winning “Shoe Shine Caddie” at the Portobello Film Festival in London on September 16, it will represent a kind of return to the former actor’s roots in the international film scene. A professional family therapist for the past 30 years in California, Manzella’s earlier career began when the native Angeleno left Los Angeles for Rome in 1968 “when everything was burning.” In his early 20s and armed with “no contacts and about $50 bucks in my pocket,” a fortuitous introduction to American actor Brett Halsey got Manzella into movies, first as an extra and eventually as a leading man.

Nick Vivarelli International Correspondent Italian producer and director Ginevra Elkann, whose delicate first feature “If Only” opened the 2019 Locarno fest garnering critical praise, is at the Toronto Film Festival with her tonally different follow-up, “I Told You So.” The movie features a group made up mostly of women who are having a mental meltdown amid an unprecedented January heat wave in Rome. As the heat rises, so do the characters’ obsessions with sex, food, drugs, alcohol, and religion. The eclectic ensemble film, which was conceived by Elkann and her co-writers during the pandemic, features a star studded cast comprising Danny Huston – speaking perfect Italian on screen – as a heroin-addicted Italian-American priest.

Nick Vivarelli International Correspondent Emmy-nominated “The White Lotus” star Sabrina Impacciatore will play the Venice Film Festival’s master of ceremonies in the upcoming second season of the Italian version of “Call My Agent,” which will also feature a cameo by Venice artistic director Alberto Barbera. Impacciatore, wearing a red gown, disembarked from a water taxi at the Excelsior Hotel pier on the Venice Lido on Saturday welcomed by Barbera, as cameras rolled for a key scene in the show.

Nick Vivarelli International Correspondent Oscar-winning writer-director Bobby Moresco (“Crash”) is set to direct “Ferrari vs. Mercedes,” the latest movie set in Italy’s vintage auto racing world – following Moresco’s “Lamborghini: The Man Behind the Legend” and Micheal Mann’s “Ferrari” – being produced by Andrea Iervolino. Just like “Lamborghini,” which in the U.S.

Nick Vivarelli International Correspondent Italian genre specialist Stefano Sollima – who is known in Hollywood for “Sicario: Day of the Soldado,” “Without Remorse” and the TV series “Gomorrah” – is in the Venice competition for the first time with Rome-set crime drama “Adagio.” This beautifully shot picture features an ensemble cast of Italian A-listers comprising Pierfrancesco Favino (“Nostalgia”), Toni Servillo (“The Great Beauty”), Valerio Mastandrea (“Perfect Strangers”) and Adriano Giannini (“The Ties”). It’s the tale of three old – and once mighty – mobsters searching for redemption in a cutthroat contemporary Rome that is literally burning. They find it in the form of a 16 year old named Manuel who is being blackmailed after venturing too deep in a rotting Roman underworld world that he doesn’t understand.

Nick Vivarelli International Correspondent Giuliano Montaldo, the prolific Italian director, actor and film industry executive, whose works comprise powerful political drama “Sacco and Vanzetti” about the Massachusetts trial and execution in 1927 of accused Italian anarchists Nicola Sacco and Bartolomeo Vanzetti, has died at his home in Rome. He was 93.

Nick Vivarelli International Correspondent Italian filmmaker Matteo Garrone, who is a two-time Cannes jury prizewinner, with “Gomorrah” in 2008 and “Reality” in 2012, is in competition at the Venice Film Festival for the first time with his immigration-themed drama “Io Capitano.” Shot in Senegal, Italy and Morocco with a cast of largely non-professional actors, “Io Capitano” narrates the Homeric journey of two young African men, Seydou and Moussa, who decide to leave Dakar to reach Europe. Garrone’s own company, Archimede, produced with RAI Cinema and Belgium’s Tarantula Film as a co-producer. The drama is backed by Pathé, which is handling world sales through Pathé International.

Guy Lodge Film Critic About 20 minutes pass in “Enea” before someone asks the young, handsome, splendidly attired title character what he does for a living, during which time audiences are likely to be wondering the same thing. This, to be fair, is not a negligent omission in writer-director-star Pietro Castellitto’s script, which tells us early on that Enea, the elder son of a wealthy Roman family, ostensibly manages a high-end sushi restaurant, atop an assortment of more underhand dealings.

Alissa Simon Film Critic As you read this, new titles from filmmakers of Tunisian, Moroccan and Franco-Palestinian-Algerian heritage are making their mark at the Venice Film Festival, while Toronto Film Festival will premiere a trio of first features from Saudi Arabia, along with discoveries from the UAE and Palestine, plus a handful of Arab titles screened at Cannes and Venice. Those in the know say that the annual number of Arab films produced has increased along with the emergence of new filmmakers, and that fall festivals such as El Gouna, Marrakech, Cairo and Red Sea will be chockablock with fresh regional titles.

Nick Vivarelli International Correspondent Whoopi Goldberg and Jeremy Irvine are set to star in Italian comedy “Leopardi & Co.,” directed by Federica Biondi and produced by Franco-Tunisian film and TV entrepreneur Tarak Ben Ammar’s Eagle Pictures. Shooting on the film is currently underway in the town of Recanati, which is known to many Italians as the birthplace of one the country’s greatest poets, Giacomo Leopardi. Goldberg plays the agent of a U.S.

Time is a relative construct stretched to the limits of elasticity by Saverio Constanzo with the period drama “Finally Dawn.” The bloated 140-minute runtime begins at a cinema in Rome in 1953 as three women watch the final scene of a saccharine war drama, the light of the big screen coming to reveal a mother and two daughters, one donning the beauty of a Hollywood starlet and the other the beauty of a traditional Italian woman, with big blue eyes framed by thick curly hair. Venice Film Festival 2023: The 17 Most Anticipated Movies To Watch The curly-haired girl is Mimosa (Rebecca Antonaci), a shy 21-year-old used to inhabiting the uncomfortable but familiar shadow of her daintier sister, Iris (Sofia Panizzi).

Patrick Frater Asia Bureau Chief “City of Wind” depicts a version of Mongolian everyday life that is both traditional and modern. Ulaanbaatar is shown as messy and sprawlingly urban in a fashion that will be familiar to millions of city dwellers in Asia — even if there are yurts in the front garden. Presented in Venice’s Horizons section, and then Toronto, “City” starts as a story of a shaman, who is still of school age.

Elsa Keslassy International Correspondent While at the Venice Film Festival to pay tribute to Ruggero Deodato, “Drive” and “The Neon Demon” filmmaker Nicolas Winding Refn participated in a masterclass and bashed streamers for being “overfunded and rotten with money and cocaine.” The director, who previously infuriated some in the film biz by claiming that “cinema is dead,” said he has somewhat changed his mind and will now fight for cinema to continue on because streamers have “kind of saturated everything” and “devalued content to just a swipe.” Refn, who last directed the series “Copenhagen Cowboy” for Netflix, said “it’s incredibly sad and terrifying because art is essentially the only thing – besides, you know, sex, water and happiness — that makes us exist.” “Even though I projected it was dead a few years ago, it has changed into something we have to fight for,” he added. “Theatrical movies are part of what makes us human and experience creativity.” The director, who lives in Copenhagen with his wife and children, went on to tie streamers to the dangers of artificial intelligence saying that it’s “certainly something affecting our industry.” “AI is not an artist,” Refn proclaimed.