Hollywood’s potential misuse of artificial intelligence is a “deadly cocktail” and a “poison” that needs to be strictly regulated, SAG-AFTRA President Fran Drescher said in the guild’s latest strike podcast.
21.07.2023 - 20:31 / deadline.com
Striking actors weren’t here at San Diego Comic-Con, however, the guild’s National Executive Director and Chief negotiator Duncan Crabtree-Ireland was, side-by-side with voiceover actors to talk about the threat of A.I. in their profession for the National Association of Voiceover Actors panel “AI in Entertainment: The Performer’s Perspective Panel.”
“A.I. is implemented voluntarily by these big corporations, and people need to hold them accountable,” said Crabtree-Ireland, “We don’t accept the premise that we do what they say.”
“A.I. can be implemented in a human-centric way instead of breaking them down,” he added.
While voiceover actors can engage in videogame work now, they cannot do voiceovers for features films, TV shows and trailers of struck companies.
If anyone wants to know how A.I. voiceover actors are affected, it was in voiceover artist Cissy Jones’ (Transformers Earthrise) testimony today, who expressed grave concern about “public fan mods” whereby fans use a celebrity’s voice to record whatever lines they want, using their vocal likeness and posting thatacross the internet. Jones said that fan mods, while they “can be cheeky, in other instances it can be hurtful.”
“If I don’t have ability to control what my voice says, and what is fake or not, it can do harm to me personally, financially, and (there are things) I don’t want my children to hear. I understand the fun of it, but I would ask with my entire soul that they (fans) put themselves in our shoes,” beseeched Jones.
President and founder of NAVA Tim Friedlander (Record of Ragnarok) went a step further to explain that it’s not just fan mods that are abusing voiceover actors, rather instances where voiceover actors are finding their voices from one
Hollywood’s potential misuse of artificial intelligence is a “deadly cocktail” and a “poison” that needs to be strictly regulated, SAG-AFTRA President Fran Drescher said in the guild’s latest strike podcast.
News broadcasters aren’t on strike, but their SAG-AFTRA steering committee is standing behind the actors and performers who are. “The world is watching,” the committee said in a statement Wednesday, and urged a “quick and productive resolution to the strike.”
Luc Besson’s DogMan has become one of the first films to receive a SAG-AFTRA interim agreement that will allow talent to do press during the upcoming festival season. Actors will be allowed to promote the pic at its upcoming premiere at the Venice Film Festival.
In the wake of yesterday’s upbeat news that the Alliance of Motion Picture and Television Producers and the WGA are heading back for talks this Friday, SAG-AFTRA’s Duncan Crabtree-Ireland says that as far as actors go, it’s still crickets from the producers.
EXCLUSIVE: With such big 2023 movies such as Kraven the Hunter, the next Ghostbusters, the Zendaya romance Challengers and more moving into 2024 due to the SAG-AFTRA strike, exhibition is facing another possible recession should stars remain unable to promote.
Sarah Silverman isn’t so pissed off any more about the interim agreements that SAG-AFTRA has been handing out, but the comedian is still pretty “cynical” about the whole thing.
UPDATED with video: Duncan Crabtree-Ireland, SAG-AFTRA’s national executive director and chief negotiator, blasted the AMPTP at a strike rally Tuesday in Times Square, saying that the companies’ response to the guild’s proposals before contract talks broke off and the actors’ strike began 12 days ago was “No. No. No.”
Gene Maddaus Senior Media Writer Prince Royal, an actor in Los Angeles, was working as an extra on “The Flash” when he was directed to a tractor trailer to “take pictures.” Inside were hundreds of cameras. He stood with his arms up as the operators took a 3-D scan, which he was told would be used for continuity and special effects. “We were told if we didn’t do it, we’d be sent home without pay,” he said.
SAG-AFTRA will hold a mass rally in Times Square on Tuesday morning. It’s expected to be the biggest rally in NYC since the strike began on July 14. Celebs scheduled to attend the “Rock the City for a Fair Contract” rally include Bryan Cranston, Steve Buscemi, Christian Slater, Lauren Ambrose, Christine Baranski, Matt Bomer, Tituss Burgess, Liza Colón-Zayas, Gregory Diaz, Jennifer Ehle, Nancy Giles, Danai Gurrira, Jill Hennessy, Marin Hinkle, Stephen Lang, Arian Moayed, Wendell Pierce, Corey Stoll and Merritt Wever.
