Sarajevo Film Festival to Mark ‘Day of Mourning’ Following Murders in Bosnia

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.

Five years after his triumphant A Star is Born world premiered at the Venice Film Festival, Bradley Cooper is back on the Lido with Maestro. Except, the director and star is only here in spirit owing to the SAG-AFTRA strike.

Dynamic Greek filmmaker Yorgos Lanthimos’ anticipated latest, Poor Things, got a rapturous reception at after it world premiere at the Venice Film Festival on Friday, with a standing ovation timed at 10 minutes and 37 seconds.

They don’t make them like this any more, except when they do. Bastarden (disappointingly renamed The Promised Land in English) is a historical epic out of Denmark that has all the virtues of a midday movie remembered from childhood, the kind of thing you watched when your mother kept you home with a bad cold: a setting sometime in the olden days, a lawless frontier, sword fights and a gaggle of delectably evil baddies. Those seamy aristocrats and their henchmen, given to torturing, murdering and raping their oppressed tenants, are just lining up to have the tables turned, giving them a rich dose of their own torturing, murdering medicine. Hooray!

The Telluride Film Festival didn’t officially kick off its 50th edition until Thursday, but at least one attendee decided to get an early start the night before.

The Telluride Film Festival, a key part of the fall festival circuit launching awards season and perhaps some major Academy Award contenders, announced the wide-ranging lineup of films for its landmark 50th edition. The fest kicks off Thursday and runs through Labor Day and will feature world premieres of Oscar winners Alexander Payne’s The Holdovers (Focus Features), Emerald Fennell’s Saltburn (Amazon) and Free Solo filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s narrative feature Nyad (Netflix).

This year’s Taipei Golden Horse Film Festival will open with a double bill of Snow In Midsummer, directed by Malaysia’s Chong Keat-aun, and Be With Me, from Taiwanese filmmaker Hwarng Wern-ying.

Naman Ramachandran The 67th BFI London Film Festival has unveiled the titles that will compete in its official, first feature, documentary and short film competitions. Festival director Kristy Matheson said: “The films represented in each of these competitive strands offer audiences an exciting array of U.K. and global filmmaking voices and cinematic forms.

Nick Vivarelli International Correspondent It’s official: Adam Driver, Caleb Landry Jones, Mads Mikkelsen and Jessica Chastain are among the stars set to attend the upcoming Venice Film Festival. Following multiple unsourced reports, the festival has confirmed that Driver is expected on the Lido’s red carpet to promote Micheal Mann’s “Ferrari,” in which he plays the titular character, Italian car racing pioneer Enzo Ferrari; Landry Jones is coming for Luc Besson’s “Dogman”; Mikkelsen will make the trek for Danish director Nikolaj Arcel’s “The Promised Land” and Chastain for Mexican auteur Michel Franco’s “Memory,” her first role since her Oscar-winning performance in “The Eyes of Tammy Faye.” Also expected on the Lido are Cailee Spaeny and Jacob Elordi, who play Priscilla and Elvis Presley in Sophia Coppola’s “Priscilla.” as well as Priscilla Presley herself.

EXCLUSIVE: There has been mystery for weeks over which Hollywood talent will attend the Venice Film Festival amid the two strikes but the clouds are finally starting to lift.

Werner Herzog And Peter Zeitlinger Set For Camerimage HonorsCamerimage’s special award for cinematographer-director duos will be handed to Werner Herzog and Peter Zeitlinger. Both filmmakers will receive the award in person at Camerimage’s upcoming 31st edition, where they will meet with the festival audience in Toruń, Poland, and present a retrospective review of their films, including both feature and documentary productions. Zeitlinger and Herzog have collaborated for 30 years. Alongside their first joint venture, Death for Five Voices (1995), their productions include the documentaries Little Dieter Needs to Fly (1997), My Best Fiend (1999), Wheel of Time (2003), Grizzly Man (2005), Encounters at the End of the World (2007), Cave of Forgotten Dreams (2010), Into the Abyss (2011), From One Second to the Next (2013), Lo and Behold: Reveries of the Connected World (2016), Into the Inferno (2016), Fireball: Visitors from Darker Worlds (2020), Theatre of Thought (2022), and the feature films Invincible (2001), Rescue Dawn (2006), Bad Lieutenant: Port of Call New Orleans (2009), My Son, My Son, What Have Ye Done? (2009), Queen of the Desert (2015), and Salt and Fire (2016). Camerimage runs Nov 11-18.

