Hollywood’s potential misuse of artificial intelligence is a “deadly cocktail” and a “poison” that needs to be strictly regulated, SAG-AFTRA President Fran Drescher said in the guild’s latest strike podcast.
22.07.2023 - 02:13 / deadline.com
EXCLUSIVE: For those awards strategists wondering whether stars from indie U.S. films can promote at the fall film festival troika, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland says “We’re looking at that issue.”
“There might be a form of an interim agreement that we can make available for that purpose,” Crabtree-Ireland told us today at San Diego Comic-Con.
SAG-AFTRA Strike rules underscore that members “can participate in a film festival that has no known connection, such as sponsorship, to an AMPTP company, however you cannot promote work you did for a struck company at any film festival.”
After the guild cleared several starry indie movies and TV series to shoot during the actors strike, as they’re made by non-AMPTP companies, hope prevails among film festival organizers and personal publicists that exceptions will be made for those indie movies making their premieres at TIFF, Telluride and the Venice Film Festival.
Toronto International Film Festival CEO Cameron Bailey told Deadline that this year’s 48th edition of the fest, which will clear 200+ features, has “a bumper crop of sales titles…independent films with A-list actors on screen,” a subset total that’s up from last year. Bailey remains hopeful that a SAG-AFTRA interim agreement for completed indie films will be approved by the guild so that talent would have the opportunity to venture to the Great White North. Awards publicists have told Deadline that “it just takes one star to show up, to make everyone else feel comfortable.” Again, it’s not the companies behind indie films that SAG-AFTRA has a beef with.
“Every member of SAG-AFTRA will make their own decisions on this even if an interim agreement is in place,”
Hollywood’s potential misuse of artificial intelligence is a “deadly cocktail” and a “poison” that needs to be strictly regulated, SAG-AFTRA President Fran Drescher said in the guild’s latest strike podcast.
News broadcasters aren’t on strike, but their SAG-AFTRA steering committee is standing behind the actors and performers who are. “The world is watching,” the committee said in a statement Wednesday, and urged a “quick and productive resolution to the strike.”
Luc Besson’s DogMan has become one of the first films to receive a SAG-AFTRA interim agreement that will allow talent to do press during the upcoming festival season. Actors will be allowed to promote the pic at its upcoming premiere at the Venice Film Festival.
In the wake of yesterday’s upbeat news that the Alliance of Motion Picture and Television Producers and the WGA are heading back for talks this Friday, SAG-AFTRA’s Duncan Crabtree-Ireland says that as far as actors go, it’s still crickets from the producers.
EXCLUSIVE: With such big 2023 movies such as Kraven the Hunter, the next Ghostbusters, the Zendaya romance Challengers and more moving into 2024 due to the SAG-AFTRA strike, exhibition is facing another possible recession should stars remain unable to promote.
Sean Penn has protested wars in Iraq, walked with democracy demonstrators in Cairo and spearheaded natural relief efforts. But today in Burbank, CA on the 19th day of the SAG-AFTRA strike, and 92nd day of the WGA work stoppage, the two-time Oscar winner braved the muggy 87-degree weather in support of his fellow writers and actors.
Sarah Silverman isn’t so pissed off any more about the interim agreements that SAG-AFTRA has been handing out, but the comedian is still pretty “cynical” about the whole thing.
It’s been 87 days since the writers hit the picket lines and 14 days since the actors joined them, yet the divisions between the guilds and the studios remain as deep as ever.
Gene Maddaus Senior Media Writer Prince Royal, an actor in Los Angeles, was working as an extra on “The Flash” when he was directed to a tractor trailer to “take pictures.” Inside were hundreds of cameras. He stood with his arms up as the operators took a 3-D scan, which he was told would be used for continuity and special effects. “We were told if we didn’t do it, we’d be sent home without pay,” he said.
SAG-AFTRA will hold a mass rally in Times Square on Tuesday morning. It’s expected to be the biggest rally in NYC since the strike began on July 14. Celebs scheduled to attend the “Rock the City for a Fair Contract” rally include Bryan Cranston, Steve Buscemi, Christian Slater, Lauren Ambrose, Christine Baranski, Matt Bomer, Tituss Burgess, Liza Colón-Zayas, Gregory Diaz, Jennifer Ehle, Nancy Giles, Danai Gurrira, Jill Hennessy, Marin Hinkle, Stephen Lang, Arian Moayed, Wendell Pierce, Corey Stoll and Merritt Wever.
SAG-AFTRA has granted more waivers in recent days that give permission to indie projects to shoot during the current strike, including the independent film The Summer Book starring Glenn Close. Other recent projects that will be allowed to shoot include the TV series Underdeveloped and Sight Unseen.
Adam B. Vary Senior Entertainment Writer The perils of artificial intelligence to the entertainment industry came to San Diego Comic-Con on Saturday, with SAG-AFTRA national executive director Duncan Crabtree-Ireland joining a panel of voice actors organized by NAVA, the National Association of Voice Actors, to discuss the specific hazards AI is already posing to the profession. “We’ve got to reject the idea that this is just something that’s going to happen to us and we can’t say anything about it,” Crabtree-Ireland said at the outset of the panel, about whether AI could devastate the entertainment industry. “I think it definitely could, the question is whether we’re going to let that happen.”