SAG-AFTRA has granted more waivers in recent days that give permission to indie projects to shoot during the current strike, including the independent film The Summer Book starring Glenn Close. Other recent projects that will be allowed to shoot include the TV series Underdeveloped and Sight Unseen.
Adam B. Vary Senior Entertainment Writer The perils of artificial intelligence to the entertainment industry came to San Diego Comic-Con on Saturday, with SAG-AFTRA national executive director Duncan Crabtree-Ireland joining a panel of voice actors organized by NAVA, the National Association of Voice Actors, to discuss the specific hazards AI is already posing to the profession. “We’ve got to reject the idea that this is just something that’s going to happen to us and we can’t say anything about it,” Crabtree-Ireland said at the outset of the panel, about whether AI could devastate the entertainment industry. “I think it definitely could, the question is whether we’re going to let that happen.”
EXCLUSIVE: For those awards strategists wondering whether stars from indie U.S. films can promote at the fall film festival troika, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland says “We’re looking at that issue.”
Following SAG-AFTRA’s clearance of AppleTV+’s Israeli spy series Tehran and New Line’s horror movie Watchers –prolific projects from AMPTP studios that the guild remains in talks with– in their interim agreement process, some producers and filmmakers in town have been miffed.
Gene Maddaus Senior Media Writer The group that bargains on behalf of the studios issued a point-by-point response on Friday to SAG-AFTRA, arguing that the union walked away from a deal with more than $1 billion in additional wages, residuals and pension and health contributions. The Alliance of Motion Picture and Television Producers also argued that it has accepted the union’s demand for “informed consent” on the use of artificial intelligence — which has become one of the major issues in the week-old strike. Duncan Crabtree-Ireland, the union’s top negotiator, alleged on July 13 that the studios want to scan background actors and replicate their likenesses “for the rest of eternity” without consent. The AMPTP has adamantly said that is false, and that its proposal includes both consent and compensation.
EXCLUSIVE: SAG-AFTRA national executive director and chief negotiator is weighing on AMPTP’s just-released statement that rebuts the guild’s recent claims about the studios’ final offer before the strike.
SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland will be here at San Diego Comic-Con this Friday as a panelist on the National Association of Voice Actors’ session “AI in Entertainment: The Performers’ Perspective panel”.
Editor’s note: Almost a week into the first joint strike by the actors union and the writers guild since 1960, there are picket lines all over LA and NYC. Yet there are no new negotiations planned between SAG-AFTRA or the WGA and the studios and streamers. Despite the silence and divisions between the parties, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland insists that a pathway to a new contract and a better future for all is possible.
Gene Maddaus Senior Media Writer SAG-AFTRA has granted approval to 39 independent productions to shoot during the strike, after confirming that they are not tied to AMPTP companies. The list includes two projects from A24, the independent production company: “Mother Mary,” starring Anne Hathaway and Michaela Coel, and “Death of a Unicorn,” starring Paul Rudd and Jenna Ortega, which is set to begin shooting soon in Hungary. A24 is not part of the Alliance of Motion Picture and Television Producers, said a spokesperson for the company. The projects also include “The Rivals of Amziah King,” starring Matthew McConaughey and “The Chosen,” a TV series about the life of Jesus.
Gene Maddaus Senior Media Writer SAG-AFTRA and the major studios remain at odds on a dizzying array of issues, as film and TV actors hit the picket lines Friday for the first time since 1980. According to sources on both sides, the biggest sticking point is the union’s demand for 2% of the revenue generated by streaming shows. The two sides also remain far apart on basic increases in minimum rates, with the studios offering 5%, 4% and 3.5% across the three years of the contract, while the union is demanding 11%, 4% and 4%. But that only scratches the surface. The parties are at odds on dozens of issues, only a handful of which have been publicly reported.
After AMPTP called their AI proposal to SAG-AFTRA yesterday “groundbreaking”, the actors’ union National Executive Director and chief negotiator, Duncan Crabtree-Ireland, still begs to differ.