Georgian filmmaker Elene Naveriani clinched the Best Feature Award in the main international competition of the 29th Sarajevo Film Festival with her latest pic Blackbird Blackbird Blackberry. The award comes with a €16,000 cash prize.

Blackbird Blackbird Blackberry” won the top prize, the Heart of Sarajevo Award for best feature film, Friday at the Sarajevo Film Festival. The Georgian film, in which a stoically independent woman in her late 40s experiences a gentle existential awakening during an affair with a local deliveryman, also won the best actress prize for Ekaterine Chavleishvili’s performance.

Leo Barraclough International Features Editor Olivér Rudolf’s “My Mother, the Monster” has won the Eurimages Co-Production Development Award at Sarajevo Film Festival’s CineLink, its industry section that featured projects from Southeast Europe, the Middle East and North Africa. The Hungarian feature film project, which is produced by Genovéva Petrovits at Kino Alfa, received a cash prize of €20,000 ($21,727). The film focuses on Éva, a mother in her forties who is disappointed with her life and tired of feeling insignificant.

The Sarajevo Film Festival has distanced itself from a controversial Serbian film that has been accused of glorifying Serbian nationalist groups after experts from the feature were screened at the festival’s industry forum.

Christopher Vourlias A World War II drama that critics say glorifies Serbian nationalist groups has sparked outrage at the Sarajevo Film Festival, with organizers under fire for allowing excerpts of the forthcoming film to screen and the mayor of Sarajevo demanding resignations in the ensuing dust-up. On Wednesday, the Sarajevo fest fought back, insisting that it was caught off-guard by the film’s inclusion at an industry event on Tuesday.

The Sarajevo Film Festival has canceled all social events and will halt red-carpet coverage set for tomorrow (Aug 16) to observe Bosnia’s national day of mourning following a high-profile triple murder-suicide in the country’s Northeastern region.

Leo Barraclough International Features Editor “The Hollow” won the Heart of Sarajevo Award for best TV drama series at the Sarajevo Film Festival on Sunday, and also came away with a host of other awards. The in-competition series came from Bosnia and Herzegovina, Croatia, Serbia, Montenegro, North Macedonia, Kosovo and Slovenia.

Bono surprised attendees at the Sarajevo Film Festival in Bosnia with an a cappella rendition of Bob Marley‘s ‘Redemption Song’ – watch the moment below.The frontman and The Edge were present at the film festival for a special screening of U2‘s Kiss The Future documentary when the legendary Irish vocalist hopped on the mic to serenade the crowd.Fans quickly joined in to sing along to the track after Bono unexpected belted out the opening lines to the Bob Marley classic. Watch a clip of the performance below.#Bono & #TheEdge at the #SarajevoFilmFestival for #KissTheFuture: "Redemption Song"Video © @28th_sff"When Bono's voice meets the silver screen.

Christopher Vourlias U2 frontman Bono made a surprise appearance Friday night at the opening ceremony of the Sarajevo Film Festival, with the Irish pop star leading a rapturous crowd in a cappella rendition of Bob Marley’s “Redemption Song.” The legendary vocalist, appearing alongside bandmate the Edge, took the stage after an emotional screening of “Kiss the Future,” director Nenad Cicin-Sain’s documentary, produced by Ben Affleck and Matt Damon, about U2’s relationship with war-torn Sarajevo in the 1990s. Based on American-born aid worker Bill Carter’s “Fools Rush in: A Memoir,” the film chronicles the band’s efforts to publicize the plight of the city’s besieged civilians during the Bosnian War.