Following SAG-AFTRA’s clearance of AppleTV+’s Israeli spy series Tehran and New Line’s horror movie Watchers –prolific projects from AMPTP studios that the guild remains in talks with– in their interim agreement process, some producers and filmmakers in town have been miffed.
Jenna Ortega and Paul Rudd’s “Death of a Unicorn” will continue to shoot despite the writers and actors strike that’s currently affecting Hollywood. The film is a part of 39 independent productions that received approval from the unions to continue to shoot.Emmys: Jenna Ortega makes history as youngest Latina nominee for ‘Wednesday’Diego Luna, Selena Gomez and more Emmy snubsA post shared by Jenna Ortega (@jennaortega)Variety reports that the film is excluded from the strike due to the fact that its production studio, A24, isn’t affiliated with the Alliance of Motion Picture and Television Producers (AMPTP).
It’s Day 6 of the SAG-AFTRA strike and Day 79 of the WGA strike.
Editor’s note: Almost a week into the first joint strike by the actors union and the writers guild since 1960, there are picket lines all over LA and NYC. Yet there are no new negotiations planned between SAG-AFTRA or the WGA and the studios and streamers. Despite the silence and divisions between the parties, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland insists that a pathway to a new contract and a better future for all is possible.
Gene Maddaus Senior Media Writer SAG-AFTRA has granted approval to 39 independent productions to shoot during the strike, after confirming that they are not tied to AMPTP companies. The list includes two projects from A24, the independent production company: “Mother Mary,” starring Anne Hathaway and Michaela Coel, and “Death of a Unicorn,” starring Paul Rudd and Jenna Ortega, which is set to begin shooting soon in Hungary. A24 is not part of the Alliance of Motion Picture and Television Producers, said a spokesperson for the company. The projects also include “The Rivals of Amziah King,” starring Matthew McConaughey and “The Chosen,” a TV series about the life of Jesus.
Gene Maddaus Senior Media Writer SAG-AFTRA and the major studios remain at odds on a dizzying array of issues, as film and TV actors hit the picket lines Friday for the first time since 1980. According to sources on both sides, the biggest sticking point is the union’s demand for 2% of the revenue generated by streaming shows. The two sides also remain far apart on basic increases in minimum rates, with the studios offering 5%, 4% and 3.5% across the three years of the contract, while the union is demanding 11%, 4% and 4%. But that only scratches the surface. The parties are at odds on dozens of issues, only a handful of which have been publicly reported.
proposed to use artificial intelligence to scan the faces of extras and use their likeness in perpetuity.On Thursday, the Screen Actors Guild and American Federation of Television and Radio Artists (SAG-AFTRA) officially declared its intention to go on strike, with one of the many areas of concern for the union being the use of AI within the industry.During a press conference, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland said that the Alliance of Motion Picture and Television Producers (AMPTP) had made a so-called “groundbreaking” proposal that, with the use of AI, would allow the likenesses of film and television background performers to be used indefinitely.Sharing his anger at the proposal on Twitter, Cusack said: “Studios wanna have extras work one day, scan them — own their likeness forever — and eliminate them from the business.“Do you think they will stop with extras? That’s what AI is — a giant Copywrite identity theft [and] criminal enterprise.”Studios wanna have extras work one day Scan them – own their likeness forever – and eliminate them from the business – & do you think they will stop with extras – ? That’s what AI is – a giant Copywrite identity theft – criminal Enterprise / we had no idea this would…— John Cusack (@johncusack) July 14, 2023“We had no idea this would happen… they will say in 10 years when the scope and scale of the plunder is revealed,” he added.
Black Mirror.On Thursday, the Screen Actors Guild and American Federation of Television and Radio Artists (SAG-AFTRA) officially declared its intention to go on strike, with one of the many areas of concern for the union being the use of AI within the industry.During a press conference, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland said that the Alliance of Motion Picture and Television Producers (AMPTP) had made a so-called “groundbreaking” proposal that, with the use of AI, would allow the likenesses of film and television background performers to be used indefinitely.“They propose that our background performers should be able to be scanned, get paid for one day’s pay, and their company should own that scan of their image, their likeness and should be able to use it for the rest of eternity in any project they want with no consent and no compensation,” he said (via Reuters). “So if you think that’s a groundbreaking proposal, I suggest you think again.”Many have since noted that the proposal is eerily reminiscent of the season six Black Mirror episode ‘Joan Is Awful’, in which actors and members of the public have their likeness used in AI-generated TV shows.This scene in Black Mirror's 'Joan is Awful' about how entertainment companies could control a person's likeness and use it as they desire, including data from cellphones, is frightening — and according to the SAG-AFTRA negotiations, not too far off from reality.Chilling.