50th Telluride Film Festival Sets Alexander Payne’s ‘The Holdovers’, Emerald Fennell’s ‘Saltburn’, ‘Nyad’, ‘Rustin’, ‘Wildcat’ And More

Leo Barraclough International Features Editor The Zurich Film Festival, which runs Sept. 28 – Oct.

Danish actor Mads Mikkelsen will be honored with the Zurich Film Festival’s Golden Eye Award for career achievement at the fest’s upcoming 19th edition.

Mads Mikkelsen had a slightly heated exchange with a reporter during a Q&A promoting his new movie The Promised Land at the 2023 Venice Film Festival.

Mads Mikkelsen and The Promised Land director Nikolaj Arcel were confronted by a reporter about the “lack of diversity” on screen and how it could affect their possibilities of getting nominated for Best Picture at the Oscars.

fired back at an unnamed reporter at the Venice Film Festival on Friday over a question regarding cast diversity in their new film, “The Promised Land.”The movie is set in 1750’s Denmark. Mikkelsen, 57, stars as an army captain struggling to raise his social status and maintain his values in an increasingly hostile climate.

With no film industry to speak of, and limited funds to make a movie in one of the most remote places on earth, young Bhutanese director/writer Pawo Choyning Dorji pulled off a miracle with his first feature, Lunana: A Yak In The Classroom which came out of nowhere to get an Oscar nomination for Best International Feature (formerly Best Foreign Language Film) in 2019. It was a charmer of a movie set in a village in Bhutan with no connection to the outside world and where a young teacher must decide whether he wants to stay and teach the kids or follow his dreams to Australia.

Tuesday is a fairy tale with some very real-world consequences.

UPDATED with latest: The Telliride Film Festival began August 31 with a lineup for the Rockies event’s 50th edition that includes world premieres of Alexander Payne’s The Holdovers (Focus Features), Emerald Fennell’s Saltburn (Amazon) and Free Solo filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s narrative feature Nyad (Netflix).

Diana Nyad was a swimming legend, a stellar athlete in the 1970s who achieved the heights of her sport, and then went on to a successful decades-long career in the broadcast booth for ABC Sports, ESPN, and elsewhere.

EXCLUSIVE: Emerald Fennell likened making Saltburn, her dangerously dark comedy of class and lack of manners, “to taking your clothes off and exposing yourself.”

Colman Domingo blows through the title role like a force of nature in Rustin, an exhilarating biographical drama about the highly significant but not widely known civil rights leader Bayard Rustin, whose career and reputation in the 1960s were minimized, at least in part, by his hardly disguised homosexuality.

Mads Mikkelsen and his son Carl Jacobsen Mikkelsen make quite a dashing pair!

Mads Mikkelsen has proved time and again a master at playing quiet, rational, and seemingly harmless men who, when pushed, swiftly reveal themselves also to be skilled executioners; their pent-up rage does not bubble up so much as shoot out of them in sudden bursts of ultraviolence. Mikkelsen proves it once more in “The Promised Land,” the new period drama that reunites him with his “A Royal Affair” Danish director Nikolaj Arcel, and premieres in competition at the 80th Venice Film Festival this week.

Thank god for Alexander Payne. The filmmaker is, and always have been, a true humanist. A writer/director more interested in human beings, something that has always been the special effect of his movies. A two-time Oscar winning writer, his latest film, The Holdovers, which had its World Premiere Thursday at the Telluride Film Festival, is one of the rare movies in which he doesn’t also have a writing credit. David Hemingson did the screenplay, but the idea, an inspired one, came from Payne, a real film buff who was always intrigued by Marcel Pagnol’s 1935 French film Merlusse about a group of boarding school students stuck over the holidays with a much-despised teacher. The director thought it had the bones for a new story and developed with Hemingson. Still, set in 1970, it is Payne’s first period film after a celebrated career for movies like Sideways, The Descendants, and many others. He has made some contemporary classics, no doubt, but the warm humanity of a trio of people left alone at Christmas in a snowy boarding school, ranks right up there with his very best. It is funny, sad, witty, poignant, filled with snark and heart and great acting. It also manages to be a film set at the holidays that offers something truly new for the genre, and also delightfully not only evokes the period in which it is set, it also purposely looks like a movie made then.

Biker movies are almost a subgenre of films unto themselves, beginning with Marlon Brando’s The Wild One in the early ’50s and then through all those AIP exploitation titles of the ’60s including The Wild Angels, Hells Angels on Wheels and many more, notably Tom Laughlin’s predecessor to Billy Jack called Born Losers, all culminating with Easy Rider with Peter Fonda, Dennis Hopper and Jack Nicholson, which became the Citizen Kane of biker cinema.

They don’t make them like this any more, except when they do. Bastarden (disappointingly renamed The Promised Land in English) is a historical epic out of Denmark that has all the virtues of a midday movie remembered from childhood, the kind of thing you watched when your mother kept you home with a bad cold: a setting sometime in the olden days, a lawless frontier, sword fights and a gaggle of delectably evil baddies. Those seamy aristocrats and their henchmen, given to torturing, murdering and raping their oppressed tenants, are just lining up to have the tables turned, giving them a rich dose of their own torturing, murdering medicine. Hooray!

It’s been 11 years since Mads Mikkelsen starred in Nikolaj Arcel’s Danish period drama A Royal Affair, one of 2012’s most raved about international films which also went on to an Oscar nomination. 

Guy Lodge Film Critic “The Promised Land” deserves a sexier title than “The Promised Land”: It’s hard to hear those well-worn words and not expect something as beige and starchy as the spuds grown on its titular terrain. It has one, in fact.

The haves and have-nots of Great Britain have always served as ripe subject matter for writers of every stripe and the tradition continues in Saltburn, a vibrant if rather familiar take on the class system circa 2006. Emerald Fennell, following up on her Oscar-winning script for Promising Young Woman, reveals a strong hand behind the camera, even if the trajectory of the story feels rather overwrought and familiar. Nonetheless, the writing is alive and often amusing, giving the fine cast a lot to play with.

The Telluride Film Festival didn’t officially kick off its 50th edition until Thursday, but at least one attendee decided to get an early start the night before.